𝘑𝘦 𝘮𝘦 𝘴𝘰𝘶𝘷𝘪𝘦𝘯𝘴 𝘥𝘦𝘴 𝘭𝘢𝘶𝘳𝘪𝘦𝘳𝘴

Je me souviens des lauriers. Du marbre blanc. Du portail bleu. De vos deux visages et mon incompréhension. De quel cœur je tiens le plus ?
Si belle, si pure : sur le moment, la haine n’était qu’une poussée d’acnée.
Tears for Fears dans la voiture. Les ceintures qui puent.
Les cris, les larmes, la violence, le départ. En avant vers le futur.
Puis l’Espagne, toujours l’Espagne. Pourquoi ? J'espère ne jamais comprendre.
S'apercevoir que les idéaux sont toujours perfectibles : ça, ça sauve.
Ô souvenirs, douceur des poignards dans ma chair. Amour, bhebik.
La beauté restera tant que je serai en mesure de l’accueillir. "

Texte et mix de Couronne de merde (@couronnedemerde)

Some production he released on :
- WANNAMARCHI.CLUB : https://wannamarchi.bandcamp.com/album/-
- WITHOUTLIES : https://withoutlies.bandcamp.com/album/les-valeurs-de-laube

Also co-founder of Etang brulant, go check their fantastic work. 
https://etangbrulant.bandcamp.com/

___
image : @t-eaux

BANDCAMP

Couronne de merde - 𝘑𝘦 𝘮𝘦 𝘴𝘰𝘶𝘷𝘪𝘦𝘯𝘴 𝘥𝘦𝘴 𝘭𝘢𝘶𝘳𝘪𝘦𝘳𝘴 .(?).

https://soundcloud.com/vaagner

https://vaagner.bandcamp.com/album/surging-waves

memento mori [Vaknar]

Excerpt of B2 from

Eks - Echo Courts - C20

Out September 28th on Archivio Diafonico

www.archiviodiafonico.org
archiviodiafonico.bandcamp.com

Eks - Echo Courts - B2 (excerpt)

Video https://www.youtube.com/watch?v=IOi16fmAU7I

16 July 2020

Sheep Police [Jack]

宇宙飛行士002

Raft of Trash is a generative music project exploring the sounds of systems using the natural rhythms of environmental dialogue in the world-building game SimCity 3000. It is a collaboration between sound artists/musicians Andrew PM Hunt (aka Dialect) and JC Leisure, and designer Thom Isom.  

Like the group’s early EPs, their debut album Likeness on the Edge of Town showcases the breadth of possibilities emerging from their unique process. Whilst playing SimCity 3000, the in-built sound effects of the game are converted and repurposed into MIDI data which is then fed to Hunt and Leisure's synths and samplers in real time. The resulting soundscape, imprinted with the dynamics of a simulated environment, is then augmented with live guitar, spoken word and field recordings to create an uncanny collage of wild synthesis, experimental narrative and bending, viscous guitar.  

Inspired by Fluxus artist Alison Knowles, the spoken word passages sprinkled across the record act as part travel journal, part system theory field guide as “someone guiding you through the simulated desert landscape, and through some kind of inner journey”. Exploring for instance the connections between the irregularities we discover in our functioning bodies and the impact of environmental influences or describing the fullness of the reality of stopping at a truck stop, these passages are an illuminating exploration of the complexity of living systems and real-life situations. Subtle musical references to Americana and sounds sourced from the desert around Joshua Tree contribute to a journey-like mood throughout the record. 

Musically, the record remains in largely abstract territory. Synths sprawl, crawl and fly above a sonic bed of creaks, ripples and bleeps; nothing is at it seems. This ambiguous relationship between the organic and the synthetic further highlights the themes explored by the group.  

Releasing in full on November 20 2020, as a limited edition poster and as digital files. 

Purchase on Bandcamp: https://raftoftrash.bandcamp.com/album/likeness-on-the-edge-of-town

Raft of Trash - Sans Sherif at the Painted Oasis

mutable instruments rings + pamela's workout, night walk recorded june 2020 using Lom Uši Pros

@minalt

mutable walk

Night Foundation - Hold That Thought

Spopppu2

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mutable walk

nworb

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