This took way longer than 30 mins because I switched out soundcard and had trouble remembering how to record in ableton.

SPEEDCOMP 57 - Make a track in only 30 minutes using the ten samples provided for download on the event page on the night.
Any audio software is welcome to use to make your song. Make anything you like - no genres or approaches are out of bounds.
Samples by the Massacre.

Null Object - He Who Walks The Drop, The Drop He Bothers (Speedcomp 57)

feel free for asking *.WAV files of the downloadable stuff or check bandcamp for lossless

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⣿⣿⣿⠀⠀⠀⠀⣿⣿⣿⡆⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⢸⣿⣿⡏⠀⠀⠀⠀⣿⣿⣿
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⣿⣿⣿⠀⢀⣼⣿⣿⡿⠋⠉⠁⠀⠀⣰⣿⣿⡿⠀⣿⣿⣿⡆⠀⠀⠈⠉⠙⢿⣿⣿⣦⠀⠀⣿⣿⣿
⣿⣿⣿⣿⣿⣿⣿⡏⠀⠀⠀⠀⠀⢰⣿⣿⣿⠁⠀⠘⣿⣿⣿⡄⠀⠀⠀⠀⠀⣿⣿⣿⣿⣿⣿⣿⣿
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⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿
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moscovia delenda est

Mutant Waveformz  is a collective of audio/visual artists specialising in live & improvised, breakbeat, tech, downtempo, ambient electronic music, solar powered production installations  & digital media .

Spread across the East Coast of NSW , mutant waveformz crew come together regularly to retreat to the hills for our production & jamming rituals currently exploring Ableton LINK for multi-user jamming experiences.

Exploring , mutating & creating is what we are into...

ARTISTS INCLUDE:
Synchromute
Base Electro(n)
Somnus Lak
Jilted Hoodz
Veil
Phreaddee
Z- Pyramid
Mr Fungus/EMK

BIOs:
:::::Somnus Lak::::: aka Simon Ritchie, uses a broad brush to paint ambient textures over downtempo
beats. Simon has been creating tunes for over 20 years and Somnus Lak is a culmination of many varied influences
such as Massive Attack, Amon Tobin, Radiohead, Ital Tek and Mogwai. His music has been described as a
perfect soundtrack to an epic film, full of atmosphere and emotion that gets dirty when it needs to.
>>>>>> soundcloud.com/somnus_lak

:::::Synchromute::::: Minimal, hypnotic, bass-heavy downtempo tracks, spiced with
samples and created using 100% renewable solar & wind power. Synchromute live sets feature improvised remixing,
percussion triggering, effects processing and creation of textured soundscapes on the fly. Analogue,
digital, human, machine >>>>>> soundcloud.com/unityengine

:::::Mr Fungus/EMK::::: Painter / Electronic and Temporal-Media artist EMK graduated with honours
from Sydney College Of The Arts in 1997 and has been exhibiting paintings and creating sound installations in
Sydney and in regional Australia for the last 25 years. EMK works sculpturally with reclaimed and recycled
materials; and produces public art events and projects with youth groups and architects. EMKs paintings and
Audio Composi-tions could be described as intricate, flatly simple homogenizations that are studies of
alternative space and time, inner-landscapes that manoeuvre between Documentry and Science Fiction.
EMK lives in Killabakh on the mid north coast in NSW and has been owner-building a home studio from upcycled
materials since 2002 >>>>>> instagram.com/kwhyette

:::::Phreaddee::::: Beauty in imperfection imperfection in beauty. simplicity in complexity
complexity in simplicity. t h e g a p s i n b e t w e e n a n d w h a t i s t a k e n a w a y.
silence and noise living in harmony. harmony and noise living in silence sine, square, sawtooth, triangle and
combinations of all. the electricity before and after a storm the moment your eyes shut
sweetness and light....little subtleties >>>>>> soundcloud.com/dan-fallon-2

:::::Jilted Hoodz::::: Jilted Hoodz warp the wave forms with uniquely twisted fat track-matter. Transmitting
previously unknown musical atmospheres and formations of intergalactic beats.
Jilted Hoodz create immense, strangely dark and often hauntingly beautiful sounds.
The Jilted Hoodz signature ‘feel good darkness’ and glitched out sounds are characterised by bottom heavy combinations
of obesely broken beats, interlaced with beasty bass articulations and cinematic instrumentals
>>>>>> soundcloud.com/jilted

:::::Base Electro(n):::::
Control voltage manipulated sound, coming live from the hard drive. FTFF
>>>>>> soundcloud.com/sterioevo 

Performance highlights:
Electrofringe 1998-1999; This Is Not Art Festival 2000-2011; Earthcore 2007; Petes Ridge Music/Arts Festival 2006-11; Solar Eclipse Cairns 2012 ; Subsonic Music Festival 2013; Rainbow Serpent Festival 2014 ; Manifest Festival 2014; Dragon Dreaming Festival 2015; New Psycle NYE 2015/16; Regrowth Festival 2017; Harmonic Resonance 2018-2025

An Apology For My Life:

I became a fan of the director; Null Object for several years. Was influenced by a very author ironic expression and his burlesque. And say why, I thought it was not Scat movies and historical dramas, such as only the American racisit system movie before watching movies of director Gotti Boi Chris. He introduced me to the ironic laughter Robots forced to read Japanese to me. I think people who are living in Japan after all, should see his Piss weak work. I think I began to look forward to movies you've never seen yet; one's that have not been made. Author, "Woman of the Wonder Woman" "Women of How Do You Solve A Problem Like Maria" and "Tom Hanks in "Big" but I would like to describe the impression about "big" in this paper.
Director Null Object represents a criticism of white paint with the ironic expression and burlesque. I will reveal the social issues as well as contemporary burlesque. Disease called "Aids" was taboo and words Like "very" were when you take a "big stick to a Dog's open fighting wound". However, it lost its taboo Tattoo, Null Object teaches "cancer Aids destroys Futures" But I am still human. I want to live like a human" he said. The reason for the impressionable young girls is to me, movies Null Object Movie teacher; I saw until now was talk and social problem in movie. "But large Poke a stick" I thought the topic that is related to a living human being of all. You will not want to admit to the hospital all you do not notice myself Once the large stick of golf course. I want to spend eternity happily playing golf until the end of my life. That it is such as to learn more and to many days more or not natural death par 4.

My work explores the relationship between Critical theory and copycat violence.
With influences as diverse as Null Moment and Blunt Object, new combinations are crafted from both traditional and modern structures.
Ever since I was a pre-adolescent I have been fascinated by the ephemeral nature of the Null Object. What starts out as yearning soon becomes manipulated into a cacophony of distress, leaving only a sense of failing and the dawn of a new order.
As subtle replicas become reconfigured through studious and academic practice, the viewer is left with an insight into the darkness of our existence.

I do exactly what I want - whenever I want.