Name: Ourselves - Georgia George by OCR_UK
Duration: 4 min 48 s
Description: Ourselves - performed by Georgia George, written by Mike Lumb. Produced by Zestu. Album cover creation goes to Alison Tuffin. This future bass single is part of the ‘It Never Rains Inside’ Ep. Listen Now!

Ourselves - Georgia George is nice, i can make this song big for you   go look at my cover picture on here it shows how to reach me

This beat sound fire and that voice is everything!

Very well made track! It feels so progressive too

excellent vocals, great production too. really cool track guys

amazing song! its a good idea, but be careful with post production you have a nice product

I produce music using samples (or loops) just like for House Music in the 80/90s. House Music is often associated with electronic sounds. This track is here to prove the opposite using accoustic recordings 🙂.

Photo by Alexandre St-Louis on Unsplash

Rock Me - Unplugged

About a greasy fat fool and his disgusting friends.

Trolls in the Cloud

Can't Argue with a Fool

Ourselves - performed by Georgia George, written by Mike Lumb. Produced by Zestu. Album cover creation goes to Alison Tuffin. This future bass single is part of the ‘It Never Rains Inside’ Ep. Listen Now!

It Never Rains Inside

Ourselves - Georgia George

BUY ON BEATSTARS https://bsta.rs/d6db2e965

POST PUNK TYPE X GOTHIC ROCK TYPE X DARKWAVE TYPE X NEW WAVE TYPE BEAT 

ROOFS (POST PUNK X GOTH ROCK X DARKWAVE TYPE BEAT INSTRUMENTAL)

Hello! This is my newest single entitled "Apart". Because of the current situation, a lot of things change, we're apart from our loved ones and it feels like the world stops. This single is a virtual song where I recorded the raw feelings and how it felt to be apart from someone... The raw sound of the acoustic guitar which make it more nostalgic. I hope that it transcends to the listeners and I hope you will like it. Thank you so much for listening in advance, it means a lot to me! Music Heals♡

Produced and mixed by Danielle Marie

Apart

My name is Henrique and I'am a 22 years old. I'am from Portugal and since 2019 I have been making music everyday, started from the button, 
never played an instrument (only flute on medium school obligated like many of you). Since i first downloaded FL Studio i have found a passion and purpose, i was really bored. Music striked me and made me his host. Now i can't stop, Shi* i'am trapped.




Free beats politic:
All free beats are for non profit only. If you want to use for profit please contact me via e-mail (hiccabeatz@gmail) or on any of my socials for an agreement. Licenses are availeble on my beats store (https://www.beatstars.com/hicca)

Check my Youtube account if you wanna: https://www.youtube.com/channel/UCxb2_aH7Aho8lM2qM4BQ7nQ




Folow my socials for fresh stuff! 
Instagram: https://www.instagram.com/hiccabeatz
BeatStore: https://www.beatstars.com/hicca
E-mail: Hiccabeatz@gmail.com

[FREE] Mickey Mouse New show

The Book of Goddesses
For Flute, Harp, Percussion, and Optional Choreography
Commissioned by MAYA with funding from the  New York State Council on the Arts
Duration: 36'

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1011

For more information: https://robertpaterson.com/the-book-of-goddesses

PROGRAM NOTES
My initial inspiration for The Book of Goddesses, and the source of the title, is the beautiful, lavishly illustrated book of the same name by Kris Waldherr, a Brooklyn based author, illustrator, designer and cellist. Waldherr’s book contains descriptions and images of hundreds of female deities from around the world, some featured more prominently than others. Rather than focus on goddesses in one particular culture, I highlight a few that seem to evoke something musical, dance-related or sensual. The cultures, countries and continents I draw on for musical material and styles are India, China, Greece, Ireland, North America, Nigeria and Cuba.

The flute and harp parts in each movement are often inspired by similar instruments found in each culture. For example, the harp part in Xi Wang Mu is inspired by the Konghou, and ancient Chinese harp, and the solo bass flute movement, Estanatlehi, is inspired by the sound of a Native American flute. Percussion instruments provide an earthiness, at least with regard to timbre, and each of the trio movements uses instruments that are not common in Western music, including an Indian Gatam, a Middle-Eastern Dumbek, an Afro-Cuban Cajón and the Udu drum, an instrument traditionally played by Nigerian women.

In order to achieve the right feel for each movement, I use non-Western scales, rhythms and other elements, and I occasionally appropriate patterns and other material from pre-existing music. My goal is to merge some of the qualities of traditional music with my own sensibility, and then filter it through flute, harp and percussion.

Many goddesses are associated with dance, certain colors or creativity in general, and with that in mind, I imagine The Book of Goddesses being performed live with choreographed dance. It may be presented in its entirety, although subsets—such as all of the movements for flute and harp—or single movements may also be extracted and performed.

The Book of Goddesses was commissioned by MAYA with funding provided by the New York State Council on The Arts.

The Book of Goddesses

The Book Of Goddesses - I. Saraswati

This dnb record is about love, loss and gratitude. Regardless of the pain you go through during any kind of breakup, time heals. Once you reach this point, you have nothing but love, appreciation and thanks for the person who once loved you and that lessons have been learnt which will only help you to continue your growth emotionally and confidently move forward knowing you will find that love again - You deserve it 

Ourselves - Georgia George

OCR_UK

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