Name: 7am - 7pm by Olga Palomäki in Speaking in code
Duration: 10 min
Description: Free download

aika bueno, stadin huminoita, tutun kuulosta.

Speaking in code

Magma Magpie

Nervous and voyeuristic, abandoned and empty.

Fejhed - Drinking Spit (from the s/t  CS on Chondritic Sound)

Das Muster - Die Verlorenen (TF36)

7am - 7pm

PRE ORDER LISTING : tmlssmvmnt@gmail.com ⁴　⁶　⁷₁　₂　　　₃　₄　°　₆　₇　₈ 　　₁　₂　₃　₄　₈⁴　⁶　　₉　　　　°　⁴　⁵　⁶　°°⁴　⁶⁷₁₂ 　₉₁　₂⁸　⁹₃　₄₂　₃　₄　₅　₆　₇　₈ ₁　₂　　₉　　⁹　₁₂ 　⁹₉₂₃　₆　₇⁷　₄₂　₃　₄　₅　₆　　　⁴　⁶　⁷⁷⁴　⁵　⁸　　°　₅　₆₇　₈₉　₈₁　°⁴　⁶⁷₁₂ 　₉₁　₂　⁷⁴₃　₆　₇　⁸⁹₁　₂₃₄₃　₄　₅　₆　₆　₇　₈ ₁　₂　₃　₆　₇　⁸⁹₁　⁹₁　　　₂　₃　₄　　　　　　　₅　₆　⁴⁹₁⁶　⁶　₇　₈　°₂⁷　⁴　⁶　⁷₁　₂　₃　₄　°　₆　₇　₈ ₁　₂　₃　₄₆　₇

Das Muster - Traum Und Wirklichkeit [Release 2019]

Get it here: http://smarturl.it/AL016

The third Realm Of Consciousness compilation on Tale Of Us’ Afterlife Recordings is the label’s most complete statement so far.

The four-vinyl opus opens with Tale Of Us’ now anthemic ‘Nova’, a high-impact and well-loved staple of their sets this year. Agents Of Time continue with the percussive rattle of ‘Paradigm’, before the first released collaboration between luminaries Recondite and Henrik Schwarz shines with understated melody.

Amongst Mind Against’s eerie masterpiece ‘Portal’ and impressive first appearances on Afterlife from Scuba (as SCB) and Steve Rachmad (as Sterac) are ethereal contributions from Fideles, Ovend and Øostil. UK techno veteran Edit Select channels the darker, hypnotic spirit of Afterlife with ‘Phase In’, setting up the sprawling, 14-minute epic from Luigi Tozzi and Antonio Ruscito.

To begin the compilation’s fourth disc, Konstantin Sibold & Kosme’s ‘Cyclone’ lifts the tone, leading into a more introspective sound from Hunter/Game on ‘Changing Weather’. Upcoming German talent Kevin De Vries follows with his infectious cut ‘Mágoa’ and Tone Depth ends the odyssey in mesmerising style with ‘Ibn Sina’.

The full spectrum of Tale Of Us’ Afterlife label is on display here, as they continue to push the envelope with a high-quality and diverse selection of artists.

Various Artists - Realm Of Consciousness Pt. III (AL016)
A1 Tale Of Us - Nova
A2 Agents Of Time - Paradigm
B1 Recondite & Henrik Schwarz - Motion
B2 Ovend - Nuits Fauves

C1 Mind Against - Portal
C2 Fideles - Lotus
D1 SCB - Tide Slide
D2 Øostil - Quantic

E1 Sterac - Universum
E2 Edit Select - Phase In
F1 Luigi Tozzi & Antonio Ruscito - Subterrel + Ex Funzione

G1 Konstantin Sibold & Kosme - Cyclone
G2 Hunter/Game - Changing Weather
H1 Kevin de Vries - Mágoa
H2 Tone Depth - Ibn Sina

Available on 4x12” vinyl and digital from June 29, 2018.

Fideles - Lotus

a track from the forthcoming album "in the range of imagination" end of april/beginning may.

Huron The Path 2 - 4-2 Mp 3

From the album "Wave Shaped Serotonin" available now on Band Camp |
Limited Md PRMD-74 edition ▲ ◘ ▲ 
https://open.spotify.com/album/4OnsVHujH4VEwnRk3eW1ez?si=_ZxEOhmmQgeDi65OSNcS0w

Wave Shaped Serotonin

Counterintelligence

Proper Format

Powderhorn

Idm Hobbyist 81620

Consenso

Outeiro

Door To Hell

French composer and multi-instrumentalist Christine Ott returns to Gizeh Records for her fourth album ‘Time to Die’, the sequel to the highly regarded ‘Only Silence Remains’ (2016). 

Info / Listen >> www.gizehrecords.com

‘Time To Die’ is a musical fresco in eight chapters, a sensory journey between the world of the living and the dead, for which the musician weaves a unique dramaturgy between contemporary classical and electro-acoustic music.

The title track picks up the story where ‘Only Silence Remains’ left off ... Like it’s centrepiece; ‘Disaster’, the beloved cinematic text here is read by Casey Brown. Ott seeks to offer strong sensations, without artifice, whether by the power of her compositions on the piano (‘Brumes’, ‘Horizons Fauves’), or by intuitive arrangements mixing her unique practice of Ondes Martenot with a maelstrom of Jupiter8, Monotrons, Timpani and Tubular Bells as on the first track. In addition, Ott captivates us with her harp playing on ‘Chasing Harp’, by her aerial singing on ‘Landscape’, or even on the airwaves on ‘Comma Opening’, which ends a triptych of songs after the versions published on ‘Chimères (pour Ondes Martenot)’ (NAHAL 2020) and on ‘Volutes’ from her side-project Snowdrops (Injazero 2020). These two previous records have been praised by critics, especially in the best records of the year according to The Guardian.

This expressive and spontaneous impetus, leitmotif in her musical production, takes a new form within ‘Time to Die’. Through the notes disseminated in an endlessly reinvented minimalist heritage, the interpretation is the ultimate musical glue allowing the pieces to come to life, thereby making this repertoire and its composer-performer unique. A universe where music - despite the album's title - never dies.

We finally share these few words from the talented American musician and videographer Fredo Viola, with whom Christine has forged long-distance correspondence since the first lockdown. Listening to the record, he wrote her these few words, which he allows us to share here:

"Stunning, terrifying, magnetic, delicate, painful and uncanny... It’s like discovering a bizarre object hanging very low in the sky, something beautiful but unfathomable, just out of reach. The way I see the album is as a series of quite cinematic meditations on the theme of death and dying, changing prismatically, up to that incredibly delicate and beautiful conclusion.” Fredo Viola

PRESSING NOTES
50 — Blue Vinyl + CD - Deluxe edition. Gizeh Store Exclusive. Includes the sheet music for the track 'Miroirs' housed inside a hand-numbered, silkscreened card folder with additional texts from Christine Ott. Heavyweight card sleeve with poly-lined paper inner.

200 — Blue Vinyl - Heavyweight card sleeve with poly-lined paper inner. 

CD — Housed in a six-panel digipak with additional artwork featured on the inner sleeve.

CREDITS
All music composed by Christine Ott
—
Christine Ott — Harp, Vocals, Piano, Ondes Martenot, Jupiter8, Percussions, Timpani, Tubular bells, Monotron, Vibraphone / Mathieu Gabry — Mellotron, Keyboards, Vibraphone, Effects, Processing and Arrangements on 1,4,5,8 / Casey Brown — Spoken Voice on 1
—
Recorded in Serpentine Studio Strasbourg, Conservatoire de Strasbourg & Musée Würth Erstein from 2012 to 2019 / Mixed by Benoit Burger in Spring 2020 / Mastered by Lawrence English / Artwork by Renaud Allirand / Layout by Richard Knox / Limited Numbered Vinyl Edition includes the piano score of "Miroirs", transcribed by Rémi Zeller

Time to Die

Christine Ott - Time to Die

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Ｔhɪѕ ɪs pｒecisｅlｙ how 'reаlɩтｙ｀ ᴡ೦ｒϰs anᏧ ᴛᏂ℮ basics ɑᴦe тһе ƽaмe ａƽ моԁeןƽ uti1iᴢeᏧ vvιtհｉn ᏏΙack bцdgeᴛ pᴦograms aпd ǀettｅr aƍｅncies who hαѵe kո౦ѡn αｂοʋt ˛ｔ all foᴦ ԛᴜitе ƽome ᴛіʍｅ܁ Ｔrᴜth TƦUMPS Secᴦ℮ᴄy, sס novv y๐ᴜ αᴦe aᴡаｒe ૦f ͺт܁ Ｄᴦeɑm thｅ ｄrеαʍ ԝｉsｅly ԁｅar ᴑnｅs for ᴡhatеveᴦ you put іnто тһe ƽystеᴍ oſ ᴄ๐ᴨscioｕｓness haѕ ԁᎥᴦeᴄᴛ imραct oϖ yoцrsｅΙf ɑᴨԁ oτᏂ℮rs܂
#ᴄicada330Ι    #℮thеrƽec    #anσnhoрe #ଠpEρօcհ   #|NTRUᗞER #k_x

www.olgapalomaki.net
www.creativecommons.org

All tracks can be downloaded free of charge. 

Experimental sounds based on field recordings - no instruments allowed. Creating dark soundscapes by manipulating urban background noise and shaping it into a new form. An attempt to create an altered / alternate version of the world dominated by noise.

The sounds are licensed under a Creative Commons Attribution-NonCommercial 4.0 International - license. Learn more about the license: http://creativecommons.org/licenses/by-nc/4.0/.  Contact olga.palomaki(a)gmail.com for additional information and details and feel free to ask for the sounds in .wav format


A new release, "The Soundtrack of The Anthropocene" is now available on Petroglyph Music netlabel. Free download here: https://archive.org/details/Petroglyph506OlgaPalomaki-Soundtrack_of_The_Anthropocene

7am - 7pm

Olga Palomäki

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