This track kind of has a medieval take in my opinion. Surely, it is perfect for creating an atmosphere in role-playing games or can be used as well for the background during the exploration of a new place or region. So far, this sounds amazing!

There is so much I am happy to learn through this experience

Lovely! I'm partial to Indian culture, having married into it. But I'm also relieved that the melodies had a pan-Asian breadth, and brought some contemporary classical complexity to the table. Very satisfying!

Beautiful emotional piece!! Executed with excellency and elegance.  Awesome job as usual Robert!!

Ahhhh love this music.. I imagine a life in a magic forest..

This is so beautiful work. Harp and flute are both very feminine instruments. Suits for a goddess. :)

This is a real piece of music , it´s made of chemistry and beauty, the percussion makes it all smoothly going, thank you ,love to you

And Indian goddess, a suitably exotic rendition, love the harp and flute.

oh thats  very nice and goes in my musical heard. wonderful Robert.

Splendid mix of western and eastern traditions. Love the scales and the lightness of this composition. And it takes my head to enchanted forests and princesses ;)

Istanbul

Long Nights

POST PUNK TYPE X GOTHIC ROCK TYPE X DARKWAVE TYPE X NEW WAVE TYPE BEAT 

COUNTDOWN (darkwave x goth Rock x post punk type Beat INSTRUMENTAL)

Blood Clot

Forget_.mp3

Trace

My name is Henrique and I'am a 22 years old. I'am from Portugal and since 2019 I have been making music everyday, started from the button, 
never played an instrument (only flute on medium school obligated like many of you). Since i first downloaded FL Studio i have found a passion and purpose, i was really bored. Music striked me and made me his host. Now i can't stop, Shi* i'am trapped.




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[FREE] Mickey Mouse New show

The Book of Goddesses
For Flute, Harp, Percussion, and Optional Choreography
Commissioned by MAYA with funding from the  New York State Council on the Arts
Duration: 36'

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1011

For More Information: https://robertpaterson.com/the-book-of-goddesses

PROGRAM NOTES
My initial inspiration for The Book of Goddesses, and the source of the title, is the beautiful, lavishly illustrated book of the same name by Kris Waldherr, a Brooklyn based author, illustrator, designer and cellist. Waldherr’s book contains descriptions and images of hundreds of female deities from around the world, some featured more prominently than others. Rather than focus on goddesses in one particular culture, I highlight a few that seem to evoke something musical, dance-related or sensual. The cultures, countries and continents I draw on for musical material and styles are India, China, Greece, Ireland, North America, Nigeria and Cuba.

The flute and harp parts in each movement are often inspired by similar instruments found in each culture. For example, the harp part in Xi Wang Mu is inspired by the Konghou, and ancient Chinese harp, and the solo bass flute movement, Estanatlehi, is inspired by the sound of a Native American flute. Percussion instruments provide an earthiness, at least with regard to timbre, and each of the trio movements uses instruments that are not common in Western music, including an Indian Gatam, a Middle-Eastern Dumbek, an Afro-Cuban Cajón and the Udu drum, an instrument traditionally played by Nigerian women.

In order to achieve the right feel for each movement, I use non-Western scales, rhythms and other elements, and I occasionally appropriate patterns and other material from pre-existing music. My goal is to merge some of the qualities of traditional music with my own sensibility, and then filter it through flute, harp and percussion.

Many goddesses are associated with dance, certain colors or creativity in general, and with that in mind, I imagine The Book of Goddesses being performed live with choreographed dance. It may be presented in its entirety, although subsets—such as all of the movements for flute and harp—or single movements may also be extracted and performed.

The Book of Goddesses was commissioned by MAYA with funding provided by the New York State Council on The Arts.

The Book of Goddesses

The Book Of Goddesses - VIII. Yemaya (for Alto Flute and Cajón)

The Book of Goddesses
For Flute, Harp, Percussion, and Optional Choreography
Commissioned by MAYA with funding from the  New York State Council on the Arts
Duration: 36'

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1011

For more information: https://robertpaterson.com/the-book-of-goddesses

PROGRAM NOTES
My initial inspiration for The Book of Goddesses, and the source of the title, is the beautiful, lavishly illustrated book of the same name by Kris Waldherr, a Brooklyn based author, illustrator, designer and cellist. Waldherr’s book contains descriptions and images of hundreds of female deities from around the world, some featured more prominently than others. Rather than focus on goddesses in one particular culture, I highlight a few that seem to evoke something musical, dance-related or sensual. The cultures, countries and continents I draw on for musical material and styles are India, China, Greece, Ireland, North America, Nigeria and Cuba.

The flute and harp parts in each movement are often inspired by similar instruments found in each culture. For example, the harp part in Xi Wang Mu is inspired by the Konghou, and ancient Chinese harp, and the solo bass flute movement, Estanatlehi, is inspired by the sound of a Native American flute. Percussion instruments provide an earthiness, at least with regard to timbre, and each of the trio movements uses instruments that are not common in Western music, including an Indian Gatam, a Middle-Eastern Dumbek, an Afro-Cuban Cajón and the Udu drum, an instrument traditionally played by Nigerian women.

In order to achieve the right feel for each movement, I use non-Western scales, rhythms and other elements, and I occasionally appropriate patterns and other material from pre-existing music. My goal is to merge some of the qualities of traditional music with my own sensibility, and then filter it through flute, harp and percussion.

Many goddesses are associated with dance, certain colors or creativity in general, and with that in mind, I imagine The Book of Goddesses being performed live with choreographed dance. It may be presented in its entirety, although subsets—such as all of the movements for flute and harp—or single movements may also be extracted and performed.

The Book of Goddesses was commissioned by MAYA with funding provided by the New York State Council on The Arts.

The Book Of Goddesses - I. Saraswati

Thursday
for Soprano and Piano
Duration: 12’
Text by Kenny Berkowitz and Bridget Meeds
Performers: American Modern Ensemble; Nancy Allen Lundy, Soprano, Blair McMillen, piano
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=889
Online Perusal Score: https://issuu.com/robertpaterson/docs/thursday.fs.all.bound
For More Information: https://robertpaterson.com/thursday

PROGRAM NOTES
The text for Thursday was conceived and written by two close friends, Bridget Meeds and Kenny Berkowitz, both excellent writers who possess an acute and often exquisitely wry sense of humor. Each movement attempts to paint a literary picture of the central character by introducing various people who are related to her. The work has six short movements, each one representing a different character.

Winter Songs

Thursday - 5. 6:05 pm

My Musical Intention - Конституція для серця

Watch the video on YouTube! - https://youtu.be/IsiqpLrP818
Дивіться відео у YouTube - https://youtu.be/IsiqpLrP818

Підпишись на канал My Musical Intention - https://www.youtube.com/c/MyMusicalIntention/?sub_confirmation=1

Музика, слова, вокал, запис, зведення, монтаж відео: Oleksandr Dolbnja
Гітари: Victor Remchukov
Клавішні: Тарас Андруховець

  Приєднуйтеся до My Musical Intention у       
Facebook - https://www.facebook.com/MyMusicalIntention/
Soundcloud - https://soundcloud.com/my-musical-intention/tracks

 Завантажуйте пісні з 
Apple Music, iTunes - https://music.apple.com/us/album/constitution-for-the-heart-single/1550178645
Spotify - https://open.spotify.com/album/0bLJEhsyhddBO3b4mEipQT

Слова пісні:
Я, мов автономна республіка
Що має свій прапор і символ
Мене ще не визнала публіка
Та я не втрачаю свій стимул
  
Мій розум король і тиран
Що полонив всі землі мої
Моє серце то партизан
Готовий до революції

Конституцію для серця!

Моє серце це звір
Що поїдає всі думки мої
Воно пустило коріння
І тепер живе у всьому мені

Треба прийняти закони
Закони для серця
Поставити в рамки
Прийняти канони

Закони...
Мир між нашими країнами! 
Діти поміж руїнами!
Конституцію для серця!

#mmi​ #MyMusicalIntention​

Конституція Для Серця

My Musical Intention - Конституція Для Серця

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

The Book Of Goddesses - I. Saraswati

Robert Paterson Composer

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