Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Advent – A coming, or an arrival, a coming into being or use. 

Quite an appropriate name for Cisco Ferreira, a man who has played a big part in the creation and development of Techno from the very beginning of this genre’s history. Indeed, his Techno CV is the stuff of legend. Cisco was producing Techno and performing live Techno shows years before the rest of the world had even heard of the genre. He released his first track in 1988, was a pioneer of the Live PA (or Live Public Address – performing Techno live in front of an audience using electronic music gear), and, if all that wasn’t enough, he even worked as the sound engineer on some of Derrick May’s, Adonis & Fingers Inc’s recording sessions! 

The list goes on, and so does Cisco. Unlike other Techno pioneers from the early years, Cisco continues to produce with as much passion and frequency as he did back in the day. His releases on Labels Like Tresor, Rotation, Electrix, Kanzleramt, Dj Gigolos, Pure Plastic, Synewave plus many more is just another example of his ongoing pursuit to keep making music and pushing Techno to new boundaries. 

Cisco was born to Portuguese parents on the island of Madeira (Portugal). His family moved to London (1975) when he was five years old, setting the stage for his musical career. While at Paddington College (1986) in West London, he studied sound engineering and secured a job after graduation as an assistant sound engineer at ZOLOU Then later WALL Studios.  

At this period is when he really started to learn about Sound & Production, his 1st main recording sessions as an engineer were rock & “Inde” based bands & the studio owners being in successful rock bands. Matt Dangerfield & John Payne “ASIA” this 1st step was a start in learning about balancing & mixing down the rock way, which had a lot of intense & Raw energy especially on drums & Guitars.. 

Other bands Cisco did sessions for: P.I.L. (John Lydon - sex pistols) – Robert Plant (Led Zeppelin) – That petrol emotion. Then Later Pop, Dance, Soul & reggae groups like: Wild Bunch (Nelly hopper & Massive Attack) – Marco Pirroni (Adam & the ants) - Maxi Priest – Sly Dunbar (Sly & Robbie) – Loose Ends – Cheryl Lynn… 

1987 Cisco began going to clubs and learning about this new thing called Acid House, which was spreading like crazy throughout London’s underground scene, culminating in the famous “Summer of Love” in 1988, the genre’s golden period. 

Around this time, a record label called, Jack Trax, “One of the 1st to release Acid House, House & techno in UK” moved in next door and began using the same studio for recording sessions, with Cisco as the engineer working with Fingers Inc, Adonis, Marshall Jefferson & Derrick May. Cisco released his first record in 1988 on Ferrari records (R&S records) Then later “Cisco Ferreira” EP on Fragile. 

His first big break came in 1994, when he and fellow Londonite Colin McBean (a.k.a. Mr. G) were brought on by Internal Records to help co-produce a group called Salt Tank. A record contract with Internal/FFRR soon followed, committing The Advent to 12 EP’s and 3 albums.

Today, The Advent goes on just as Cisco Ferreira. While he has had a long history with tons of accomplishments to hang his hat on, he continues to make history. The Advent is fulfilling Cisco’s vision as much as ever. He is busy touring as both a DJ and a live performer, producing for numerous labels, and running his own Techno imprint, Kombination Research. 

As Cisco moves forward, striving to fulfill the ambitious goals he has set one can look back at his storied past and see how he has come full circle… The Saga continues.

BOOKINGS DJ & Live sets: chris@elitemm.co.uk
Slam (aka Stuart McMillan and Orde Meikle) are a tour de force on the global techno circuit. Their unique, six deck, back-to-back DJ performances have seen the duo play leading clubs and festivals across the world. They are renowned for both their experience and their powerful, contemporary sound. 

They are co-owners of Glasgow's Riverside Festival, and also host the legendary Maximum Pressure warehouse parties, which showcase the best emerging local talent alongside some of the most established names in international techno.

Their iconic Soma Records label boasts in excess of 600 releases, hosting Mcmillan and Meikle's own productions and many of today's most cutting-edge techno artists.

The last few years have seen some of the duo's most prolific studio output as they continue to innovate and keep things moving forward, most recently with the release of their experimental full length record Athenæum 101. In addition, Slam have also remixed tracks from the likes of Planetary Assault Systems, Clouds, Dax J, Damon Wild, Richie Hawtin, and Truncate, to name just a few. 

Slam also host one of Techno's most respected weekly podcasts, Slam Radio, which has now surpassed over 400 episodes. The show allows the duo to demonstrate their conviction to creating and promoting music and vibes that provide an antidote to the mainstream by inviting fellow artists from the vibrant Techno scene, from obscure names to current trailblazers.

DJ - Producer - Promoter @ Spectrum Audio Au

Mixing everything four to floor

Soul n Funk - Disco - House - Techno
 
Check the links below for some of my other side projects!!

"I love great music, it has no colour, it has no boundaries"

Micheal Jackson RIP

Podcast channel for THE Aussie Rugby Website: Green and Gold Rugby. We produce three podcasts - the Green and Gold Rugby Show, the Rugby Report Card and The Dropped Kick-Off. 
The Report Card takes no prisoners as they analyse the weekend's games, while the G&GR Show breaks down the burning questions in Australian rugby. The Dropped Kick-Off sits down with folks in the know, covering left-field and relevant topics around the game in Australia.

One of the world's leading electronic dance labels, and one of the longest running. We have been putting out great music since 1991. Co-founded by Slam.

Sound Architect, DJ, Producer, Engineer, Cosmik B-Boy and Praying Mantis. Man of many pseudonyms; Mystic Letter K, Mr. Barth, Fred, Braincell, Rotor-Type, Vector, Phunkey Rhythm Doctor, Rubberneck, Shape Changer, Agent Orange, Magenta, Crushed Insect, Yakari, The Mantis, C-Blast, Deform-Anti.

nomongo is following