Alter K Global Music Services : Publishing, Licensing and Digital Distribution  
Jeune à Jamais / La Creme / Creaminal partner.

We are a latin-electro group from Brussels. Words and music by Javier Toro
oddversemusic@gmail.com

/acid-jazz/hiphop/funk/downtempo/
===Stone Scissors Paper:===
Jury Balanov - Bass,Turntables,Production
Alexander Chirkov - Guitars,Keys,Production


Labels:
Ezhevika (BY) / Agogo Records (DE) / Cuntroll Label (RU)

booking/collab/contact: stonescissorspaperband@gmail.com

L’America is an independent record label that was founded through a desire to develop and nurture real artists in this generation of “disposable music”. Our mission is to work hand in hand with our artists using long term career building principals and, as artists ourselves who have been through the business, to do away with the outdated record label models that are still being used today.

Banda de Death Metal y Grind Core, sus características esenciales son la velocidad extrema, la inclusión de amalgamas, polirritmias y acordes extendidos con los que se busca romper el formato tradicional del género. En su aspecto lirico la fuerte crítica social y al individuo contemporáneo forjan el centro de su accionar y concepto. La definición de su estilo no significa que otros elementos no puedan hacer parte de la composición de su música.

Para nosotros la música además de ser una manifestación creativa de nuestra humanidad, es también un canal de comunicación, por este motivo tratamos de alimentarnos todo el tiempo con muchas cosas para poder volcarlo como sonido y liricas en nuestra música, si pudiéramos resumir nuestra filosofía sería algo así como, el metal, es decir, la música como experiencia creativa y lúdica de toma de posición y transformación frente a una realidad cada vez más cerrada y homogenizante. Sin embargo diversas facetas de lo humano nos mueven a manifestarnos, por esta razón el principio de acción de la banda tiende a ser mas abarcarte a partir de nuestros propios intereses y posiciones.


Download:  https://tristaneckerson.bandcamp.com/

Listen on Spotify:  https://open.spotify.com/artist/24LGVKHzsrVV7oo94nlNE1

Apple Music:  https://itunes.apple.com/us/artist/tristan-eckerson/1243764726

Tristan Eckerson is an American Pianist, Composer, and Producer currently based in Santa Marta, Colombia.  In the past five years he has released six full length albums and more than two album's worth of singles, both independently and with 1631 Recordings (Nils Frahm, Dustin O'Halloran, Hauschka), A Remarkable Idea (Bloc Party, Benoît Pioulard, Maxïmo Park, Robot Koch), Mellotron Records, 7K! Records, and Sonder House.  He has toured through North America and Europe and has composed music for award winning commercials, short films, and web series.  His music has received multiple sync placements in television and film, and has been streamed over forty million times worldwide.  In 2022 Tristan contributed a track to the Piano Day Compilation, released by German label Leiter and featuring artists such as Olafur Arnalds, Chilly Gonzales, and Balmorhea.

Having graduated from the Academy of Art University in San Francisco, California with a Master's degree in Music Production and Sound Design for Visual Media, Tristan handles all aspects of the production of his music independently- from writing, recording, mixing, and mastering through to artwork and cover art design.  Releasing compositions for solo piano on an almost monthly basis for the past few years, in January of 2023 Tristan also released his debut album under his Ambient project Purple Decades.  "Journey Test", released by Portland based label Beacon Sound, was well received by fans and the press, and was featured in the Best Ambient on Bandcamp: February, 2023.  Purple Decades' follow up full length "Fraction of Centuries" will be released on Beacon Sound on September 6th, 2024.

Contact:  info@tristaneckerson.com

Oliver Lord is a French-Belgian singer and pianist based in London. Originally from Brussels, he grew up in a family of artists (his grandmother taught him the piano and his sister represented Belgium at the Eurovision song contest 2017).
Oliver ends up second at the international singing competition "Hallelujah" in Tel Aviv, a year later, he is selected by Lio on The Voice Belgium, and then he integrates the musical "piano-plage". He also does dubbing for Disney, Pokemon and Mattel.
In a mainly Pop/ballad French/English style, his first album "Twenty Deux", released in 2014 was recorded between Montreal, New York, Brazil, Brussels and London. It allowed him to perform in many venues worldwide.
His succes in Tel Aviv led him to record an hebrew version of his french hit "Demain" in 2015.
Single "Got to be there" was released in 2017, was namely played by deejay Steve Aoki and got into the charts in Belgium.
In 2019, Oliver releases a first single in Brazilian Portuguese called "Fortaleza", recorded in Brazil.
Second album being under the writing process, new songs soon :)

END CODES (2016)... https://astronautss.bandcamp.com/album/end-codes-lo146

HOLLOW PONDS (2014)... https://astronautss.bandcamp.com/album/hollow-ponds-lo112

Join the Astronauts mailing list here... https://www.facebook.com/pages/Astronauts/141403006034771?sk=app_100265896690345

Un proverbe africain dit :
" Pour savoir où l'on va, il faut savoir d'où l'on vient"
C’est en ces quelques mots que se résume l’univers artistique de MENIA KWANA (anciennement connu sous le nom de ZEEZ AFANA), un univers qui puise son essence dans l’héritage du passé.
Cet attachement au passé, il le doit à l’environnement qui l’a vu grandir. En effet, MENIA KWANA est BAMOUN, un peuple de l’Ouest du Cameroun où les traditions et les valeurs ancestrales occupent une place plus que essentielle.
Issu d’une famille de mélomanes, c’est tout naturellement que le jeune auteur - compositeur - interprète belge s’intéresse à la musique dès son bas âge. Inspiré par les sonorités africaines, le Rythm and Blues, ainsi que les différents courants électroniques des années 90’.
Autant d’influences qui enri- chissent sa créativité et le poussent à se mettre à la com- position musicale, sans aucune
formation au préalable.
S’en suit une longue période
de collaborations artistiques, concerts et projets divers qui lui permettent d’explorer différents horizons et de se découvrir musi- calement.
Aujourd’hui à maturité,
MENIA KWANA crée sa nouvelle structure KENTÉ-SENS, dans une démarche qui nous invite à l’éveil des sens, à l’émancipation des communautés et des individus qui les composent.
Inspiré par la philosophie “Kenté” (qui vient de “Ké”, mot de langue éwé qui signifie ouvrir et fermer en référence au procédé du tissage), KENTÉ-SENS c’est une réflexion sur soi et ce qui nous entoure, une expérience existentielle, visuelle et musicale comme l’illustre son premier EP “Mûrir Jeune” (sorti en Février 2019).
Une recette qui résume la vision de MEGNA KWANA: Nous reconnecter à notre passé pour mieux com- prendre le présent et construire l’avenir.

I grow up every time I enjoy music, love of colours. Rock, Techno, Dub, Cumbia, House, Funk...

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