https://move-d.bandcamp.com
http://www.discogs.com/artist/Move+D

Objektivity(NYC)
BOOKINGS: World (excl. North America): andrew@objektivity.com 
North America: olena@objektivity.com 
Management: olena@objektivity.com


Could Nasser Baker be the next huge talent unearthed by Objektivity boss Dennis Ferrer? We certainly think so. Displaying a real maturity in his productions and a distinct lack of vocal fear, Nasser delivers quality, time and again.
 
Off of the strength of his first ever release and label debut, ‘Salutations EP’ (Objektivity, 2013) came the 2015 'Deadlines EP' (Objektivity), followed by the 'Future Primitive EP (Objektivity, 2016). Keeping it busy in between the original releases, Nasser has delivered a couple of stellar remixes for PMR, Objektivity, Nervous and more. His 2016 endeavour, the ‘Gramercy EP’ on Suara received great reviews and showed off Nasser’s more techier side. Follow-up releases didn’t disappoint. Both ‘Just Like That EP’ (2017, Objektivity) and ‘Say Something’ (2018, Circus) received raving reviews and connected brilliantly where it matters most – the dancefloor.
 
The 2019 marked a collaboration with Yulia Niko on ‘Someone I’m Not’, another banger called “Shake It Shake It” (both on Objektivity) followed by the now classic ‘Bodytude EP’ on Relief. A “rising artist with a sound and musical taste well beyond his years” according to upfrontbeats.com, Nasser choses quality over quantity time and gagain, and Bodytude EP is the proof. Title track ‘Bodytude’ opens the EP is fine style as Baker combines infectious lead synth with hooky male vocals and bumping low-end tones to reveal a lively cut typical of his ever-maturing production style, whilst ‘Pickelhollaback’ introduces a more off-kilter arrangement as layered vocal samples work alongside soaring melodies, driving percussion arrangements and sporadic bleeps and sonic effects go to work to shape up proceedings.
 
Feeding off the success of Bodytude, Nasser releases his ‘Tribes of The Metronome’ on Dirtybird in 2020. The title single's stuttering bassline and simple vocals is an example of how to have maximum impact without being overproduced. The flip side, 'About You' is a tech house track with a house music feel - dirty bass and a playful lead line, accented by a straightforward phrase that proves effective.
 
After taking a couple of months to regroup and recharge in the studio, the next brainchild of Nasser was ready to meet the world. 2021 marked Nasser’s return to Relief with the ‘Funky Uncle EP’ followed by his remix of ‘Whisper’ (Ferrer & Disciples, Defected) shortly after.
 
Currently back in the studio wrapping up the next batch of fresh beats, Nasser is excited for the world to go back to normal and can’t wait to share the dancefloor with everyone once again.
 
Stay tuned!

Booking: james@sweatlodgeagency.com
Other inquires: ah@tripleone.agency

Established in London, 1999.

#HouseMusicAllLifeLong

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

Booking:  ah@triple---one.com
sintopedigital@gmail.com

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