Pre-save CRY BABY with Anne-Marie & David Guetta, out 9th August
https://CBxAMxDG.lnk.to/CryBabysb

Wile Out is a digital music label with a focus on developing emerging artists from diverse cultures worldwide. Wile Out provides a creative platform for the labels community of artists, in order to help them gain exposure & attract a wider audience from all four corners of the world.
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Our music has been featured on:

- @soulection
- @Beats1radio
- @RinseFM
- @BBC1XTRA
- @resonatesounds
- @FutureSoundsCA
- @ResourcesRecords
- @RinseFrance
- @worldwidefm
- @triplejradio
- @fbiradiosydney

Hailing from provincial Italy, world class DJ & producer Benny Benassi is a name needing little introduction but always deserving of wide admiration and acclaim.  Indulging in a career spanning fifteen plus years, Benassi is renown as a humble, authentic and charming character who has grown from club DJ to festival king to multi-million selling record producer taking success in his stride. Trademarking his unique infusion of house and electro with his global smash “Satisfaction” Benny has continued to create music which is a clear evolution of this signature sound but never deviating too far. 

There is no better place to start delving into the rich history of the Benassi career than with his international blockbuster, “Satisfaction” and its game-changing music video became his launch pad into stardom. Created with his cousin and producer, Alle Benassi, and inspired by the car horns outside an open street facing window, this single catapulted into the charts with a #1 in France, #2 in the UK and Germany. Followed by his debut album Hypnotica, which reached top 20 across nearly all parts of Europe within the first month of release. 

The next few years for Benny were a culmination of successes, whether it be the major festivals he went on the play (Coachella, EDC, Ultra Music Festival, Tomorrowland to name a few) or his next artist album, Rock N Rave in 2008. The same year he won a Grammy Award for his ground breaking remix of Public Enemy “Bring The Noise” further catapulting the Benassi name into stardom. 

In 2011, Benny teamed up with a star-studded album cast for his album Electroman which featured T-Pain, Kelis, Jean-Baptsiste and Apl.de.ap amongst others and most famously Gary Go with his chart-topping single “Cinema”.  The Skrillex remix of “Cinema” not only went Gold in the US and platinum in Australia and Canada but won the Benassi’s another Grammy whilst holding firm in the iTunes top 10 dance chart for over 6 months. 

Still on this exceptional career high, Benny Benassi combined talents with Chris Brown to create one of the biggest cross-over dance records of its time with “Beautiful People”. The following years have been a measure of incredible world tours and releases, most notably his record “Dance The Pain Away” with John Legend, which premiered live on stage at Coachella with John himself. 

2016 saw Benny released his first album in five years Danceaholic, an unexpected, stunning cocktail of already released tracks, two unreleased reworks of older singles and brand new songs, led by the hit summer anthem “Paradise”, once again with Chris Brown. “Paradise” stayed in the Top 50 UK charts for 10 weeks and boasts more than 65 million video views and close to 47 million Spotify streams. 

In recent years, Benny's main releases include “Everybody Needs A Kiss” featured US duo Sofi Tukker racking up over 10 millions streams online and was featured as the sound of gay pride for Musica.ly, "Lonely Nights" featuring Lil Yachty, interspersed with two great house-oriented tracks, "Inside" with Chris Nasty, performing well in clubs and on streaming platforms and "Everybody Hates Monday Mornings" with his own production outfit, BB Team, and featuring the eccentric and charismatic YouTuber, Canguro English.

Beyond his own productions he brought his sound to a wider musical audience with a flurry of high-profile remixes with the likes of Bob Marley & The Wailers, Giorgio Moroder, Madonna, Sean Paul and the Rolling Stones, to name but a few; whilst maintaining a weekly radio show on the US heavy-weight iHeart Radio broadcasting to a staggering quarter of a billion listeners monthly.

Global techno & house community empowering the culture of work & rave
Est. 2008 Los Angeles

Media & promo enquiries : 
Info.deepintech@gmail.com

Find us on Instagram, Spotify, Facebook and YouTube.

Not many acts can boast warm-up gigs for such wildly different musicians as Underworld and Lana Del Ray – but that’s the case with Golden Parazyth, a music project from Lithuania that’s been around since 2005. These concerts are worth mentioning (so are their gigs with Hurts, Nicolas Jaar, SOHN, We Have Band and GusGus, for example) because they are a reminder of how wide and far-reaching Golden Parazyth’s appeal can be. It’ truly extraordinary – electronic pop delivered with the intensity that is typical of rock’n’roll and sound elements that clearly show alternative rock influences, drawing crowds of hipsters, old ravers, drunken rock festival goers. and indie kids. 

It all started as lead singer GP’s solo project, but nowadays he is joined by his partner in crime K@. You can see them doing push ups before the gigs – no wonder, as these men do look possessed on stage and their energetic live performances have to be seen to be believed. 

Emerging practically out of nowhere in 2005, a year later Golden Parazyth released his debut album Apartment of Steel which is now considered a cult classic. Underground fans hailed it as best electronic album of the decade. Special themed parties and unconventional songwriting didn't go unnoticed and soon he (GP) was taking calls from major Lithuanian labels. Sophomore albums All The Truth About Blue Monkeys and Long Way Home increased the artists radio exposure, pleased hip crowds and brought new listeners to table.

“They're really onto something” - that was how Adam Anderson (a half of the well known British duo Hurts) described Golden Parazyth after witnessing the band's performance. The story goes that in 2013 both Hurts and Baltics music experts voted these Lithuanians the most worthy to warm up for the British stars during their November trek of Estonia, Latvia and Lithuania. 

Having con-quered almost every live venue and festival in Lithuania, Golden Parazyth caught the attention of foreign bookers – they have succesfully performed across the Baltics and played shows in Europavox (France) and Waves Vienna (Austria) festivals. 

2015 saw a symbolic end of a chapter – the band toured across Lithuania with a “best of” setlist and released a mammoth two and a half hour, 32 tracks long compilation of their work Looking Backward, Moving Forward. 

Moving Forward is exactly what they’re doing now – their latest interesting project was an international music, dance and puppet theathre performance theSYSTEM, for which Golden Parazyth provided a live soundtrack – both in Prague and Vilnius. 

With falsetto vocals and clapping beats, In The Night is just one of many interesting tunes that Golden Parazyth have to offer – a version of this, by the way, got a remix treatment from German electronic music maestro Timo Maas. 

Killing the dance floor with synthetic beats, looped guitar samples and uplifting vocals, GP (Giedrius Širka) and Keta (Aurimas Vilkišius) are now on the watch list of quite a few festivals in the region. Not bad for a band that's truly difficult to describe. 

"Each day is like a new song, which requires the best performance“, they finally offer. Erm, thank you very much. Nevertheless, you could do way worse than check out their albums and EPs. 

Laughing in the face of good grammar, Golden Parazyth remain one of the most interesting duo of Lithuanian scene.

From music to theatre, gaming to comedy, podcasting to design, Montaigne defies the limitations often placed on artists, embracing a life of creative exploration. Their work is not constrained by medium, instead finding freedom in crossing boundaries and merging art forms, a reflection of the solace they found in vibrant worlds and stories throughout their childhood.

Their career is a testament to this creative polymathy. Montaigne’s collaborations with icons like David Byrne, their representation of Australia in Eurovision, multiple ARIA awards, and a recent Grammy nomination for Stray Gods: The Roleplaying Musical showcase the breadth of their talent. These accolades merely scratch the surface of Montaigne’s expansive artistic world, a small peek at the depth of their creativity.

At the heart of Montaigne’s career is a dedication to complex, multi-faceted expression. They embody a DIY ethos, one that sees them unafraid to forge their own path in an industry often restrictive of individuality. This drive for independence extends beyond the music industry, deeply influencing their entire creative practice. Though highly collaborative, Montaigne has honed their production skills, unlocking a new medium to materialise the nuances of their ideas.

Montaigne’s creative work is both deeply personal and outwardly adventurous, rooted in their lived experience and their unique worldview. Their artistry is as much a reflection of their personal journey, grappling with estrangement, survival, and the nuances of human relationships, as it is an ode to the mediums that shaped them. It is this rich intersection of introspection and external storytelling that defines Montaigne’s career. Their music and art pop sensibility is playful yet profound, marked by colourful instrumentation, adventurous melodies, and a vocal range that is both theatrical and deeply emotional. Their work, in essence, is a journey. One that invites listeners into a world where the lines between reality and fantasy blur, and where every note is an exploration of identity, resilience, and the human condition.

Via platforms like Discord, YouTube, and Twitch, along with their newly launched 'Tank Time with Montaigne' podcast, featuring conversations with artists like Ninajirachi, Ben Lee, and Donatachi, and their innovative 'Beautiful Trial Show' where artists and comedians test new material with select fans, Montaigne’s deep dedication to their community creates a feedback loop that fuels their passion and sparks new creative projects.

Montaigne’s career is a testament to their unwavering commitment to creativity in all its forms, an artist who refuses to be boxed in, finding beauty in the unknown and embracing the complexity of every step along the way.

'Hit Parade', released 08 September 2023 on Ninja Tune: https://roisin-murphy.lnk.to/hit-paradeSo

Róisín Murphy is a pioneering force in electronic pop. With a career spanning three decades, she fearlessly pushes boundaries and captivates audiences with her unique artistic vision. Taking inspiration from her early years in the Irish town of Arklow and immersing herself in the vibrant club scenes of Manchester and Sheffield, Murphy’s discography is a hypnotic blend of diverse sounds and genres. From her early days in Moloko, known for the hit “Sing It Back” to her critically acclaimed solo albums like Róisín Machine, Murphy consistently surprises and delights listeners. Now signed to Ninja Tune, Róisín is collaborating with DJ Koze on her forthcoming album Hit Parade. With notable tracks like “CooCool” and “The Universe”, the album invites listeners to explore a hyper modern record that melds disco, soul, house, and techno. Murphy continues to surf her own musical waves with utter aplomb, as she’s done throughout her entire career. Renowned for her enigmatic stage presence and show-stopping wardrobe, Murphy is ready to captivate audiences with her electrifying live performances at upcoming shows, including Blue Dot, Melt Festival, Secret Garden Party, and more. Later this fall Murphy’s live reputation is set to soar even higher, as she will embark on a series of US dates, including shows at Terminal 5, The Wiltern, and the eagerly anticipated Portola Festival. In February 2024, Róisín will captivate London’s legendary Alexandra Palace, renowned for monumental performances.

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