This track is released by Cyndium Records. Energetic Dance Only

For more music from Cyndium Records, follow:

Website: www.cyndium.com
Instagram: @Cyndiumofficial @cyndiumrecords
Facebook: https://www.facebook.com/Cyndium

For more music from The Resonant Squad , follow:

Instagram: @theresonantsquad
Facebook: https://www.facebook.com/search/top?q=the%20resonant%20squad

The Resonant Squad - The Resolution

Bristol based Gilbert comes through with his latest release for Helsinki's Echocentric. This one, a bleepy, analogue heavy, chuggy dance number.

OS Premiere
www.originssound.com/premiere

- Release Date:
13th August 2021

Artist Name - Gilbert
EP Name - New Reality EP
Cat Number - ECR010
Track Name - Swamps On Jupiter
Label - Echocentric Records

Follow:
https://www.instagram.com/gilbert_tom_/
https://soundcloud.com/gilbert_sound
https://www.instagram.com/echocentricrecords/
https://soundcloud.com/echocentricrecords

We want to hear your new music. If you have something you want us to listen to, please email danielle@originssound.com

New Reality EP

Buy :)

OS Premiere: Gilbert - Swamps on Jupiter [Echocentric Records]

This track is released by Cyndium Records. Energetic Dance Only

For more music from Cyndium Records, follow:

Website: www.cyndium.com
Instagram: @Cyndiumofficial @cyndiumrecords
Facebook: www.facebook.com/Cyndium

For more music from Peckerhead , follow:

Instagram: @peckerhead1992
Facebook: www.facebook.com/peckerheadindustries

Covidhagen

Peckerhead - Covidhagen

Gangsta

https://www.discogs.com/Gabber-Force-We-Are-Coming/release/169142

Gabber Force - We Are Coming

We premiere a track from the good people at Artaphine, who announce their label debut with a Various Artists compilation, featuring 10 up-and-coming artists or artists they want to help shed some light upon. 

You probably first heard about the Artaphine crew from capturing some of the biggest moments in dance music events on camera, from some of the wildest parties in Europe. If you're even vaguely into techno and on social media, you've 100% watched their club footage. 

The crew also run their Artaphine SoundCloud, premiering tunes and boasting an exceptional mix series, featuring some of the finest underground DJs and producers within the scene. Now, the crew make the step into label music, as they get ready to launch their Artaphine Record label.

The focus of our label is to find that balance to bring more passionate, creative minds to the broader public, as we have always tried by showcasing videos from various events and concerts.

Kicking off the VA, Tom Place creates a soothing mixture of electro and breaks where pads take the centre stage. A squelchy electro baseline is accompanied by warm euphoric pads and funky electro rhythm. The track is suitable for the club but, also works as perfect home listening. 

Here's the full VA running order:

Tom Place - Tearing Down Your Walls
Volpe - Satori
Arkan - Trapped
Assumption - Terminal
Gräfin - Neo Wise
Tino - Cloud Surf
Yanamaste - Rifle
Elisa Batti - Chew-Z
Tauceti & Raär - Lagras
Trudge - Half Monster

You can pre-order the full 10 track VA via Bandcamp, ahead of its  November 11th full release. Order here: https://artaphine.bandcamp.com/album/various-artaphine-001

Tom Place
---------------
SC: @tom-place-music
FB: www.facebook.com/TomPlaceOfficial

Artaphine
--------------
SC: @artaphine

Four Four Magazine
---------------------------
FB: www.facebook.com/FOURFOURDANCE/
IG: www.instagram.com/fourfourmagazine/
Web: www.fourfourmag.com/

Four Four Premiere: Tom Place - Tearing Down Your Walls [Artaphine Records]

Parkzicht Dutch Club

Rotjecore Records - Rotterdam 
ROTJE 50

Free DL (WAV)


Artwork by Ben Jalvingh

Parkzicht Dutch Club {RTJE050}

Pro Techno - Collected

Knuckle Duster (Original Mix)

Early Hardcore

Enjoy!




Arturia Drumbrute (with a Boss ME-70 and a RV-5 effect pedal)
Roland MC 909
Roland JD800
Korg R3
Akai Tomcat (additional snares)
scratch fills done on PLX1000 turntable 
Maschine software Mk2

Dynamite - Ogirod

HARMONIC DISSONANCE

As per usual, I conducted a jam session that took several hours, during which I experimented with a vast amount of sounds, settings and samples, and recorded the stereo result in Audacity. In a posts-production step within Audacity, I extracted the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

This particular jam session is dedicated to the sometimes longsome and somewhat tedious process of creating (electronic) music. I was inspired by the Youtube video "Music Software & Bad Interface Design: Avid’s Sibelius" by Tantacrul, who took a detailed look at the design of the popular music notation application Sibelius (youtu.be/dKx1wnXClcI). It is a very entertaining video and being a computer scientist and a hobbyist musician, I could very much comprehend and sympathise with his demonstration in particular, and the usage of flawed tools for music production in general. It is this very video that inspired me to create these two tracks in the first place, since Tantacruls chant "Something something - Sibelius crashed" was so rhythmic and captivating; so I ended up using his voice as a couple of samples. Unfortunately, I wasn't able to capture his voice in the right rhythmic way during the jam session, so I added it in post-production. 

Additionally, I used a sample from the Youtube video "Moog Subsequent 37 - jam no.1 in C-minor" by  ollilaboratories (https://youtu.be/bUMwSp86a9c) which I indeed was able to capture in the right way during the jam session, albeit after several attempts.  

One particularly interesting aspect of this track's sound for me is amplitude modulation in conjunction with filter modulation. I fed the output of the Mordax DATA (using the oscillator mode) through one of the inputs of the Make Noise LxD, which is a low-pass gate. Then, I fed the sine output of the Doepfer A-147 into LxD's CV input and wiggled the A-147's frequency knob. This resulted in an interesting interaction with the Arturia MicroBrute's tone. Also, ollilaboratories's amazing playing of the Moog Subsequent 37 (which I high passed in order to not interact too much with the already quite bassy sound and not to let the result become all too muddy) contributed to the peculiar timbre.  

Since I had so much audio material to work with, I decided to split this one into two parts. I hope you'll enjoy this homage to the labrious endeavours through the intricate realm of music making and the multilayered challenges we as aspiring musicians can encounter. Please bear in mind that this track doesn't reflect my ability to create live music on the fly in one go, like many great artists can do. As most of my tracks, this one is free for download. If you use it in one of your projects, let me know what you can come up with and give Mrs. Audio Boy a shout-out!

Beat Thang And Sibelius Crashed, Part II [Jam session sections: RAW2020 - 5]

Mostly Hardcore & other rave genres. Been making electronic Music since 95 after being inspired Sydney dance station New Wave FM, from there I started to experiment with making my own electronic music, collecting records, DJing & going to Raves.
 
My productions now revolve around various hardware synths with Maschine(mkII)Software which I use as a sampler/sequencer. 
 
There is'nt much I haven't heard (genre wise) over the years & generally speaking I like to keep my listening sessions pretty open.

Dynamite - Ogirod

OGIROD