Darkness come, doublebass cello with fx and my brain

VÄSEN

Rocco Saviano : classical guitar
Henrik Meierkord : cello, fx and mix down
Marco Lucchi : synthesizer

aprile 2021

Rocco Saviano, Henrik Meierkord & Marco Lucchi - Indigo Moon

"The Land Of Silence" was commissioned by and is dedicated to Kimberley Lynch & Adrian Foster, who gave the work its first performance on 30 May 2021 in a concert broadcast from the majestic church of Saints-Anges Gardiens de Lachine in Montréal, Canada. 

The work is a setting for amplified soprano, live electronics & organ of the 1896 poem 'Beata Solitudo' by Ernest Dowson (1867 - 1900).

Beata Solitudo

What land of Silence,
   Where pale stars shine
On apple-blossom
   And dew-drenched vine,
   Is yours and mine?

The silent valley
   That we will find,
Where all the voices
   Of humankind
   Are left behind.

There all forgetting,
   Forgotten quite,
We will repose us,
   With our delight
   Hid out of sight.

The world forsaken,
   And out of mind
Honour and labour,
   We shall not find
   The stars unkind.

And men shall travail,
   And laugh and weep;
But we have vistas
   Of gods asleep,
   With dreams as deep.

A land of Silence,
   Where pale stars shine
On apple-blossoms
   And dew-drenched vine,
   Be yours and mine!

THE LAND OF SILENCE (2021)

Guitar improvisation with field recording.
From the CD 'A Quiet Place'. 
Bandcamp: https://martinhoogeboom.bandcamp.com/album/a-quiet-place
Mastered by Marlon Wolterink.

These improvisations are influenced by the landscape near the river Eem. This empty landscape has everything to do with swamps reclaimed in the Middle Ages, the expansion of the Zuiderzee and the many floods that occurred here until 1932. At high tide, the water flowed over the dikes and sometimes they broke. The inflowing water then sanded a vortex hole, which is called a "waai". These ‘waaien' are now small lakes behind the dikes. It is an old and empty landscape where the light bounces off their surface and clouds moving over slowly.

A Quiet Place

WAAI

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

Banasik | Krychowiak

Gone

((.....)) is a piece composed from fieldrecordings that I have made during a long period of my life, but especially around the time when I lived in Berlin, when my childhood home in Denmark was sold, and when I moved to France. Sentimental and cinematic.

((.....)) - 2018

PRE-ORDER available now

Pauline Oliveros and Guy Klucevsek's "Sounding / Way" was originally released on cassette in 1986 and has been out of print ever since. This LP was cut by John Golden and pressed at RTI in order to achieve a quiet, dynamic pressing.

The Sounding / Way concept was simple. Each artist would write a piece for two accordions and then they would perform them together. Thus, side A contains Guy Klucevsek's Tremolo No. 6 performed by Guy Klucevsek and Pauline Oliveros. Side B contains Pauline's composition The Tuning Meditation, also performed by both Pauline and Guy.

This is the second release in an on-going effort between Important Records and the Pauline Oliveros Trust to maintain and promote the music, philosophy and legacy of Pauline Oliveros. 

Guy Klucevsek is one of the world’s most versatile and highly-respected accordionists. He has performed and/or recorded with Laurie Anderson, Bang On a Can, Brave Combo, Anthony Braxton, Anthony Coleman, Dave Douglas, Bill Frisell, Rahim al Haj, Robin Holcomb, Kepa Junkera, the Kronos Quartet, Natalie Merchant, Present Music, Relâche, Zeitgeist, and John Zorn.

Pauline Oliveros, composer, performer and humanitarian is an important pioneer in American Music. Acclaimed internationally, for four decades she has explored sound - forging new ground for herself and others.

Through improvisation, electronic music, ritual, teaching and meditation she has created a body of work with such breadth of vision that it profoundly effects those who experience it, and eludes many who try to write about it. Oliveros has been honored with awards, grants and concerts internationally. Whether performing at the John F. Kennedy Center in Washington D.C., in an underground cavern, or in the studios of West German Radio, Oliveros' commitment to interaction with the moment is unchanged. She can make the sound of a sweeping siren into another instrument of the ensemble.

"On some level, music, sound consciousness and religion are all one, and she would seem to be very close to that level." ~ John Rockwell

"Through Pauline Oliveros and Deep Listening, I now know what harmony is. It's about the pleasure of making music." ~ John Cage

Pauline Oliveros & Guy Klucevsek - Sounding / Way - LP - PRE-ORDER

Edit from the 34minutes long one track album "Nótt"
release date 27.09.2019

Nótt

Gareth Davis x Duane Pitre - Nótt (edit)

vicvellam.bandcamp.com/album/1978-ldn-btn

1978*

Nowa Ziemia is the place for experimental music.
