Track List:
Dreams - Beacon Of Power 
Tzusing - Face Of Electric
Esplendor Geométrico - Rotor (Broken English Club Remix) 
JaX DaX - The Screws
Further Reductions - Central System
Smersh - Motor Hum
Jensen Interceptor & Assembler Code - Drum Rack
Assailants - Effort 1
The Secret Initiative - Meltwater Valley
Im Kellar - Brain Roto Cast Action
Impulse Controls - Devour
Cardopusher - Trouble With Thinking Too Much Acid
Pankow - Das Vodkalied
Stranger - Highest Sense
Locked Club - Punk Navsegda
Cassegrain - Trappist (The Mover Remix)
Burgler Tom - Ken-el
Adam X - Rebellion in 2071
Kitkatone - Sho Wergel
Blush Response - Repetitor
Cute Heels - State of Mind - (LA-4A Remix)
Under Black Helmet - Jagged
Ontal - Critical Path Method (Minimum Syndicat Remix)
SDHW & Obscure Shape - Der Fluch
Paul Birken - Repeat Offender
Dax J - Utopia
Blacknecks - (Untitled 3)
Trade - Half Nelson
Infusion - Dead Souls
Franz & Shape ft. Dirk Da Davo - Maximum Joy
Mugwump - Concrete Skankin
Terence Fixmer - Cerveaux Sans Ames

Tilt Shift Mixes

Tilt Shift Mixes - The Voids

A song written by Kelly Gilleran and I on 3/12/2021 at around midnight. 

Gear used: Hydrasynth, SE02, SH01, JU-06, Juno-106, Minimoog, Minilogue all controlled by MPC One and drummed out by TR8S.

GAted Reverb

Gated Reverb - Analogous Structures

[Résidence le béguin pour Ensemble[S] 
► @alex_kdo invite @naaaaaav

▷ Erinav, aka Nav, fait partie de ses jeunes artistes lyonnais tout aussi discret que talentueux. 
► Initialement inspiré par la scène techno tel que des artistes comme Oscar Mulero, Luke Slater, Temudo, et proche de la scène locale bien fournie tel que la talentueuse étoile montante Vel, ou encore le label Cosmic Wave Records, le navire tient aussi parfaitement la barre dans des registres plus uk, house, électro et trance. 

▷ Après avoir retourné des floors comme au Le Petit Salon, à la Plateforme, au Ninka, aux Les Halles du Faubourg et plus récemment aux teufs du collectif ex.terre, 

►Nav ne joue que pour le plaisir d’offrir et ce sans modération.

[Résidence @Ensembles] Le béguin pour KDO invite Nav (22.04.2021)

DJ set enregistré pour le collectif Bulle (Châlons en Champagne) dans la friche de l'ancien CFA 🔥

Tracklist :

Larria - Sawagou 2019 (Boiler Room Edit) [Self Released]
Objekt - Balloons [Power Vacuum]
Pteron - It's Been Too Long [Draconian Audio]
Pugilist - Chrysalis [Trusik Recordings]
Jennifer Loveless - Syzgyzy (Scissor Me) [Butter Session]
Tessela - Hackney Parrot (Disaffected Bootleg) [Self Released]
The Droid - Restore [Self Released]
Cameo Blush - Clearcutter [Unknown - Untitled UU001]
DJ Plant Texture - Respira [Oaks]
JKS - Keep It Up [Smile Sessions]
Pessimist - Ridge Racer Revolution [Ilian Tape]
Myler - Riddim & Hash (DKS Edit) [Unreleased]
Artifacts - Plantastik [Kickin Records]
DJ Savage - Pre-Post [TH Tar Hallow]
Drumskull - Negative 7 (Etch's Nosebleed Remix) [Seagrave]
Rise Black - Caucasian UFOs (Ttttttttt Remix) [Adjacent Possible]
Nigm - Rite Of Passage [La Forge]
The Prodigy - Out Of Space [XL Recordings]
Daft Punk - Superheroes [Virgin]

Nathan Zahef @ Bulle

last time was different [sketch]

Nocta Numerica is pleased to announce the arrival of Luxus Varta on the label. 

‘Plastic Time’ is a 5-track EP that fuses Electro and melancholic sonorities.  The 13th release of the French label will be pressed at 300 copies and released late February 2019.  It includes a special appearance by Paris the Black FU (Detroit Grand Pubahs) on the track ‘Stilnox’.

The release is about the perception of time depending on people’s activity and their mental state.  Plastic Time (also known as Elastic Time) is a term developed by Intel researchers to describe a modern “experience that is highly interruptible, shrinking and expanding around immediate concerns, and interleaving through multiple activities”.

Plastic Time

Feline

@Rhyw next on Fever AM.

Alex Tsiridis, one of Techno’s more prolific producers, returns to the label he operates alongside Mor Elian. Tsiridis has used the Rhyw alias to explore more abstract interpretations of both the Techno genre, and the wider dance music spectrum. 

On this particular missive Tsiridis looks to his musical roots, growing up in the UK for inspiration, with a pair of high tensile, deconstructed club tools. Both find their focus in the low end, with the artist looking to the silent space between percussive strikes as much as any one sonic component. Vocal cuts lend the tracks their identity, with careful shifts and edits thereof lifting both recordings up far and above the sum of their parts.

The result is satisfying & undeniably effective - Tsiridis’ output as Rhyw has always been deceptively simple - favouring economy of elements over a crowded sonic space. This latest effort is no different, a well executed & welcome addition to the discographies of both artist and label.

Track List:
A. Biggest Bully
B. Felt

Release Date: 20th May 2019 
12" vinyl (+hand screen printed cover) & digital

Pre-order: https://feveram.bandcamp.com/album/biggest-bully-felt-fam05
Biggest Bully video: https://youtu.be/244i-DSMWw8

Rhyw - Biggest Bully / Felt (FAM05) PREVIEWS

VFO89 
A/B Tape 
CKK080 
Chez.Kito.Kat Records . September 2020
Limited Edition Cassette available on our bandcamp

W&P by VFO89
Master by Christophe Biache
Artwork by Hugo Lermechin
Design VFO89

VFO89 .A3. Pedestrians

crouds formed in 2017, pursuing the declared goal of playing superior club sets. They dropped their debut “Cabin Pressure” in 2020 on Neuzeit Records. Another EP on Intumi and remixes for Truncate and Ben Haviour followed the same year. Andreas Schuller and Jay Nagel are part of the splendid Sonic Ground Kollektiv, which – outside of Covid times – stages regular workshops, streamings and club nights. For RFR they collaborated with Max Delius. From this liaison the sizzling debut track “Larking” arose. Max Delius also is a member of the Sonic Ground Kollektiv and moreover known as part of the live-techno project “Numpad”
“No Service“ starts the round dance and comes straight to business. Bass is king - magnificently rumbling breakbeats, caressed by ambient sounds in the background. A couple of scanner sounds and distorted drone effects – voila, it’s a banger!
“My Mind is a Knife“ unfolds considerably calmer. A straight, slow-downed beat, electronica and ambient tones now dominate the foreground. Compared to the opener it’s like the second infusion of a green tea: Less edges, but more opulence in the fine nuances. 
“Ruff Stuff” embodies everything that we love about techno. Straightforwardness without letting versatility slip. Here again the characterising melodic patterns, which stand out for Crouds. Sounds like a spontaneous live set by Christian Vogel and Robert Hood who coincidentally ran into each other at the club. Nice track! 
“Larking” combines the best of crouds and Max Delius. Broken beats, in this case arranged more minimally and accompanied by rather abstract sounds. Darker, more mechanical and with significant references to early UK hardcore. A touch of melody at the end sticks true to the blueprint of this EP and finishes this RFR release.

Orange Blood

Larking

Larking w/ Max Delius

Premiere:

FR : Le collectif Berlinois Awkwardly Social (@awkscl) sort le deuxième E.P d'une série qu'on espère longue. C'est Lårry (@larry_music) qui s'y colle avec ce superbe E.P intitulé Nines. 
On vous présente la track What Can Be Done When Nothing Can Be Done, parfait mélange de styles et d'influences. La track nous plonge dans un monde semblable à un jeu d'arcade, avec ses rythmes soutenus et ses synthés entrainants. Mélodique et un poil agressive, elle nous accompagne à perfection pour vaincre le boss final.

EN: Berlin based collective, Awkwardly Social (@awkscl)releases their second E.P of a serie we hope will be a long one.  It's Lårry (@larry_music)who gets the job done for this beautiful E.P called Nines. 
We introduce you the track called What Can Be Done When Nothing Can Be Done, perfect blend of styles and influences. The track let us dive into a world of an arcade game, with a steady pace and catchy synths. Melodic and a tinsy bit agressive, it accompanies us perfectly to defeat the final boss.

Premiere: Lårry - What Can Be Done When Nothing Can Be Done - Nines - Awkwardly Social

🔥 ᴡᴀʀɴɪɴɢ: ᴄᴏɴᴛᴇɴᴛꜱ ʜɪɢʜʟʏ ꜰʟᴀᴍᴍᴀʙʟᴇ 🔥

For our sixth installment of Circlecast, Berlin-based @isolatedmaterial hits us with this absolute slammer of a mix. Overflowing with phat breaks and heavy electro artillery, it's a fast-paced rocket-fueled journey from start to finish. 

Peep some wise words from the man in our mini-interview below!

[This mix falls under 𝕽𝖎𝖋𝖙, our sub-series focused on the heavier/darker tones of electronic music]

𝐖𝐡𝐚𝐭 𝐚𝐫𝐭 𝐟𝐨𝐫𝐦(𝐬) 𝐝𝐨 𝐲𝐨𝐮 𝐞𝐧𝐣𝐨𝐲 𝐚𝐬𝐢𝐝𝐞 𝐟𝐫𝐨𝐦 𝐦𝐮𝐬𝐢𝐜?

Besides music I'm mostly into visual arts like photography, collages or generative art.

One artist that I really like is the experimental filmmaker Pedro Maia, who really pushes the boundaries of medium, particularly in his use of analog film.

𝐖𝐡𝐚𝐭’𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐚𝐥𝐛𝐮𝐦, 𝐚𝐫𝐭𝐢𝐬𝐭, 𝐨𝐫 𝐦𝐮𝐬𝐢𝐜 𝐭𝐨 𝐥𝐢𝐬𝐭𝐞𝐧 𝐭𝐨 𝐭𝐡𝐚𝐭 𝐢𝐬𝐧’𝐭 𝐝𝐚𝐧𝐜𝐞 𝐦𝐮𝐬𝐢𝐜?

Lately I've been really enjoying Sway EP by YSI.  It's a 4 tracker that spans across multiple moods and genres (ambient, indie rock, EBM...) but still feels very coherent as a whole. The production work on it is amazing, I especially love the processing on the different guitar parts in the title track. 

𝐈𝐬 𝐭𝐡𝐞𝐫𝐞 𝐚𝐧𝐲𝐭𝐡𝐢𝐧𝐠 𝐢𝐧 𝐩𝐚𝐫𝐭𝐢𝐜𝐮𝐥𝐚𝐫 𝐭𝐡𝐚𝐭 𝐲𝐨𝐮 𝐭𝐫𝐲 𝐭𝐨 𝐜𝐨𝐦𝐦𝐮𝐧𝐢𝐜𝐚𝐭𝐞 𝐭𝐨 𝐲𝐨𝐮𝐫 𝐚𝐮𝐝𝐢𝐞𝐧𝐜𝐞 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐲𝐨𝐮𝐫 𝐦𝐮𝐬𝐢𝐜 𝐚𝐧𝐝/𝐨𝐫 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞𝐬?

Generally when it comes to production, I try to make a point of not overthinking every step I take in order to avoid over-producing something, although this is something I still struggle with a bit.

I take a slighly different approach when it comes to DJing however, where I really try to "narrate a story" for the listener. When building a tracklist, I try to make sure the set has various sections with different moods, genres or BPMs which I then assemble together in a way that hopefully doesn't feel too contrived.

𝐃𝐞𝐬𝐜𝐫𝐢𝐛𝐞 𝐲𝐨𝐮𝐫 𝐩𝐞𝐫𝐟𝐞𝐜𝐭 𝐃𝐉 𝐛𝐨𝐨𝐭𝐡 (𝐨𝐫 𝐨𝐭𝐡𝐞𝐫 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐚𝐧𝐜𝐞 𝐬𝐞𝐭 𝐮𝐩), 𝐢𝐧 𝐭𝐞𝐫𝐦𝐬 𝐨𝐟 𝐛𝐨𝐭𝐡 𝐭𝐡𝐞 𝐠𝐞𝐚𝐫 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭.

I like to be able to play both digital and vinyl in a set, so I guess having 2 CDJs as well as 2 turntables would be ideal (or just 2 turntables with time-coded vinyls, which is what I have at home). Mixer wise, I prefer to keep it fairly straight forward - a 2-channel mixer with EQ and filter is definitely enough for me.

I think it's important to be able to make the most of what I have available, and I find that a simple setup like this really forces me to get creative. That being said, I'd love to experiment in the future with more with effects and maybe 3 deck mixing.

𝐖𝐡𝐚𝐭 𝐭𝐫𝐚𝐜𝐤 𝐚𝐫𝐞 𝐲𝐨𝐮 𝐦𝐨𝐬𝐭 𝐞𝐱𝐜𝐢𝐭𝐞𝐝 𝐭𝐨 𝐩𝐥𝐚𝐲 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐟𝐢𝐫𝐬𝐭 𝐩𝐨𝐬𝐭-𝐜𝐨𝐫𝐨𝐧𝐚 𝐥𝐢𝐯𝐞 𝐠𝐢𝐠?

Hard to say given all the amazing stuff I discovered during the lockdown, but I would have to go with Never Crash by Maelstrom.

CIRCLECAST 006 ≁ Isolated Material

(isl) önd ; :ɔ̃d: n.f. : respiration, souffle, esprit, canard.
Premières, radio @egreg-re , DJs, soirées et scénographes.
***

ÖND Soundsystem via booking.ond@gmail.com : 
@vanadismd
@eendracht
@speechmaker
@mbleiz
@atlantean-citizen
@capon_music
@owghost
@dcdoc
@lemonschaden
@djpadset
@balnoir

/Anciennement Midweek/