great https://soundcloud.com/bleucommeuneorange/sets/soul-funk-forever-vol-29

great https://soundcloud.com/bleucommeuneorange/sets/soul-funk-forever-vol-22

Great remix just entered my Playlist this month !!  https://soundcloud.com/nowagainrecords/james-reese-and-the-progressions-ft-marlene-king-throwing-stones-kenny-dope-mix?in=ness-errahmani/sets/music-is-a-spiritual-507692559

REEFER MADNESS

BBE Music is thrilled to announce the release of Modern Love, a diverse compendium of specially commissioned cover versions of rarities and classics in tribute to David Bowie.

Featuring an array of artists such as Jeff Parker, We Are KING, Meshell Ndegeocello, Helado Negro, Khruangbin, Matthew Tavares, Nia and more, Modern Love seeks to champion Bowie’s lesser-known connection to soul, R&B, jazz, funk, and gospel. The prominent jazz influences throughout Bowie’s final album, Blackstar, were a key inspiration for curating this collection of reimagined Bowie songs with these artists. The resulting album is an eclectic tribute featuring a group of artists who not only fit together creatively, but who, like Bowie, straddle different worlds musically, with soul and jazz at their core.

Modern Love offers a fresh look at Bowie’s trailblazing career, aiming to highlight the often overlooked relationship between his back catalogue and musical genres traditionally pioneered by artists of color. The project was curated by music executive and DJ Drew McFadden, alongside BBE Music founder Peter Adarkwah. “I felt that the connection between Bowie and R&B, jazz, funk, gospel and all things soulful, had never really been explored before — at least not so much in covers, which tend to lean more towards rock and pop,” says McFadden. “Certainly, there’s been plenty of Bowie covers over the years, but none that have really tapped into what seems to have been a big part of his core musical
style and direction.”

Modern Love is an interactive sonic map. Here, seventeen artists make their way into the varied regions of his sundry catalog and circle back with seventeen unique re-imaginings of both his cornerstone and lesser-known tracks. Some, in atmosphere, feel like a sly alternate take from original sessions (Khruangbin’s ethereal, funk infused version of “Right” from Young Americans); others nod at the source, then wink before diving into the deep waters of another musical stratosphere (Sessa’s sexy Tropicalia-drenched “Panic in Detroit” from Aladdin Sane). Still others take tunes down to the studs and then re-arrange the moody interiors: Meshell Ndegeocello’s pensive “Fantastic Voyage” from Lodger and Tavares’ clever take on “Heroes” which is restructured into a kinetic hardbop-esque backdrop, fronted by ice-cool, held-back vocals. The bullseye these artists aim for is Bowie’s fearlessness. “Fame was an incredible bluff that worked,” he once reflected. “Very flattering. I’ll do anything until I fail. And when I succeed I quit too.”

Modern Love packs us off on a journey that balances on risk’s sharp blade. Track-to-track, it explores what happens when a musician throws out notions of should and safe and stretches beyond the known. These artists use Bowie both as a guide and a prism: A way of being and seeing. Their offerings, widely divergent, explore the inheritance from an artist who freed himself from labels, genres and, consequently, pigeonholes. While he was at it, he decimated fixed notions about territory (or terra) itself; boundaries hemmed-in his creative process, but his essence remained free to roam. He may have vanished in earthly form, yet, as he also promised in the lyrics of “Modern Love,” But I never wave bye-bye . . .” This compilation assures us that his spirit swirls around us. His force is alive to all of us and, here, it is summoned with an incantation that celebrates possibility.

Khruangbin - Right

Cécile McLorin Salvant -I Didn't Know What Time It Was(Live at Dizzy's)

Written, performed and produced by Andrew Ashong
Which Way Records. R/D 27th January 2014

'Never Dreamed' - Gilles Peterson Worldwide BBC Radio 6 - 12/10/13

A smoothed out, catchy little downtempo bobber from a cool late-winter night in The Vault.  Makaya bounces on a flammed rimshot, Abrams jumps in quickly with some nice bass chords, Justefan colors the progression with his singing vibraphone harmonies, and Marquis tops it all off with a gorgeous trumpet melody and solo verse.

Recorded on March 5th, 2014 by Dave Vettraino.  Personnel: Makaya McCraven - drums, Joshua Abrams - bass, Justin Thomas - vibraphone, Marquis Hill - trumpet.

Steppe Smoothe

ETERNAL FIRE

~~~~~~~~ Someone to Watch Over Me Song by Ella Fitzgerald

In Your Eyes (feat. Charlotte Day Wilson)

04.HER HANDS Feat. Allysha Joy - SO.Crates

De La Soul - Drawn Ft. Little Dragon

Khruangbin - Mr White - Dupont Underground Sessions

A true beauty amongst the beasts. Wonderful tune by this lovely band who also appeared with their other record "Cry Love". 
Sadly enough, the production peaks on the vocals at times, but hey, life's a bitch and then you die!

The Sweet & Innocent and The Memphis Mustangs "Express Your Love Theme" - Active Records - US, 197?

STREAM FULL ALBUM / BUY LP & CD / TOUR DATES http://hopest.re/StayAWhileLP

The Cactus Channel’s new single “Leech” takes the orchestrated soul futurism that has become their signature sound and adds silvery vocal dimensions, as the band’s own Lewis Coleman steps up to the mic. The song’s emotionally potent lyrics evoke the wrestling that arises internally with the feelings that linger after a breakup. As Lewis elucidates, “Leech” is about “those feelings that don’t go away, and pop up at unexpected times. When something shifts inside, but even your best friends wouldn’t know; your mood is instantly altered, even if you can walk back into the room and nobody notices it externally.” The band has recently shared the video for their first single “Storefront” and announced a huge national tour and an October residency at Melbourne’s The Night Cat.

Stay A While

Leech

Pre-Order LP

The Cactus Channel - Leech

Saxophonist Nubya Garcia links up with fellow South Londoner Maxwell Owin on a remix for her new EP 'When We Are'.

Read more & buy: http://www.stampthewax.com/2018/03/01/premiere-nubya-garcia-source-maxwell-owin-remix/
Listen on Youtube: http://bit.ly/nubya-maxwell

Listen on Youtube

Nubya Garcia - Source (Maxwell Owin Remix) (STW Premiere)

Psychedelic Island brew courtesy of Tropical Hi-Fi.
Homage to the late great JJ Cale & The South Pacific.

Support the artist : https://tropicalhi-fi.bandcamp.com/

Photograph : 35mm [1990's] by Tropical Hi-Fi

Pacific C◯ast  [Mix by Tropical Hi-Fi]

Written by Tracy McNeil ©2019
'Not Like a Brother' is the second single from the forthcoming album You Be The Lightning - OUT OCT 2019

Performed by Tracy McNeil & The GoodLife
Co-Produced by Dan Parsons & Tracy McNeil
Recorded & Engineered by Fraser Montgomery & Nick Edin at The Aviary Recording Studios
Additional Recordings by Jake Rush at Madeline Studios
Mixed by Alex O'Gorman 
Mastered by Ross Cockle at Sing Sing
Image by Luke Stringer

You Be The Lightning

Not Like a Brother

nowagainrecords.com

This 2/LP gatefold vinyl is available with:
Now-Again Reserve: a deluxe vinyl subscription.

Trombonist, bandleader, songwriter, arranger and producer James Reese never issued an album with his Progressions band, only a series of 45s – some under his own name, some under that of his collaboraors – out of Spartanburg, South Carolina on his Najma label, from the late 1960s until the mid 1970s. He was as ambitious as he was talented, and his ouevre ranges from brutal, deep soul to sophisticated instrumental ballads to jazz-inflected funk. Now-Again’s Egon first discovered Reese’s music on a 24 lock-in in Concord, North Carolina’s legendary record and antique clock repository, Ye Olde Clock Shoppe, in 1999. After he tracked down Reese, he officially reissued two of Reese’s songs on his seminal Stones Throw anthology The Funky 16 Corners. He later issued more of Reese’s music on the Now-Again anthology Loving On The Flipside.

Sourced from rare 45s and multi-track master tapes, Wait For Me: The Complete Works 1967-1972 presents both issued and recently-rediscovered songs in the full-length format, in a cohesive set that shows the brilliance still arising from the American soul and funk sub-strata. Long time Now-Again associate Kenny Dope presents a remix of the song “Throwing Stones,” and Now-Again mastering engineer Jason Bitner presents alternate mixes of various cuts on a bonus second LP, available only to subscribers. Those mixes are also included as part of the 2 CD set that accompanies the vinyl album. Both LP and CD version contain an extensive booklet detailing the trajectory of Reese and his band. Download card for WAV files included with the LP.

James Reese and the Progressions ft. Marlene King - “Throwing Stones (Kenny Dope Mix)"

Now-Again Records

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Daniel-Cordero

d~wave

Bleu comme une orange

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