Please send any demo or track links to: demos@fullcyclelife.com

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King Saint Germain is a boutique marketing and entertainment agency.  Here we curate SOUND.


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@dj-rashad
@dj-spinn-1
@traxman
@djDeeon
@rp_boo
@deejay-manny-2
@djluckyteklife
@djgantman
@taso
@slickshoota
@tcjuke
@heavee773
@boylan
@djpaypal
@djphilteklife
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@dbk_teklife
@djchapteklife
@sirrtmo
@dj-tre-1
@ddurbann
@felonyflats
@jackiedagger
@djtaye
@ashes57

Cornelius Ferguson a.k.a. Traxman And Better know as Corky Strong is from the West Side of Chicago and one of the longest serving producers working in House and Footwork with releases stretching back to the glory days of Ghetto House on Dance Mania records in the nineties. He’s also one of the co-founders of Chicago's two-decades- G.E.T.O DJZ INC clique and a member of DJ Rashad & DJ Spinn's Teklife CREW And the founder of TEKK DJZ
crew and has recorded with power house lables like dance mania' planet mu' Dizzy Tunes' chi wax' litcity trax' booty tune' booty call records Raw wax and also was one of the creators of the legendary mixtapes on coloured cassettes which were the prototype for Juke and Footwork's evolution. His unique brand of Footwork is very strongly rooted in Chicago's history of Soul, Funk, House and Ghetto Trax; he’s a veteran and renowned crate digger who has provided the sample sources for many of House' Juke and Footwork's classic tracks over the years. His deep knowledge of music (check the mixes he occasionally throws up on the net) makes him one of the city’s most versatile and skilled DJs and producers.

Traxman's own productions are an incredibly well rounded suture between hip hop’s natural funk and resourceful sample flipping, the hyper-kinetic innovation of footwork’s stop-start, half-time to double-speed drum programming and a deep respect and understanding of Chicago’s House past, that few producers can match; His mixes are a testament to this man's skills.

Grammy nominated super producer D.R.U.G.S BEATS **produced for...DR.DRE. Kendrick lamar ..Marsha ambrose. .50cent..Lloyd banks..ludacris..young dro...fat killaz and aftermath to say a few.for D.R.U.G.S BEATS bangers contact me at mrdopebeats80@gmail.com. serious inquires only.

Got greasy fingerprints and crazy surface noise. Hustlin' starch n' cheese since 2003

Cue the bass…Deep in the heart of the ghetto, on the mean streets of Chicago’s infamous Southside, a music pioneer was born…
From the beginning, Thomas “DJ Slugo” Kendricks was influenced by his cousin, DJ Geno, a member of a local Chicago hot mix group, and other local icons such as the Hot Mix 5 (of Chicago radio). Slugo, with 20+ years in the game, over 20 albums in his pocket and over 50 CDs on the street, began a journey that lead him to become one of the original creators of a style of music commonly known as Ghetto House, more recently regarded as Juke.
Ghetto House, an urban dance sound created by inner-city producers from raw walks of life and derived from Old School House, is steeped with nuances from ghetto-life traditions and descriptions of the hood through rhythm. It moves beyond the just being and dives right into the metaphysical, with its rhythmic, infectious energy exciting the inner spirit and making folk return to their Motherland dance roots.
The magic struck Slugo at a high school dance where he asked the DJ if he could spin a couple of tracks. Although his set only lasted a brief 15 minutes, it ignited a flame that burns brighter than ever today.
From 1984-1987, Slugo honed his skills by observing the skills of his local heroes. Participating in heated DJ battles won him acclaim as a technical expert on the wheels of steel. He released his first truly professional mix tape Ghetto Mix Part III (1992). This tape landed in the hands of Ray Barney, CEO of the Chicago-based Dance Mania, one of the largest dance music labels in the world. Barney and Slugo formalized an agreement resulting in a long stream of releases on the Dance Mania label and affording Slugo the freedom to form his own label, Subterranean Playhouse.
During this same period, friend and fellow producer Paul Johnson introduced Slugo to a southern promoter, which culminated his professional merge into the rave scene. His unheard of Ghetto style of mixing quickly made him a favorite to tens of thousands of partygoers and promoters alike.
The release of the popular Cardboard Booty mix CD, called “the most influential ghetto house CD ever made” by London’s Underbeat Magazine, who also went on to call DJ Slugo, “the Ghetto-father of the American dance floor.” As his fame spread, releases with other national labels, such as Underground Construction, Dance Mania, GTI Records, Serotonin Records, Data Bass, CWAL Mob Recordings, Wide Records and Crosstalk International, Inc., as well as his follow up album, The Ghetto Don, flew off the shelves.
Taking his career to the next level, Slugo signed with the 1 electronic music booking agency in the United States, Teknomafia. With Teknomafia’s 10-year strong foothold on the nationwide rave, club & concert market as well as national distribution for his future releases, the only question that remained was where to begin. Slugo later said that this proved to be one of the best decisions made for his career. After Teknomafia shut their doors and in order to progress into mainstream music, DJ Slugo was the only electronic artist kept on the roster.
2002 saw Slugo returning to his roots with new projects, Where the Rats and Godzilla. Slugo calls these releases without a doubt, some of his best work. They have also without a doubt, exceeded the sales of nearly every other release he has done to this date and which lead to his wildly successful “Godzilla” track becoming a worldwide phenomenon.
After a yearlong respite to rethink his career path, Slugo is back in the game and taking the world by storm. Recent affiliations with England’s Wide Adventure and Crosstalk International, Inc. promise many great things to come.
“Imma keep making Ghetto House music because I love it!”
The saga continues…

For Bookings:

Email: bookdjslugo@gmail.com

DISCOVER OUR STORE AND LATEST DROPS:
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Heist Recordings was founded by Dam Swindle as a means to gain full control over their own releases, and to create a stage for likeminded musicians to showcase their music. From the first release on, Dam Swindle’s “Break up to make up” EP in summer 2013, Heist has been a go to label for proper underground house and electronic music. Now, nearly 40 releases and 5 compilations in, Heist has brought forward artists like Frits Wentink, Nebraska, Adesse Versions, Fouk, Kassian, Nachtbraker and Alma Negra and continues to search for new talent, with Lars & Maarten fully focused on the A&R side of the label. 

Up till 2016, remixes on the label have been solely done by other original Heist artists on the yearly “Round up EP”, where the remixer and remixee get connected by the luck of the draw and a limited edition double pack is put out. After that, Maarten and Lars decided it was time to add remixers to the EP’s as well, which saw interesting collaboration, expanded the label family with names like Matthew Herbert, Tom Noble, Pépé Bradock, Ge-ology and Byron the Aquarius. 

In 2023 we've celebrated 10 years of Heist Recordings. The year showed a whole batch of releases by new artists like Byron the Aquarius, Amy Dabbs and Cinthie and by Dam Swindle themselves.

I'm just a soul doing the best I can with what God gave me.

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