Get our digital releases here!1 https://polymerictechno.bandcamp.com/follow_me
Polymeric T-shirts: https://polymerictechno.bandcamp.com/merch/polymeric-classic-t-shirt

Main artists:

MAXX ROSSI
DJ ESP
JEFF AMADEUS
CHRIS LIBERATOR
CONCRETE DJz
IGNITION TECHNICIAN
POUNDING GROOVES
D.A.V.E. THE DRUMMER
ALBERT KRANER
A.P.
ZOID
SYNDROME
WHT MOTH
AARON TP

コンスタントに排便
カジュアルに自慰
日々の生活
継続は力

Since 2011, F.E.M has become a figure in the French electronic scene with a Techno Trance crafted for the dancefloor. 

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Play with: Trym, Nico Moreno, Blaame, Biia, Carl Cox, Tale Of Us, Laurent Garnier, Boris Brejcha, Robert Hood, Michael Mayer, Kevin Saunderson, Carl Craig, Paula Temple, Agoria, Pan Pot, Josh Wink, Etienne De Crécy, Agents Of Time, Mind Against, Jack de Marseille, Deetron, Christian Smith, Gary Beck, Lilly Palmer, Alan Fitzpatrick, Space 92, Voiski, Jonas Kopp, Stephan Bodzin, Gui Boratto, Lee Van Dowski, Kink, Electric Rescue, Blawan, Madben, Heartthrob, Enola, Triumph, Da Fresh, Marika Rossa, Daniel Avery, Paul Johnson, Dusty Kid, Mark Broom, Ian O'Donovan, Jerome Pacman, Douglas Greed, John Tejada, Paul Woolford, Nicolas Masseyeff, La Fraicheur, Reinhard Voigt, Bambounou, Canblaster, Matrixxman, Ambivalent, Etapp Kyle, KUSS, Charles Fenckler, NTBR, Mac Declos, Lacchesi, Marion Di Napoli, Johannes Heil, Culoe De Song, Marst, Bleak, Egbert, The Reactivitz, Rodriguez Jr, Joachim Pastor, FKJ, Danton Eeprom, Jabberwocky, Simo Cell, Derek Plaslaiko, The Driver, Elisa Do Brasil, Eggo, Bodhi, Fakear, Else, Claptone, Laolu, N'to, Worakls, Molecule, Kmyle, BFVR, Incident Prism, Idem Nevi...

Remixes by: Traumer, Ian O'Donovan, Paul Nazca, Satoshi Fumi, Enola, Meda, Melokolektiv, Oniris, Manuel M, David Duriez, Marst, Antony Toga, JusaÏ, Yann Lean, Southsoniks, Earl Nest, Capon, Emery Olker, FrauK, Bagur, KoniK...

Collaboration with: WAST, DICA, TRISMUS, Ael, Theobald Ringer, Quentin Schneider, Optim...

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All my tracks are copyrighted by SACEM

Every event, statement or idea has its own circumstances that define the setting in terms of which it can be fully understood. And to fully understand KNTXT, the techno concept guided and hosted by Charlotte de Witte, you must experience it.

KNTXT has already profiled itself as a force to be reckoned with in the Techno landscape. Its objective is a clear one: to serve a quality techno experience driven by both national as international acts, while staying true to a genuine underground spirit.

All of this has resulted in some mind-boggling editions showcasing an impressive all star wall of fame and also receiving praise from several media such as Mixmag, DJ Mag and Red Bull Elektropedia (Best Really Big Party).

Manifest:
KNTXT /ˈkɒntɛkst/ noun
“The circumstances that form the setting for an event, statement, or idea, and in terms of which it can be fully understood.”

guchon69@gmail.com

http://guchon.com/

@Kokushimusou with @hujikopro

@uttuclub
@dbh-music
@moveltraxx
@systemrecordsuk
@maximumairtime
@feelingsldn
@pommefriterec
@maltine-record
@bootytune
@mergelayers
@step-rec
@ht_france
@booty-call-records
@koolswitchworks
@urwaxx
@nc4k
@trekkie-trax
@gyrationstation
@bricksweatrec
@chequeredwax
@merryworks
@clock-hazard-jp

As one of the longest standing independent record labels in the US, Nervous Records has built its reputation through a willingness to take chances on new sounds and new producers. Nervous was the first American label to sign and release tracks from such dance industry luminaries as Armand Van Helden, Paul Van Dyk and Nuyorican Soul. This spirit has enabled Nervous to build a catalogue of hits that spans the complete range of underground dance and hip hop genres.

The label was famous almost immediately when it started back in 1991 because of its eye-catching, very distinctive cartoon character logo. In addition the first three releases were produced by Roger S., Kenny Dope, and Todd Terry respectively, representing the three best house producers of that time. By 1992 Nervous was featured in magazines like Billboard, DJ Magazine (cover story), Mixmag, and ID, hailed by all as the “Sound of New York nitelife.”

Nervous’ first major dance release came in 1992, with “Feel Like Singing” by Sandy B. Nervous decided at that point to focus its energy on expanding the label’s musical field. The label’s first step outside the house music arena was with the Brooklyn, NY-based rap group, Black Moon, whose single “Who Got The Props” virtually put Brooklyn back on the map as a center of hip hop. At the same time, the label decided to alter the Nervous character for this release, giving it specific hip hop characteristics, and calling the hip hop label Wreck Records. Massive success followed with the Wreck imprint, as hits soon followed by Smif-N-Wessun, and Funkmaster Flex.

Nervous decided to continue to expand its musical boundries in 1993 by signing Mad Lion, which would be the first reggae artist on the Weeded imprint. Once again, there was huge success as Mad Lion’s single “Take It Easy” sold over 250,000 units.

Meanwhile, the Nervous merchandise continued to produce massive sales numbers as it established itself as one of the most favored t-shirts for the youth cultures of America, Japan, and many European countries.

In 1994, the label decided it was time to move into the electronic genre, and started an imprint called Sorted. The first artist on that label was Josh Wink, who went by the artist name Winx. While Winx’s debut release was a critical success although not a major seller, Winx’s follow-up release “Don’t Laugh” became the American dance community’s most talked about single, and ended up selling several hundred thousand units worlwide. Subsequently Nervous released Winx’s debut album, “Left Above The Clouds.” This album was one of the first “electronica” albums to be released, and lead to Josh Wink being signed to Sony as an artist. Nervous also released an album by two Long Island based dj’s, DJ Micro and Vicious Vic. The album, entitled “Progress Into Our Future,” since became a seminal album for the crew of Long Island dj’s that currently dominate clubs with their hard trance sound.

In 1996, Nervous virtually single-handedly created a garage house music revival by releasing the debut solo artist album by house music legend Byron Stingily. Byron was formerly the lead singer of gold-selling group Ten City. His second single on Nervous, “Get Up,” went to number one on dance charts around the world, including the Billboard Magazine club chart in America.. For his album, “The Purist,” Nervous assembled an all-star cast of legendary House producers, including Frankie Knuckles, Masters At Work, David Morales, Basement Boys, Maurice Joshua and MK.

As the musical trends continued to evolve in the late 90’s, Nervous continued to create new imprints to remain at the cutting edge of all independent labels. Nervous Dog was created to accommodate the emerging harder-edged house sound of New York; Strapped was the home for uptempo, club oriented hip hop Party tracks; and Nervous Chill released the down tempo, jazzy grooves that are always in vogue in the newest restaurants.

The label also has had many successful tours over the years. One of the biggest was in 2,000, when the Nervous tour was sponsored by Playboy Magazine and KAMEL cigarettes, and featured DJ’s Jackie Christie, Razor-n-Guido and DJ Escape, along With PA’s by Nervous artists Byron Stingily, Charlotte And Kim English. In addition, Nervous created what became one of the Winter Music Conference’s most original Parties, the Nervous After-hours breakfast at Denny’s, which featured an International list of dj’s entertaining conference attendees at 5:00 AM while they ate their grand slam Denny’s breakfast.

In 2000 and 2001, the energy tribal sound dominated the US club and Nervous gave America’s club-goers four of the its most dominant anthems, “Skin” by Charlotte, “Ssst…Listen” by Jonah, “Unspeakable Joy” by Kim English and Dive In The Pool by Barry Harris featuring Pepper Meshay. During this same time, the label has also created many successful compilation series, among them “Hip Hop Independent’s Day,” and “Future Progressive,” and “Club Nervous.

As the hits grew in number, so did the value of the catalogue for sampling purposes. Nervous songs have been sampled in major hits by Mariah Carey, New Edition, Coolio, Flip Squad, Basement Jax, George Michael, Soulsearcher and more..

In 2006 Nervous gave the US one of the biggest dance radio records with What A Feeling by Peter Luts & Dominico, a track which won the 2007 WMC award for Best Euro Dance track. In addition, Nervous delivered the most memorable US underground track of the year with Ralph Falcon – I Need Someone, which was also number one club record of 2007 according to Billboard Magazine.

In 2008 Nervous had two of the top five most played records of the year at dance radio, with Bellatrax feat. Sophia May/I Can’t Help Myself and Every Word by Ercola featuring Daniella, and ended the year as the two most played label at dance radio in the USA according to Billboard Magazine.

Nervous has also made a strong foray into the compilation market, building a roster with some of the most credible house music. The past twelve months has seen full length cd’s from Oscar G, Ralph Falcon, Funkagenda, Mark Brown, Behrouz, Chris Lake, Starkillers & Austin Leeds, DJ Theo, Exacta and Marlon D. Second half of 2009 will see releases from Danny Krivit, Frankie Knuckles, Tom Stephan, Peter Bailey and Richie Santana and Anane (produced by Louie Vega. 

In the grand tradition of Nervous launching sub-labels to embrace the next sounds to take over Nitelife ... In 2011 we launched Nurvous Records.  With the Indie Dance / Nu-Disco sound that has erupted from England and is now barreling towards full speed in America, one of our primary goals is to provide innovative homegrown style; and bringing back emotion to the music, squashing the over-commercialized big-room invasion.

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

nommy is following