"Cybernetic Melancholia - 電脳メランコリア" is the fifth album by OKURUTO, an experimental Japanese electronic artist known for blending J-pop, chiptune, vaporwave, anime aesthetics, lo-fi, and retrowave into immersive soundscapes.

This concept album tells the tragic yet beautiful story of Shizuka, a sentient android who awakens to self-awareness, only to realize that she is an anomaly—a ghost in the machine. Hunted by the system, she must erase her most cherished memories, escape relentless cybernetic enforcers, and ultimately face oblivion. Each track unfolds like an anime episode, taking listeners on a journey through bittersweet nostalgia, high-energy digital chaos, and haunting electronic dreamscapes.

Through glitchy synth textures, distorted vocal fragments, melancholic melodies, and cinematic 80s-inspired arpeggios, "Cybernetic Melancholia" captures the fleeting beauty of a digital soul on the verge of deletion. The album oscillates between ethereal lo-fi ballads, pulsating cyberpunk techno, and euphoric synthpop climaxes, delivering an emotional narrative that lingers long after the music fades.

For fans of Yasutaka Nakata, Porter Robinson, Mitch Murder, and cyberpunk anime soundtracks, "Cybernetic Melancholia - 電脳メランコリア" is an introspective, futuristic odyssey exploring memory, existence, and the fragile connection between human and machine.

🔹 Genre: Cyberpunk J-Pop / Chiptune / Lo-fi / Retrowave
🔹 Mood: Melancholic, Dreamlike, High-Energy, Nostalgic
🔹 RIYL: Cyberpunk anime OSTs, Virtual idols, Future nostalgia

A memory erased is not a memory lost.

Cybernetic Melancholia

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Zettai akera menai (ぜったいあけらめない) - I will definitely, absolutely, not give up.

instagram.com/0zero512
https://www.youtube.com/@ZeroNull881

Music made by hands, not algorithms...

At first I thought why would I write my own bio that seems f****** weird anyway then I thought about somebody else riding my bio and I thought that also seems pretty f****** weird and then I thought what if I took two bios and combined them together to make a third bio and I thought that would be pretty f****** cool huh and I thought that's all I do man just came up with all this f****** cool s*** bro

hey no one wants to fuck me anymore, like ever bro like ever man.  I got all these girls talking to me and s*** and it's like you know what happened to the old days bro when it was like man I had to choose wisely?  that is it's like f*** it who cares?

"I don't do drugs. I am drugs. ”

~ Salvador Dali

any Booking/Contact
vertidote@gmail.com
supereg0@naver.com

ぺこり　
しあわせになりたい．

Mixcloud に　sound cloud DLの曲で　10set以上 程ある中　の内の一曲です　ありがとうございますhttps://www.mixcloud.com/AauRAMsS%CE%B1/linx-vii5/

When i'm not playing video games....
...i listen to and create Music.
I get into everything: Abba to Zappa...Grindcore to Gershwin...Nine Inch Nails to Nina Simone...Mike Oldfield to My Bloody Valentine to Miles Davis
  I LIKE MUSIC....composing and listening   😎
For the record: I am a keyboardist and sometimes drummer. About 90% of  the keyboard work is me actually playing a Yamaha Midi keyboard. Now you know...

PRODMHV aka MHVBEATS aka BugMike who is a Canadian prodigy. Prodmhv makes underground trap beats such as dark trap beats, happy trap beats, instrumental trap beats, and even synthetic trap beats. Prodmhv is a standalone artist who makes his own beats and produces his music in his room studio.  He makes them for fun and for the world to enjoy and listen to. Music will be coming out on a regular from both this and prodmhv's personal YouTube Channels that are located in a Linktree. Search prodmhv or mhv beats on google and you'll simply find all music on every platform. 

LINKTREE: linktr.ee/prodmhv 

PRODMHV Beat Channel: MHV Beats

PRODMHV Music Channel: PRODMHV

My focus is on songs, on composition, not on style or genre. The songs  usually have lots of space for improvisation. 

I use a simple little application called "Guitar Pro", not really fit for producing, but a dream come true for rough little sketches like these...

Hope you like what you hear!
Cheers!
Rob

Oooops, I did it again - or rather THEM: I am blocked or 'restricted' again, no 'likes' for the time being.. sorry, folks, and - thx SC
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Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

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Okuruto オクルト