Established in 1994 Triple Vision has been responsible for the world wide promoting, releasing and distributing of a very large percentage of the electronic music that is being released on vinyl and on digital format specializing in House, Techno and Drum & bass and Dubstep.

Science, technology, and other cool stuff from public radio's Science Friday. It's brain fun, for curious people. From WNYC Studios.

WHYY's Radio Times with Marty Moss-Coane is a thought-provoking, engaging and timely program that tackles wide-ranging issues of concern to listeners in Philadelphia, the Delaware Valley (Pennsylvania, New Jersey and Delaware), the nation and beyond. This SoundCloud account gathers edited clips from our shows, but if you want to listen to our full, hourlong broadcasts, go to whyy.org/radiotimes or find WHYY Public Media here on SoundCloud.

Strobetech's journey began in their early years, bonded by a shared passion for music. Their collaboration started with a mutual love for a specific style, eventually leading them to produce their own tracks. Initially focused on DJing, Strobetech quickly transitioned into music production, honing their unique sound.

Renowned for their driving and underground techno sets, Strobetech captivates crowds with their original tracks that keep fans coming back for more. Their distinctive style has earned them recognition across the globe, with releases on several renowned record labels.

Having had the opportunity to collaborate with major names in the techno scene, such as Virgil Enzinger, Citizien Khain, and Spartaque, Strobetech has firmly established themselves as a force in the industry. Their energetic performances are a staple of Zurich’s vibrant club scene, where they consistently bring the crowd to life with their fresh, electrifying techno sets.

►Tonikattitude a commencé à pratiquer la musique en 2006 aux côtés d'artistes régionaux dans le sud de la France a Montpellier, passionné de musique électronique il a fait ses premières armes sur platines vinyles en mixant des styles comme la Minimal et l'Electro-Tek. 

Avec les années il a su se trouver un style de musique propre à lui même basé sur fond de techno et de Darktechno, ce qui lui a permis de jouer à des soirées en plein air mais aussi dans des bars et clubs du sud de la France,en passant par des festivals tels que le " Label Rue et suite à un concours remporté haut la main a mixé pour le festival Tribe-Gathering" en Belgique,  avec la seule envie de retourner le "dance floor".

Avec le temps il créa sa web radio " RadioTeksession" qui a permis à de nombreux artistes régionaux et internationaux de faire partager leur convictions musicale pendant 2 ans,.
Une belle aventure qui a pris fin par la suite pour ce consacrer à la production musicale, et ce depuis 3 ans, ce qui lui à permis de signer sur des labels tel que:

Reload Records ,
Naked Lunch,
Darker Sounds, 
Wicked Waves Recordings, 
Subwoofer Records 
et bien d'autres.

Par la suite,cet engouement pour la musique la poussé à crée son propre label en 2013, " TEKSESSION RECORDS" .

Une nouvelle histoire qui commence, car  "Teksession" bien plus qu'un mot!!!  
Une affaire à suivre.....

► Tonikattitude began practicing music in 2006 alongside regional artists in the south of France in Montpellier, passionate about electronic music he made ​​his debut on turntables , mixing styles like Minimal and Electro- Tek .

Over the years he has managed to find a style of music unique to itself based on techno background and Darktechno , which allowed him to play evenings outdoors but also in bars and clubs in the south of France , through festivals such as " Label Street and after a competition won handily for a mixed - Tribe Gathering festival " in Belgium , with the sole desire to return the "dance floor" .

Over time he created his web radio " RadioTeksession " which allowed many regional and international artists to share their musical convictions for 2 years .
An adventure that ended thereafter to dedicate this music production , and for 3 years, which allowed him to sign on labels such as :

Reload Records,
Naked Lunch ,
Darker Sounds
Wicked Waves Recordings
subwoofer Records
and many others.

Thereafter, this passion for the music led to his own label in 2013 , " TEKSESSION RECORDS " .

A new story begins as " Teksession " much more than word !
Stay tuned .....

Roel Funcken officially popped up on the scene in 2010, with his solo debut, titled Vade, out on Ad Noiseam. But fans of electronic music, and IDM in general, have been tracking this Dutch musician for over a decade prior, when, along with his brother, Don, the duo has released some of the genre defining music on labels such as Djak-Up-Bitch, Schematic, Sublight Records, Neo Ouija, n5MD , Arcola (Warp) as the one and only Funckarma. In 2009 the Funcken brothers kicked off their very own, digital-only, Funcken Industry imprint, which hosted a few of their other projects and offshoots, such as Shadow Huntaz, Scone, Quench, Automotive, and the latest from Roel's solo works. Roel continues to influence the evolution of music through numerous releases (Sapper Morton on Analogical Force, Semtinal Convex on Methlab and Prester Hynn on his own imprint to name a few) and active engagement in the community, with music festival curation, mixes on mixlr and soundcloud and weekly playlists on Soundcloud and spotify. Roel's music is advanced in sound design, often incorporating unique experimentation in electronic sound, with cut-up, twisted, atmospheric sonic soundscapes, leaving the cranium always begging for more. His ambient textures maintain a cinematic quality throughout, while his percussive arrangements retain a constantly mutating framework, always reconstructing its rhythm and structure, contradicting complex configurations and minimal design. It's always a pleasure to taste the latest treat from this aural engineer, and find the latest gem in his never-ending arsenal of sound. Definitely check out his music Funck’d subscription on bandcamp to check out his latest tracks and get some exclusive material).

We're not the best, but we're pretty good.

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