I am a Japanese B-boy. I am a Beat maker and DJ.

When I was a Junior high school student.
There was a record shop in my neighborhood.
I listened to MC HAMMER at that time 
Because it appeared on the television often.
The record shop recommended 
Pete Rock & C.L. Smooth "Mecca and the Soul Brother"
When I heard that for the first time, I thought it was so cool.
It was very different from any Japanese music.
My source of music at that time were Mixtapes 
my friend brought from New York and Hot 97
Hot 97 at that time was the best underground radio station.
My foverite DJs were
STRECH ARMSTRONG,KID KAPRI,RED ALERT, RON G,EVIL DEE, MISTER CEE,
FUNKMASTER FLEX, LORD FINESSE,TONY TOUCH,AND 
Especially I liked Doo wap.

My foverite DJs were (now)
Grandmaster flash, Kool Harc, African Bambaataa, GrandMixer D.ST.Dam-Funk
Madlib, Peanut Butter Wolf, Muro, 9th Wonder, ?uestlove, Beat Junkies, Exile, A trak Pete
Rock, Om'Mas Keith, DJ Krush, DJ Yas, DJ HAZU, DJ Premier, DJ EV,DJ Red Alert, 
Mark Ronson J Rocc etc

My foverite Producers
Rick Rubin,Marley Marl,Paul C,EPMD, Large Pro, Pete Rock,Premo,Diamond D,Show,Buck Wild,Just Blaze,
J Dilla Mad Lib,Q-Tip,Dr.Dre,Outkast,Hi Tek,9th Wonder,Mobb Deep Will i Am, Kanye West,
Eazy Mo Bee,MF Doom,Rza, Jazzy Pha, Pollow Da Don,Onra,Swizz Beats,Timbaland,Neptunes,Prince Paul,
Nottz,Sa-Ra,PPP,Hank Shocklee, Keith Shocklee,Ski Beatz, Salaam Remi, Mark Ronson, DJ Hazu, Dj Yasu,
Dj Krush, etc


DJ GETLIVE! is a native New Yorker hailing from Jamaica, Queens. As a product of NYC’s late ‘90s hip-hop environment, he arrived at DJing first as a b-boy, and then as a practitioner on the turntablist and battle DJ scenes. Now, through his club sets, a weekly radio show, and a mix series GETLIVE! reps his city’s deep music culture while championing new artists and sharing global sounds—connecting styles, genres, and eras in the mix whenever he plays.

Helping music enthusiasts around the world build the biggest and most comprehensive music database and marketplace.

Contact: mixes@discogs.com

An artist’s greatest superpower is freedom. Liberation is both the modus operandi and main ingredient of the fearless five-man band Phony Ppl. Comprised of the cream of Brooklyn’s young musician crop, each classically trained member is a product of musical parents who gifted their children exceptional DNA, exposure to the greats, and most importantly, wings for exploration and self-discovery. The result is a collective that’s as limitless as its music; one that has received praise from the likes of Tyler The Creator and Childish Gambino, performed with Erykah Badu, Jill Scott and The Roots, and killed festivals, late night television and their own residency at New York City’s legendary Blue Note. 					
The warmth of lyrics are mainly credited to lead vocalist Elbee Thrie, a former Manhattan School of Music student whose vocals possess a disarming charm and lyrics glow by advanced perspective and retrospection. Trained composer, Aja Grant provides co-writing, the keys and much of the band’s arrangements. Strings are manned by guitarist Elijah Rawk and Bari Bass, PHONY PPL’s visual artist and bass player. The crew’s heartbeat is percussionist and former Music Conservatory student Mathew Byas (whose father is DJ Jazzy Jay of the legendary Zulu Nation). 
After several jam sessions throughout high school, different iterations of the band, and honing in on their sonic cornucopia – the band has taken pride in their genre-less sound. Throughout the years, their music offerings have dabbled in experimental splashes of jazz, hip-hop, R&B, reggae, soul, rock and many more sub-genres. Their first official full-length offering Yesterday’s Tomorrow (2015) which houses discography gem “Why iii Love The Moon”, received critical acclaim from The New York Times, NPR, Rolling Stone and more. Their next album titled mō'zā-ik (Mozaik) would be released in 2019 via 300 Entertainment. The album earned its name because each of its songs is a singular piece of art possessing shapes and colors separate from the others, while adjoining to make symmetrical magic. Songs like “Way Too Far” and “Before You Get A Boyfriend” represent the dynamic nature of the album and solidify it as a body of work that transcends classification and time. 
The band’s new album Euphonyus is set to release this fall. An interpolation of the band’s name and the word “euphonious”, the album’s namesake comes from the duality represented by their connection to the people (You – Phony – Us) and the most literal definition of the word “pleasing to the ear”. The band’s sonic approach to the album is to connect the dots between the different feelings each song provides; housing tracks that are danceable, vibrant, and joyful under the same roof as songs that are laced with sadness, sorrow, and lust. The long journey to Euphonyus started in 2019 when the band embarked on their headlining tour with sold out dates across the country. Things caught on fire in 2020 during their set on Megan Thee Stallion’s “NPR Tiny Desk” where the artists previewed their collaboration “Fkn Around” which ultimately went viral. Shortly after marked the onset of the COVID-19 pandemic, which delayed the band’s album plans but saw the release of “On My Shit” ft. Joey Bada$$. During that time, the band learned how to make music as a unit without being physically together, a skill that birthed their song “Nowhere But Up” which was made on Zoom through screen sharing. In 2021, as the world started to open back up, the band went on tour again setting the stage for 2022. While the album release took longer than expected due to the pandemic, over the last three years the band was able to record songs across the country and worldwide ranging from their individual homes in NYC to Los Angeles, Philly, Japan, and Germany; building and reinventing each track over time.
In the words of the band, Euphonyus encourages listeners “don’t think, just feel”. With the help of an eclectic roster of features from the likes of JoJo, Kaytranada, Leon Thomas, Domo Genesis, and more, Phony Ppl are ready to step into this new era.

<b>Gary Clark Jr </b>
Warner Records
Austin TX

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