Son acido

Mixed from Moscow by Low Bob

Новый микстейп нам записал основатель важнейшего российского электронного лейбла @gost-zvuk-records — Ильдар Зайнетдинов, который диджеит под псевдонимом low808 и пишет музыку как @8ousyboy. Вся его деятельность направлена на поддержку и развитие отечественных музыкантов. У каждого альбома, выходящего на «ГОСТе», есть ровно одна одна задача — помочь музыканту раскрыться и при этом как можно сильнее сохранить творческую свободу. Следующий час не будет исключением. Здесь так же работают его кураторские и селекторские качества: нам встретится французский неосоул и безмятежный, глубоко уносящий в подсознание пасторальный эмбиент.

«Всем кто ложится спать – спокойного сна»

Tracklist:
??? 
DX2OV - Интерзона (Gost Zvuk forthcoming)
jde - Miel 
Félicia Atkinson - Adaptation Assez Facile 
Perila - Transient 
Heath Brunner - vdub 
i/dex+hhtp - i 
Harmash - Through The Dark Woods 
I. Zaynetdinov – CC_2 
Vtgnike – Definition 
Fama 87 - Lirica 
S A D – Crystal Lake 
Karin Krog - The Meaning of Love 
Hodge - One Last Dance 
Brugmansia in Excelsis - February

Download link: 
https://bit.ly/3DnI9v6

Cover art by @pseudo-art-rose
pseudo-art-rose.tumblr.com

Mixtape For W Λ V E S

Support

Low Bob – Mixtape For W Λ V E S 095

50th Gost Zvuk episode on NTS w/ Igor Dyacheko @igordyachenko

Igor Dyachenko - Layer 17
Janek Schaefer - beam me up (with Radovan Scasascia)
Jan Jelinek & Masayoshi Fujita - Helio
Elysian - chorus line
Mads Emil Nielsen - Constellation
Nikita Alexeenko - Spec grains 2
Yo9o Tatara - emission controverse (edit)
ura - figure 1
SERWED - Cryo
xtclvr - halcyon mxx
Headlock - Suck
OL - Gel Light
Krush Lumpkin - Rilascio(excerpt from side b)
Andy Nicolson - Cave Rescue
Igor Dyachenko - Impulse 3
all light hits u - Gives shape
tiblc - Hypertranslucent
Klotho - Xeno
evanful chart - morph abode
Purelink - At Nest
Igor Dyachenko - Saccade

GOST ZVUK x NTS monthly show #50 w/ Igor Dyachenko

Manipulations of Bevissthet

Kosaya Gora b2b

http://www.instagram.com/kosaya.gora

2MR TRANSMISSION with Kosaya Gora (Kedr Livanskiy and Flaty)

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

NERD001 
(by @ceny4 nd @sablemik)
Nerd Syndicate began as a small collective in early 2020. This project was originally conceived as a way to turn the spotlight on the outcast side of electronic music scene. Some of the artists, whose works are featured in this compilation, are making their debut here, while some are more established, but, nonetheless, share the same outsider vision as we do. More experienced artists might draw attention to the emerging ones. We lift each other up. 

It’s hard to pinpoint the exact genre spectrum of the release. This body of work is an infantile collection of broken sounds and split perception experiences. We are all drawn to reinventing syncopated riddims and finding pleasure in haunting soundscapes, detailed sound designs.  

After Russia’s invasion of Ukraine, this compilation underwent a significant change. All the profits from this release will be donated to an NGO helping people in Ukraine. We also welcome you to donate to the organization directly.
https://rescuenow.com.ua/en/donate/


We are enormously grateful for the trust of Nerd residents and our friends, who did so much to help us make this compilation possible.

The first installment of "flexible compilation" tracklist:

1. danone™ (aka vtgnike) - gk flex 2019 intro 
2. pillside - $
3. sablemik - bagra phaser 
4. val clipp - ex-plains
5. igor marihuan - rubarbi 
6. rudebwoy P - candyman
7. bugbrains - being present being the present 
8. ceny4 - tbc groove
9. free version - urban ambience 01 
10. salama - what game
11. state of radiance - stdnb 
12. yung lake a.k.a. ghost of - ket loop outro

residents team;

Arseny Bagdasarov; Idea/Curating and Mixing/Concept
Sablemik; Concept Formulation, Curation, Mixing Assistance 
Nikolay Bogancev; Concept Formulation also Curation 
Kura Brodskaya; Art & Label Identity 
Tsotne Tabatadze aka Verbindung; Mastering 
Sima Kondratenko: Support
Hilde Wollenstein; Fundraising and a lot of help & support <3

the best nerds around <3

artist's links; 
 
https://soundcloud.com/vtgnikeee
https://soundcloud.com/valclipp
https://soundcloud.com/igor-maximilian
https://soundcloud.com/rudebwoytune
https://soundcloud.com/dreamscapesynopsis
https://soundcloud.com/free-version
https://soundcloud.com/salamamusic
https://soundcloud.com/ssiyaniya
https://soundcloud.com/sablemik
https://soundcloud.com/ceny4 

განსაკუთრებული მადლობა ჩვენს ოსტატს

https://soundcloud.com/verbindung2
https://verbindung.bandcamp.com

flexible compilation pt. 1

TNM004 - Cry Tuff / Gus / Bela - 14/07/17
https://klausmuzik.bandcamp.com/track/cry-tuff

Cry Tuff

Music: https://soundcloud.com/shea-mcgilvray
Artwork: Stas

Oblcast #26 - Shea McGilvray

From @12th-isle 's V.A comp 'Inkosi' alongside Grim Lusk, Cru Servers, Robert Bergman and Luar Domatrix.

https://soundcloud.com/12th-isle/va-inkosi-isle0075/

In shops worldwide, limited to 300 copies.
Distribution by Rubadub
Artwork by Al White

April Echo parts were recorded in April 2017 a few days before it was played live for the first time at Echo Buecher, Berlin.

April Echo

From the V/A Test Pressing III
https://soundcloud.com/muscut/va-test-pressing-iii-muscut-xx-12-2020-excerpts
Format: 12” LP, 300 copies, numbered, hand-stamped / Digital
Release date: December 11, 2020

Tracklist:
A1. G.E.S. - hipinterval 1&2
A2. Andrew Pekler - Early Bird (Loose)
A3. Hanno Leichtmann - offest 23
A4. S A D - Akpai Song
A5. Nikolaienko - Jazz Tape
B1. Koyil - Vāɡ
B2. Mårble - LESBEE (Shaggy Bumblebee)
B3. KWJAZ - Passing Saints
B4. uon duh - Under
B5. Ahnnu - Wandering

Mastered by Giuseppe Ielasi

Jazz Tape

Community and label out of Samara Oblast, Russia. Releasing local stuff only.

Oblcast #26 - Shea McGilvray

Oblast

Recent comments

Tim Niebergall

discoandelise

GENYA

GENYA

Related tracks