Kim Gordon
Thurston Moore
Lee Ranaldo
Steve shelley
Mark Ibold

Latest releases
Best Of Both Worlds: https://opolopo.bandcamp.com/album/best-of-both-worlds
SICKLA: https://opolopo.bandcamp.com/album/sickla-album
http://www.facebook.com/opoloposweden
http://www.mixcloud.com/opolopo/
https://instagram.com/opoloposweden/
http://www.youtube.com/user/opoloposweden

Tim Cullen has established himself as one of the trusted jet-setting DJ/Producers on the scene. Not only being hand-picked to become a resident DJ at the world famous Ministry of Sound in London, he gets the right reaction to when he plays.

Production wise - Tim has worked under both his own name and various aliases. He has also had many plays on Radio One by Pete Tong and Annie Mac with tacks such as ‘Full English’, ‘Discobomb’ and ‘Landor’. All tracks supported across the board from the likes of Steve Lawler, Nicole Maudaber to Eric Morillo and Roger Sanchez. He has been signed by labels such as Snatch, Viva Music, No Excuse, Toolroom and more.

These skills have earned him sets alongside big hitters such as Carl Cox, Mark Knight, Hot Since 82, Erick Morillo, Pete Tong and not forgetting at the Top 100 DJ Awards in London two years running. Tim has played headline sets everywhere from China to the Cayman Islands, Bahrain to Ibiza and beyond.

Obsessed with music!

http://roarformusic.tumblr.com/



We are a band from Hertfordshire. We make dreamy synth-indie music.

In Search Of Sunrise 21. Three Mixes. A New Era by Markus Schulz
https://isos.lnk.to/isos21

PRESS:

"Jeffares voice soars above the hauntingly icy bass lines and chilly atmospherics. Bombs and death rays, corporate decay, and failed or failing love are just some of the bleak themes the band explore, and their album's title track might offer the best solution to the hopelessness of it all."
-- SPIN

"The charm of Snowden's debut is its understated authenticity: Underneath all the accoutrements, these are Jeffares's bedroom songs, and it's not hard to extrapolate to their simpler days as anguished acoustic ballads."
-- Village Voice

"The original Snowden taught Yossarian that man is matter-- kill us and we're dead. It's OK for stylish post-punk to matter, too, and Anti-Anti does so without forgetting to be fun."
-- Pitchfork

"[Anti Anti's] balance of gloom and grandeur is brilliantly executed, ultimately leaving the listener with an insatiable thirst for more of the same."
-- Drowned In Sound

"For all the discussion of concept, geography, and songcraft, it's the heart pulsing through the reverb that makes Anti-Anti a must-listen."
-- Stereogum

"It's clear [Snowden] aren't willing to just turn on the cruise control through [their] show; the performance is more like a constant pulse between implosion and explosion with each member able to flail or pull back seamlessly."
-- CMJ

"Such tracks as 'Black Eyes' prove that Snowden can play uneasy funk as well as its peers, but the music is most interesting when the band goes its own way."
-- Washington Post

"Snowden's music sounds like Interpol's dark momentum getting tripped up on the Arcade Fire's treacherous terrain - lacquered bolts of guitar judder over off-kilter percussion, and anomic vocals blear through the densely layered mix."
-- Paste Magazine

"On 'Anti-Anti' Snowden creates plenty more to admire than angry words. To find it, all you have to do is ignore the urge to dance long enough to sit down and listen."
-- MSNBC

"Snowden lace their upbeat, catchy guitar stomps with thoughtful lyrics diametrically opposed to mindless hipsterism."
-- Entertainment Weekly

"Anti-Anti is a cyclonic swirl of guitars approximating jet-engine drones, brackish cascades of water emanating from the bottom of a dank cave and shards of tuned barbed-wire."
-- Atlanta Journal-Constitution

"The Cure never delivered gloom so buzzy."
-- URB

Pedro Rodríguez is following