New album 'Wisdom' - https://ineffable.to/WISDOM

Listen here: https://ineffable.to/wayoflife

Lyrics:
I don't wanna waste my time
And I don't wanna lose sight of where I've been
And I just wanna get so high
And I don't wanna ever come down again
And the day goes so fast
And the night feels so long
I just wanna get so high

I will carry you to the other side
To another place, to another life
I'll be there for you, every day and night
Gonna bring you right back to the way of life

Maybe it won't feel the same
When you find what you're looking for
And even if the world don't change
But we keep coming back for more
So give me a sign
And show me the light
I just wanna get so high

I will carry you to the other side
To another place, to another life
I'll be there for you, every day and night
Gonna bring you right back to the way of life

The rhythm of our hearts will soon beat in time
Cause anything that's lost you know we soon will find
Even if the time it won't wait for you
Listen to your heart and watch your dreams come true
We gonna find the way to find a brighter day, today is where it’s gonna start 
We don’t care about the thing they do or say, even when the world is falling apart 
We won’t waste time, do what ya need to do
Listen to the rhythm of your heart
You know the things I do, you know I do it for you, yeah

I will carry you to the other side
To another place, to another life
I'll be there for you, every day and night
Gonna bring you right back to the way of life

It’s the way of life
Today is where it’s gonna start
It’s the way of life 
Even when the world is falling apart
It’s the way of life 
Listen to the rhythm of our hearts 
It’s the way of life 

Do you think about the other man
Do you got some better plans?
Couldn't see the storm even predicted by the weatherman
Going to a better place, taking it to another land
Trying to keep the world inside the palm and not an empty hand 
Do you think about the other man
Do you got some better plans?
Couldn't see the storm even predicted by the weatherman
Going to a better place, taking it to another land
Trying to keep the world inside the palm and not an empty hand

Sacred Sands Summer Tour 2024: 
7/11 - Albuquerque, NM - https://6xxb.short.gy/stickalbuquerque 
7/13 - San Diego, CA - https://6xxb.short.gy/sticksandiego1
7/14 - San Diego, CA - https://6xxb.short.gy/sticksandiego2
7/16 - Los Angeles, CA - https://6xxb.short.gy/sticklosangeles
7/18 - Bend, OR - https://6xxb.short.gy/stickbend 
7/20 - Tacoma, WA - https://6xxb.short.gy/sticktacoma 
7/24 - Morrison, CO - https://6xxb.short.gy/stickredrocks1
7/25 - Morrison, CO - https://6xxb.short.gy/stickredrocks2 
7/27 - Colorado TBA 
7/30 - Chicago, IL - https://6xxb.short.gy/stickchicago 
8/1 - Thornville, OH - https://6xxb.short.gy/stickeverwild 
8/3 - Mansfield, MA - https://6xxb.short.gy/stickmansfield 
8/6 - Virginia Beach, VA - https://6xxb.short.gy/stickvirginiabeach 
8/8 - Charleston, SC - https://6xxb.short.gy/stickcharleston 
8/10 - West Palm Beach, FL - https://6xxb.short.gy/stickwestpalmbeach 
8/12 - Key West, FL - https://6xxb.short.gy/stickkeywest

Way of Life (feat. Slightly Stoopid)

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

WAV: 
https://gigameshmusic.com/music/a-place-to-stay

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DOWNLOAD

A Place To Stay

This Ones Madness!

Follow WBBL here:
🍑 SC:@wbbl
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Free Download

One Step Beyond (WBBL Remix)

Jimi's back and has embraced the disco with his fresh (said in scratch DJ) filter house banger "Get On Up"

Jimi has created a pulsating journey into the vibrant abode of Filter House, creating one hell of an infectious groove. The blend of sampling and big sun shining energy has us transported to sunnier climes. 

Anyway it's time to "Get On Up and Shake Your Thang" and let this one take you on a cosmic disco dance party! 

Love Team Thick 🍑

Download & Stream It Everywhere

Follow Jimi here:
🍑 SC: @jimineedles
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Get On Up

Stream & Download 🪩

Jimi Needles - Get On Up

Stream / DL: https://ffm.to/
Spotify: https://nightbass.ffm.to/spotify
Merch: https://store.nightbass.info

Young UK legend MPH makes his long-awaited return to Night Bass with his latest single, One Sixty. Delivering an unmatched energy, the track blends the best of UK garage beats and hard-hitting bass. In a masterful comeback to the label, MPH really elevated the UK x NB energy with this one. We're reaching new levels for 10 Years of Night Bass. 

Tracklist:
01. MPH - One Sixty

Stream / Download

MPH - One Sixty

Gonna start droppings re rubs and booties that I work on while traveling. 

This one was a remix challenge Fritter, Trance Mums & Shimmy and myself had on the way to Bali for a show. We all grabbed them stems to see who could write a remix on the flight over. This is what I came up with.

Free DL - The Outhere Brothers - Boom Boom Boom (Wongo Re Rub)

This is by far one of the thickest, heaviest Breaks tracks from TWOGOOD, we ever did hear! JEEEEEEZUUUUUSSS!

Not going to lie, I'm surprised we sat on this one for so long. However good things come to those who wait. And If breaks is your thing, then you need this in your ears and in your crate. Because this one absolute fire!

Follow TWOGOOD Here:  
🍑 SC: @twogoodofficial
🍑 FB: www.facebook.com/twogoodofficial 
🍑 Insta: www.instagram.com/twogoodofficial

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Visions

Download

TWOGOOD - Visions

Label: Omakase
Artists: Antraum aka (Anton & Traumer)
Title: OMAKASE003
Format: Vinyl 
Cat. Number: OMAKASE003
Release Date: May 2024

@anton-37
@traumer

Premiere: A1. Antraum aka (Anton & Traumer) - Hyaku [OMAKASE003]

Original banger. 

Get it down yer... or up yer, whichever you prefer really.

Come Again

What do you get when you cross rave piano, David Attenborough, recordings of a tui's birdsong and drum & bass? Attack of the Tui that's what!

FREE DOWNLOAD - click "Buy!"

Support Rua Tui - www.ruatui.bandcamp.com/

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www.facebook.com/RuaTui/

RUA TUI! - Attack Of The Tui (FREE DOWNLOAD)

One to be reckoned with!

Odylic Force has electromagnetism that will excite your eardrums, contort your limbs and make your short and curlies stand on end. Expect the funky, the filthy, the uplifting and the ridiculous in equal measure. Mixing the best of Ghetto Funk, Glitch Hop, Breakbeat, Bass House and Drum 'n' Bass, with some unexpected delights, Odylic Force has rocked bodies from living rooms to major festivals. His own productions and remixes span genres and get airplay from top DJs.

The force is strong in this one!

Come Again

Odylic Force

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