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The #1 in Extreme Music! As the world's biggest independent Heavy Metal label we give you access to always the latest songs, official music videos, interviews, live performances and more from artists like Slayer, Machine Head, Nightwish, Eluveitie, Exodus, Anthrax, Meshuggah, Hatebreed, Testament, Sepultura, Children Of Bodom, Dimmu Borgir, Avantasia and many more.

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

From an idyllic, leafy Yorkshire upbringing and a lifetime dedicated to classical training comes Eurielle.

After graduating from a vocal scholarship with St. Peter’s School in York, Eurielle spent two years preparing to audition for the three major classical music conservatoires in London, and also became a member of the National Youth Choir of Great Britain. Eurielle accepted a vocal scholarship for the Bachelor of Music Course at The Royal Academy of Music in 2007. Under the esteemed, late Noelle Barker OBE at the Academy, Eurielle explored her musical range and started to develop the sound which would later become her trademark – a classically infused but modern musical take on the stories of mythology, legend, fantasy and our own human nature.

Whilst still at college, in 2010, Eurielle was introduced to multi-platinum producer Ryan Louder (who has also worked with Dido, Katherine Jenkins, Pixie Lott and Anastasia). Ryan and Eurielle saw in each other the perfect musical match and they began to co-write and record together. This resulted in the production of Eurielle’s debut album, “Arcadia” which she self-released in December 2015, and the pair have collaborated on a number of singles which they have released since too.

Following this, in 2018 Eurielle was introduced to songwriter and leading film & TV soundtrack composer, Charlie Mole whose credits include writing songs for Kylie Minogue and Chaka Khan, and soundtracks for ‘Mr Selfridge’, ‘The Importance of Being Earnest’, ‘Othello’, ‘Dorian Gray’, and ‘The Sopranos’. This introduction led to Eurielle collaborating with Charlie on her second and third studio albums, both of which they co-wrote and co-produced together. Entitled “Goodbye Butterfly” and “Lady In Waiting” (respectively), these albums were recorded and produced at the very highest level; under the baton of Alastair King on both occasions, the Chamber Orchestra Of London and RSVP Voices were recorded in world renowned Lyndhurst Hall – AIR Studios, London, with veteran engineer Paul Golding in charge of capturing the recordings and mixing and mastering them afterwards. Eurielle released both albums independently in December 2019 and October 2021 respectively.

To date, Eurielle has built up a substantial catalogue of releases which have attracted a large fan base online, with millions of views and streams of her recordings and videos on both YouTube and Spotify. Her work has already earned her the recognition and endorsement of BBC Introducing, and playlist placement on national classical music radio station, Scala Radio as well as one of Spotify’s own official curated playlists, and several of her songs have been sampled by internationally famous artists and DJs including American hip-hop trio, Migos, and Hardstyle legends – Headhunterz, Wildstylez and Sound Rush.

Her natural ability to connect with her voice, coupled with a pure simplicity of tone has subsequently resulted in strong demand for her vocals for high profile film, TV and video game soundtracks from pre-eminent composers including John Lunn, Nicholas Hooper, Benjamin Wallfisch, Daniel Pemberton, Ben Foster, David Schweitzer, Barnaby Taylor and Michael Gordon Shapiro, seeing Eurielle record for the likes of Downton Abbey, Disney, the BBC, the Rio Paralympics 2016, Kaleidoscope Pictures, 20th Century Fox, Universal Pictures, Shazam! (New Line Cinema: Warner Brothers), Enola Holmes (Netflix), and Dice Legacy (DESTINYbit) already.

Looking ahead, Eurielle has several more major soundtrack projects in the pipeline and notable collaborations planned, as well as the creation of further albums of her own, so sign up to her mailing list via her website if you’d like to be notified about her future releases here: https://eurielle.com/

New full-length album "New Wave Order" OUT NOW with Lifeforce Records!

Order your copy of "New Wave Order" here:
https://orcd.co/foreshadowing_nwo

I've done music for: Sirius sport resort, Keskiympyrä, Sscinema, Vostok games and some other projects.

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