Taken from "Greatest Hits" - Out Now.
Order here: selnrecordings.bandcamp.com/album/greatest-hits

Released 30th September 2022.

@gonz_bcn

Greatest Hits

DJ Gonz - The Voice

Follow the sun and all its lies
Tell me what’s on the other side
Tell me the truth of what’s beyond
This gated garden of a home
Doomed to be forever alone

Is it worth the fight?
Let me know when you find out

Cause I’ve been losing my mind
Wondering if there’s more to this
Than what he decides
Is it worth the fight
Tell me why

Let me in know when you find out
Is there’s more colors in the sky
Than apples in this orchard
Cause I’ve been rotting away

Follow the sun until it dies
Then only living in your eyes

Is it worth the fight
Let me know and let me out
Cause I’ve been losing my mind
Wondering if there’s more to this
Than what he decides
Is it worth the fight
Tell me why
We don’t seem to see the night

Get it here

TTristana & Esuna - Let Me Know

Spirit And Legacy And Muckiness [ft. https://soundcloud.com/mx_world ]
‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Harry Wright) released on @planetmurecords on 2nd June 2023

munsing.bandcamp.com/album/inflatable-gravestone

The motivating force of the album is the sudden loss of Harry’s father in 2020. Their father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for their own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu.

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by them and their father. Their father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.
credits
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Spirit And Legacy And Muckiness [ft. MX World]

Pyrexia

++ PRESENTATION ++

Scores +°-  glyphs to sounds !

+°°+--+
Scores is a compilation exploring musical notations and how they can be interpreted as sounds. People have always tried to translate sonic expressions into visual cues that could be archived, passed down, and transformed back into music. 

From symbols to numbers, grids, staffs, figures or abstract shapes, several languages have been developed and continuously questioned to improve the ability to retain the emotion and meaning sounds can convey - what lies behind the veil.
 
What if this time, the notation would come beforehand?

+°°+--+
The project unfolded in two phases. In the first one, visual artists from the Global URL Nation could propose one sheet of music score, free of interpretation. They were invited to play with musical notations and explore what it would even mean.
–
It welcomed chaggrin, Eurrope, M4X1US, MYEN, s1m0nc3ll0 & Ziyiz for 6 sheets


+°°+--+
In the second phase, artists from GUN could pick one sheet and create a track trying to follow it as much as possible. It invited them to question music as a physical object, with its shapes, colors, textures and layers with the following :

__How is the overall composition? Are there any axis or lines that could be interpreted as a timeline or a melodic scale?
__How many discrete elements are in the image? How are they laid out?
__What are the shapes involved?  What is their scale? Do they have sharp or blurry outlines?
__What are the colors/textures used? How do they relate with each other in terms of tones, contrasts…?
__How are the different elements layered on top of each other? Are they superimposed or do they merge in some way?
__How would they translate them in musical terms, such as textures, notes, structures, timbres, rhythms, dynamics? 

It welcomed Bademjan, Baje Nunca, C+Vis, Capiuz, Clair X, C.T.A.A.M.  Ecovoron, Epiphagi, HeedLess, Mambo Kahn, migu, POL100, Yau Hei ASJ & Ziyiz for 14 tracks ranging from ethereal scorescapes to hyperstimulating scratches. Sounds and shapes weave together, blurring the boundaries between the two media to create one whole entity

+°°+--+
With Scores, we invite you to seek the music that can be hidden in our surroundings, to decrypt and hear the phantom scores one can find in every shape, every color and every little visual detail __ open your ears and see the sounds, sometimes music lies in a simple fold of clothing


++ TRACKLIST ++

__((Sheet A by chaggrin))
A1. Clair X - Unravel
A2. migu - Red for Funeral
A3. Epiphagi - Everything We've Come To Be

__((Sheet B by Eurrope))
B1. Bademjan - Wrinklenest
B2. Yau Hei ASJ - Jigsaw Puzzle

__((Sheet C by s1m0nc3ll0))
C1. Ecovoron - Burning Shide
C2. C.T.A.A.M. - A-L

__((Sheet D by MYEN))
D1. Capiuz - Dreamer of Nightmares
D2. POL100 - Butterfly Wall

__((Sheet E by Ziyiz))
E1. Baje Nunca - En Blue Gray et DVD
E2. HeedLess - Incomprensibile

__((Sheet F by M4X1US))
F1. Mambo Kahn - Celestial Arson
F2. C+Vis - Untitled
F3. Ziyiz - Skies Inside (Ring The Bell)


++ CREDITS ++ 

Music sheets created by chaggrin, Eurrope, M4X1US, MYEN, s1m0nc3ll0 & Ziyiz. 

Tracks produced by Bademjan, Baje Nunca, C+Vis, Capiuz, Clair X, C.T.A.A.M.  Ecovoron, Epiphagi, HeedLess, Mambo Kahn, migu, POL100, Yau Hei ASJ & Ziyiz. 

Common cover by Griigg
https://www.instagram.com/griigg

Mastering by Ioannis Nafpliotis
https://www.instagram.com/iamxato/

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C1. Ecovoron - Burning Shide

w @morsel-tales

++ PRESENTATION ++

“Never in my born days did I see such night”

(  (("))  )
Club Late Music and Morsel are happy to present a new addition to GUN-X __ a series of releases that enlarge the processes of collaboration beyond the borders of the Global URL Nation. For each project, members of the GUN community collaborate with members from another collective or label - exploring the results of cross-pollination and pooling across the global ecosystem of electronic music.

After an edition with Heel.zone in 2020 and with Hide Productions in 2023, we warmly welcome Morsel from the UK ! Morsel is a Manchester based label and arts platform inspired by literature and folklore, exaggerating the mysticism of our urban environments. Launched in 2023 only, their very just and sensitive approach convinced us instantly to extend the series with them.

(  (("))  )
For this one, Morsel wrote up a poem, which would serve as the primary source of inspiration to create a new track by musicians from both extended communities. 

It resulted in 17 tracks from Antonia XM, Bademjan, Clair X, Cralias, Dj Würm, Eurrope, excel dj, Flegma Joe, Griigg, Hajj, HR boat party, Ice_Eyes, Junior XL, Locre, Lucy Grey, Lukann, Older Brother, Pithe, Tobey, Yaka, Yauhei ASJ & Ziyiz.

“Never In My Born Days Did I See Such Night” is a collective exploration and experimentation into poetry as inspiration for composing music. The album oscillates between a sombre, dynamic landscape through a selection of heart-felt ambient tracks to bass driven club rhythms, mirroring the dark melancholic yet heavenly imagery painted in the poem. 

The album opens with angelic trance-like soundscapes decorated with glitches and robotic vocal elements that lead to a heavenly chorus of rich pads and textural field recordings. This feeling of euphoria is confronted with the latter half of the album drawing inspiration from deconstructed club music, flitting between sub basses and broken drum samples. The sludgy beats gather energy through the closing tracks through euro-dance-esque synths and electro-inspired drum patterns where they are met by the final track; an experimental collage of textures, computerised dialogues and dystopic sound bites that draw the compilation to a hypnotic close.

(  (("))  )
The release also comes with a zine of written contributions, which were inspired both by the original story, and by the tracks of the compilation, with Andres Komatsu, atrophene, Brice Reiter, Charlie O'Brien, Diana Serik, griddyeyes, Griigg, Ifuseekamy, julie nicol, Julieta Colantonio, l'autre champ d'eau, Léo Dubois, Le Spieman, Luz de Amor, Naledi Chai / Pillow Man, Older Brother, RAVEN, Solstice, & zozo.

The zine experiments with concrete poetry, broken narratives and long form writing as a response to the sonic landscape of the compilation. The collection delves into themes of longing, self discovery and hope through a textural lens reflected in the soundscapes of the album. Visual elements accompany the text facilitating melancholic narratives through depictions and arrangements of words, collage and graphics supporting the project.

(  (("))  )
For one year, all proceeds of the compilation will go towards Medical Aid for Palestinians. After that, the release will be proposed as Name Your Price, like all our other ones, and benefits will be reinvested into CLM & Morsel for upcoming projects and functioning costs. Thank you for your understanding and your help <3

++ CREDITS ++ 

Tracks produced by Antonia XM, Bademjan, Clair X, Cralias, Dj Würm, Eurrope, excel dj, Flegma Joe, Griigg, Hajj, HR boat party, Ice_Eyes, Junior XL, Locre, Lucy Grey, Lukann, Older Brother, Pithe, Tobey, Yaka, Yauhei ASJ & Ziyiz.

Guest vocals on ‘The Fell Demiurge’ by Ingrid Chabert

Cover and visual works by Gaspard Emma Hers
https://www.instagram.com/dj_wurm/

Mastering by Gaspard Emma Hers
https://www.instagram.com/dj_wurm/


Yaka - Urban Fears

This mix feels like a lucid dream teetering on the edge of collapse. Beats glitch and fragment like smoke caught in a restless wind, while eerie textures twist and coil into unsettling shapes. Each sound creeps in like an uninvited thought, blurring the line between chaos and control. It’s not meant to comfort—it’s meant to consume, leaving you adrift in its haunting wake.

traumgarten w/ iced lattina b2b NAJIB @ Kiosk Radio 04.12.2024

"nararamdaman ko laging tinatago
oh baka nauunahan lang ng takot
oo ganon pa rin lang pinagbago
yoko bigkasin sayo malabo

pagod na rin mag antay ng sino sino
pa tong mga hinahanap ko nandito
ka lang yeah nanatili
nandyan ka lang palagi sa paligid

gusto kong bigkasin
pero di ko masabi
oh ano anong nangyare
di maka imik"

produced, arranged, mixed and mastered by obese.dogma777
performed by nouvul
words written by Rb Slatt

FREE DL

Dyan_Tinatago ft nouvul

Between silence and memory, the veil stirs.
“Whispers Beyond the Veil” drifts through spectral synths and ghostlike voices - where time, loss, and presence blur together. A haunting ambient synthwave/darkwave piece that listens back when you do.

Whispers Beyond the Veil [ShadeFade]

u were my angel

@bynightingale
www.instagram.com/bynightingale

blurer is a peripheral study exploring ways to perceive our surroundings beyond any focal point. The poetic text where the winds are coming from, invites contributing artists and musicians to collectively explore a world that has become unfamiliar yet again. Inspired by the moment Alice tumbles into Wonderland, it asks what it means to unlearn, relearn, and navigate within a world anew. Like Alice, this conceptual mixtape delves into places, things, and feelings that have been overlooked, ignored or seen as a backdrop. The text, tracks, and sounds of this compilation take us on an explorative journey—not to arrive somewhere, but to sense that what lies within the blur has always already been in the here:now.
(Lisa Walder, 2025)

Most music is used as a form of abstract translation. To unblur the personal, we abstract it and transform and transport it through familiar sounds. Through abstraction, the motives are essentialized to their core. In this, minimalism becomes a prioritisation. A blur can be more flexible. The reduction of elements could be optimistic or protective.
What this release does is observe the peripheral, to look for emotionality or personality within it, but also to create atmospheres that appear peripheral, yet are again included in the general blur.
When hearing the sounds of blurer, the focus of the compositions fluctuates and directs the listener’s perception to certain points within, not only to hear what seems essential but also to draw closer attention to the peripheral. Throughout the whole release, the procedures are very different. Some moments are vivid, almost narrative. There are deconstructed references to find, in both energetic and quiet forms. Occasionally, we pass by rearing, foggy drone walls or prancing, twirling, or scurrying melodies carried around, on synths or guitar strings. Blurer seems to harbor atmospheres of comfort in the cold, loops of spiraling memories or expressions of disorientation, that scamper around on the acoustic foundation created by the 19 artists.
(Elia Brülhart, 2025) 

Assembled by Periphery Serpentine
Commissioned Text by Lisa Walder
Mastered & Cut by Isabel Schröer
Artwork & Design by Dimitri Erhard

supported by GGG Kulturkick Basel-Stadt
ryser005 © 2025

Dyan_Tinatago ft nouvul

obese.dogma777

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