Hey Everyone, Welcome to my sound Cloud ❤️ My name is Hayley Wallis i am from the Kitasoo Xais'Xais Nation of Klemtu, BC (Small village on the coast of British Columbia, Canada)now residing in Vancouver B.C. My pronouns are She/Her & I am of west coast indigenous decent mixed with Scottish ancestry. Thank you so much for all the love and support, i appreciate you all so much ❤️🙏

Born in Treaty 1 Winnipeg Manitoba, The 23 year old First Nations/Irish artist Caid Jones is a Recording Artist & the Co-founder of PayAttention Records. He currently specializes in Hip-Hop/R & B, but has shown his vision of becoming a fully immersed musician. Caid jones is focussed heavily on community outreach, advocacy for indigenous voices in business and is passionate about environmental + social justice. He centers his music around his story in hopes to bring value and relation to those who listen. Speaking storytelling and raising awareness towards world issues in hopes to raise attention and vibration through art. Caid Jones brings passionate delivery combined with authentic and crafty wordplay to the music scene, his raw stage presence draws attention from all corners of the venues that he has played at. 
Opening for artists such as Swollen Members, Brother Ali, DJ Shub and Skratch Bastid, Caid Jones has maneuvered his way through the Winnipeg music scene whilst being strategic with his releases and confident in his approach. He has spent the last year building his Community Focused brand PayAttention. His most recent release “Higher” can be found on Youtube along with his debut Music Video. His Debut EP “No Distractions Please” is set for release Winter 2020. Caid Jones can be found on instagram, YouTube, Facebook, and all streaming platforms.

Hazely is an R&B powerhouse vocalist fusing acoustic pop melodies and hooks with traditional Indigenous Round Dance songs. She is a member of the Onion Lake Cree Nation, Saskatchewan & Alexis Nakota Sioux Nation, Alberta.

TCHUTCHU OS UPGRADE:

GHST.NOIZ
Core Processing Unit Oddhype: Downtempo, Breakbeat

Audio Synthesis: Crafted with a vast sample library and a meticulous approach to sonic sculpting, GHST.NOIZ is a rich tapestry of pulsating basslines, shimmering arpeggios, warped textures.

Sequencing: Tracks are meticulously arranged, weaving intricate patterns and building tension with clockwork precision.

Memory Banks: Inspired by the pioneering works of Onderkoffer, Kollaba, X&G, rSUN, unsho, yookie, Graphyt, muerte, automhate, Fox Stevenson, and most of all Skrillex!.
GHST.NOIZ pushes the boundaries of the genre, incorporating elements of techhouse, amapiano, sub drive from tear out to the intensity of drum and bass.

Business inquiries: rollahmack@gmail.com
don't forget to subscribe to my YouTube, that's where tracks are uploaded first:https://www.youtube.com/channel/UCuKQ8kglOV_dyKOOz0C_cgw

Blind music producer and recording artist Mattmac has harnessed his melodic pop-trap beats and inspiring story, quickly establishing himself as ‘one to watch’ on the national scene with more than 30 million + streams across platforms, and critical acclaim across all major media outlets such as CBC, CTV, Virgin Radio, and more. With two award winning albums under his belt, he has amassed a long list of accolades early on in his career: CBC Searchlight 2023 Winner, International Indigenous Hip-Hop Awards 2023 Album Of the Year, Canada’s Walk Of Fame RBC’s Emerging Musician Award Winner 2022,  Rap/Electronic Album Of The Year at the Summer Solstice Indigenous Music Awards 2022, Broadcast Dialogue Emerging Artist Radio Award 2021 + more. On top of these awards, Mattmac has hit #1 on the Indigenous Music Countdown for two singles “Paradise” & “Rez” and has hit top 50 on the mediabase charts in 2020. His music has been featured on a few Spotify Editorials such as “New Music Friday Canada”, "Indigenous", "Fresh Finds",  “Northern Bars” & “All New Hip-Hop”.

In 2017, Winnipeg-based Anishinaabe and settler folk-soul musician Ila Barker held a guitar on her lap as a friend confided in her the details of an abusive relationship. Barker sang her friend’s words back to her, softly strumming the strings and turning anguish into a serendipitous self-serenade. Eventually that song became the title track of Barker’s debut full-length album, Fool Under Water, a tough-but-tender testament to the possibility of survival, forged as she swam ashore herself. 

To write Fool Under Water, Barker spent seven years reflecting on her own survival, alongside that of the women around her. The elegantly rugged candor at the heart of the album’s storytelling was amassed through experience. “My first thought as I started packing my bags to leave was ‘what am I going to do?’” says Barker. “My second thought was ‘but damn, these are gonna be some good songs.’”

Barker’s astute observations and vulnerable introspection create a safe basin for those still swimming their way through rough waters. “I want listeners to have a moment to grieve the things that they've gone through, but also to picture a future that is brighter,” she says. 

On lead single “Intuition,” Barker sagely sings “Trust yourself, you know best,” reminding all of us to listen closely to our own truths when we feel we might be sinking. 

After years of writing, Barker recorded Fool Under Water at Winnipeg’s No Fun Club studio alongside producers Sierra Noble and Rusty Matyas in August 2021. “A lot of people think I took a break from music. The truth is I was in survival mode,” she says. 

Barker has played the Regina Folk Festival, the Winnipeg Folk Festival, the sākihiwē festival, and opened for Jeremy Dutcher’s sold out performance at the Indian River Festival in PEI. 

Through her work as founding curator with AIRsessions, a series of free music workshops for youth, Barker advocates for gender equity and Indigenous representation in music. “I have found a deeper connection with my community and the Indigenous music community through my music journey,” she says. 

Fool Under Water is a promise that the tide will turn.

N&#x27;we Jinan is following

N'we Jinan is following