truely absorbed by your talent, thankyou, you have brought 4mins of pure bliss and calm to my life. bravo.

I needed to buy a second screen to find a blue spot where I can place my comments ... but it was worth it ;-) Quite masterful on how you handle the dynamics in this piece!

Fantastic work too Ollie! :) And certainly I was to captured by this track when listen to it the first time that I was'nt able to write a comment... so better late than never. ;)  (And remember, you have still a riddle to solve... :D  )

Isnt it illegal to make such good songs? ;)

"Have patience with all things, but, first of all, with yourself." - Saint Francis de Sales
________________________________________________
Image (c) 2013 <a href=https://www.facebook.com/photo.php?fbid=772341389449116&set=a.674844345865488.1073741828.156806751002586&type=1&theater>Cap Photography</a>

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BandCamp:http://stephanfischer.bandcamp.com/album/like-a-leaf
Cover Artwork by KaleylArts

I See You

I feel very thankful and fortunate to have had a truly amazing summer in 2014.  I visited no fewer than seven counties between July and August.  I witnessed so many amazing things in Romania, Russia, Finland, Sweden, Estonia, Denmark, and Iceland. I spent quality time, working, playing, and planning for the future with close friends and colleagues. I met and befriended many new and truly wonderful people whom I now consider close friends.

I was asked many times both by friends and family in the US, as well as the local people in the various cities I was in, what I thought about all the various political instability in the world today.  The questions invariably centered around something to the effect of "Aren't you worried/concerned/afraid to be traveling at the moment?"

My standard answer, which I became quite practiced in reciting, was:  I think that if some alien species which did not speak any human language came to Earth and visited New York, Washington DC, Bucharest, Moscow, St. Petersburg, Helsinki, Stockholm, Tallinn, Copenhagen, and Reykjavik it would have a very hard time telling us all apart.  Despite our small cultural differences, people everywhere generally want the same things.  We all look quite similar when we smile and laugh as well as when we cry.

It is said,  everybody loves something, is afraid of something, has lost something, and is looking to find something.  Which will you focus on?  Will you give love unconditionally, or will you help create fear in effort to mask your own?  Will you help yourself and others get lost, or will you try your best to find something of true value and meaning?  Will you focus on artificial divisions and all the reasons why you think you can not do something, or will you open the borders of your heart to new experiences and opportunities for growth? The choice is yours.  It is all of ours.



A deep and humble thanks to everyone in Romania, Russia, Finland, Sweden, Estonia, Denmark, and Iceland for sharing part of your lives and wonderful culture with me.  The memories will last a lifetime and have already become a formative experience to my creative process.  Thank you!

//////////////////////////////////////////////////////////////

"Autumn Rains" is the second installment in a trio of neoclassical solo piano albums composed, performed, and produced by Andrew Souter. These projects have been two decades in the making and represent a return to traditional music composition, engaging song-writing, and the pure passion of emotional story-telling. This trio represents Andrew's most personal and intimate music. It is quite literally a love project. We hope it may help you on your journey, as it has us...

"Autumn Rains" is music inspired by the spirit of Agape. It is an album dedicated to the concept of spiritual love and universal compassion clothed in the metaphor of transcendental natural beauty. It is an album that simultaneously expresses deep love for both the creator as well as the creation. It is said God gave us music so that we could pray without words. It could be added that nature was provided as an example of exactly how to do this effectively. In this spirit, Autumn Rains is a prayer of gratitude for the opportunity to learn from the natural beauty of this world, and an expression of a sense of respect for the inescapable universal equality that nature imposes. It humbly attempts to capture deep feelings of awe, granduer, idealism, and a belief in the innate goodness of the world even when we all face exceptionally hard lessons.


Andrew Souter -- Without Borders

This track is from the album Harmony In Disarray and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/bossenbroek2

A Song Of Simplicity

Official Music Video :
https://www.youtube.com/watch?v=3Nmt3igZY0o

For more music follow me on:
Spotify: open.spotify.com/artist/3e4aLWouBXjJXSFwU7ilQA
iTunes: itunes.apple.com/us/artist/piotr-wiese/id912271895
Bancamp: https://piotrwiese.bandcamp.com/
Facebook: www.facebook.com/piotrwiesemusic/
Twitter: twitter.com/WiesePiotr

Visit my website:
www.piotrwiese.com

All music composed, performed and recorded by: Piotr Wiese

You Are...

Piotr Wiese - You Are... (Piano Solo) follow me on Spotify

Hi all - I produced this piece for the latest Piano Cloud challenge, which was to create a piano piece using an odd time signature.  I chose 5/4 timing.  It started out as a gentle piano arpeggio, but as I continued to work on the piece searching for ideas, it morphed in quite an unexpected direction towards a large orchestral ensemble.  I hope you enjoy this piece :)


Infinity

Live Video: https://www.youtube.com/watch?v=nvr7fhTi4Mk
New album: https://milana.bandcamp.com/album/spirit-of-journey
---
Please enjoy my improvisational tribute for one of the maestros - for Bach. I appreciate subscriptions to my YouTube channel ;-)

I'd also like to announce the upcoming release (18th of December!) of my 4th original piano album "Spirit of Journey". The album will be available as a digital album on iTunes, Amazon, Spotify etc. 

The album is available on BandCamp already, both as a digital album and on CD! I will gladly sign the first ordered copies :) https://milana.bandcamp.com/album/spirit-of-journey

Whenever I start improvising, I am taken on a journey. Melodies and harmonies constantly move and while they do, they let me create scenes from places I've never been to. Yet, the music has the spirit that unites and translates all of that to the listener. 

I invite you to share the spirit of this journey with me. This piano album is about a constant movement, dynamic rhythms and rich harmonies on the edge of jazz and rock. Cinematic soundtracks will take you to mysterious gardens, detective stories, a maze of surreal dreams and a moonlight stroll. 

With huge thanks to my husband and family. They are my own spirit, my journey, my music. 

Yours, 
M.

For Bach

YouTube

"For Bach" by Milana (Acoustic, Live Video)

An original piano improvisation developed with a string ensemble composition.

<I>Photo used in track art: Statue by TrueBelief
http://truebelief.deviantart.com/art/Statue-33417031</I>

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Oliver Sadie — Of Certainty

Through sound, emotion seeks new dimensions, not as an escape from reality but rather in a search for the image of a new reality. Music that creates emotion, is like a wind that purifies, rendering visible all the obstacles and divisions. It is rather like a piercing arrow that alerts the parts of our mind we do not normally go to, in our daily lives. It opens up unknown and obscure landscapes, like a ray of light that filtering into a dark room, banishes the darkness and leaves nothing to hinder vision. 
”Canone degli Spazi” is about the sound that journeys in all directions, the sound that travels through endless space - through the outer world and the inner space - through the unconscious and the senses. 
When I play with precision and with specific intent, the emotion that rises inside of me is the mirror of the one that arises in the person who is listening - it provokes a sense of union and communion with those sharing the same moment. Music becomes a vehicle of an objective feeling, which is almost the same for most people. Similarly, if I am not One with the sound and my intention is not clear, the same notes played carelessly are empty - they lose their power and their intensity. The level of clarity of my expression depends on what I can make arise inside of me. When that happens, the inner nature of the melodies that are being played spreads out into space, into the air, into the earth and out to the whole atmosphere. A real spell takes place between the performer and his public, creating a magical aura of deep harmony and sharing. This is the wonder of a sound that has come from a long time ago, through myths and mythology, and returns us to the essence of Music, that most supreme of Arts. 
I composed “Canone degli Spazi” around essential elements - the harmony of the triads, the melodic repetition and the cycles that follow the orbits of the planets and the structure of harmonics - the very same fundamental rules that Pythagoras followed to make the laws of the Universe coincide. Sound can help us to realize that our inner space is as vast as our outer space and that in reality there is no difference between them. Sound travels through walls - the walls of the mind too – transcending both time and space. 

Canone degli spazi - Michael

Music for piano.

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Web: https://stevengutheinz.com

Near

Isle

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Manon Theme, from the contemporary dance theatre choreographed by Kimiho Hulbert in Japan 2012.
Sync/Licensing inquiry to: info@schole-inc.com

official site: https://akirakosemura.com/
bandcamp: https://akirakosemura.bandcamp.com/
spotify: https://open.spotify.com/artist/4n1lW38WKgyPEIZowQ3AND?si=gwGM3HyeRACgj5z4pSVlug
itunes/apple: https://itunes.apple.com/artist/akirakosemura/216327255

Bandcamp

Manon Theme (2012)

Die lange Version unseres Pianostückes aus der TV-Werbung

Travel Dreams - HRS Long

The original track I composed for the amazingly talented artist Gavin O'Donnell. 

I decided to remaster and edit the original track. I re-edited the cymbal builds, adding more of my own custom stuff, and some from the Evolve library. And I also added a solo violin playing a counter melody at the end.

The Eye of the Beholder (re-master & edit)

COMPOSER FOR THE SCREEN
Film, TV, Advertising, Games

▶ http://oliversad.ie ◀

I am a composer, producer and pianist based in Berkshire, UK.

I write beautiful music with live and virtual orchestras, live instrumentalists and vocalists. With studio production quality, I am able to seamlessly integrate recorded parts with modern sound design and electronic parts, and deliver music-sync’ed video demos.

Writing professionally since 2009, my work can be heard in numerous original feature film and short film scores, in adverts for web and tv, and in general web and tv production where licensed from high end music libraries.

Good working relationships with filmmakers are hugely important to me, where I have many years of experience in the spotting-writing-production cycle. With great communication, I always aim to make the director’s work as easy and hassle-free as possible, an ethos which has carried me through many successful projects.

Get in touch if you’re looking for a high quality soundtrack for your next production.

Oliver Sadie — Of Certainty

Oliver Sadie

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