Electronic Wave (Postpunk Synth/Dark/Coldwave/Pop)

Cold Wave 1

DC Promo Tracks #872: "The Lamp (SidiRum Remix)" by Monk Ernie is part of the release "Invisible Pink" on Playground Records @playgroundrecords  

Buy Now: https://playgroundrecordsmusic.bandcamp.com/album/invisible-pink-inc-uriah-klapter-sidirum-remixes 

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks #872: Monk Ernie "The Lamp" (SidiRum Remix)

UNEARTHED #3

Third part of the new broadcast series UNEARTHED presenting some great artists from the area of #Post-Punk #DarkWave #EBM #SynthWave #ColdWave and #ElectroPunk. Musical gems from the European archive, curated and hosted by Joanna A. Stotko. Broadcasted October 11th, 2021 at ALEX Berlin on 91.0 FM.

PLAYLIST:

1. ZACK ZACK ZACK – Alles Was Du Hast
2. IN DEATH IT ENDS – We All Die
3. VONDER – Forlorn
4. SCALPING – Cloudburst (Mogwai Remix)
5. IN TRANCE 95 – Presidente
6. ZACK ZACK ZACK – Bak
7. SCALPING – Monolithium
8. ZACK ZACK ZACK – Zelzele
9. IN DEATH IT ENDS – Covet
10. THE GLASS BEADS – Music Box
11. VONDER – Together
12. VONDER – Ego
13. IN TRANCE 95 – Brazilia

KULTURARCHIV EUROPA
Querbeet durch die europäische Musikgeschichte

Von historisch über zeitgenössisch bis hin zu brandaktuell. Musikalische Perlen europäischer Herkunft im Wandel der Zeit - einheitlich gegliedert und präsentiert nach Genre, Land und/oder Zeit.
Archiv, Playlisten und weitere Infos auf: www.kulturarchiveuropa.de

Kulturarchiv Europa auf SoundCloud: @kulturarchiveuropa

Kulturarchiv Europa - UNEARTHED #3 - Post-Punk, Dark Wave, EBM, Cold Wave

After traveling to Central America BELLY DANCE SERVICES continues their journey further south: The fifteenth release of the Austro Turkish label is called TZANTZA. A genius joint venture between RANDOM ATLAS from Santiago de Chile and MARZIAN from Buenos Aires. The EP features saxophone player JOSÉ PEDRO CÓRDOVA as well as remixers CORNELIUS DOCTOR and OBERST & BUCHNER!

EP name giver TZANTZA is an epic piece of story telling filled with lively percussions, charming saxophone play and a captivating baseline. If this track were a movie it would be the latino version of Stranger Things directed by David Lynch.

The remix of TZANTZA comes from one of Viennas finest couples: OBERST & BUCHNER. Currently working on their album the co-heads of HEIMLICH MUSIC carved out a crunchy synthi stomper that brings extra pleasure to every room.

With their second original track BARRICADA the admirable trio from South America again proves their willingness to tear down barriers between traditional disciplines of electronic dance music. Therefore they simply just had to also give birth to a club version of this alluring obscurity. 

At last french producer CORNELIUS DOCTOR added his unique touch to BARRICADA. The co-head of Lyons HARD FIST RECORDS checks in with a floor filler or no, let’s call it a fancy boredom killer!

Compiled by Hanzo & Yaman
Mastered at the Wall by Sam Berdah
Art Work: Iris Eris
Design: Studio Blank
Animations: Illu.Geri

BUY: https://bellydanceservices.bandcamp.com/album/tzantza

PREMIERE: Random Atlas & Marzian - Barricada [Belly Dance Services]

'I Just Dont Know' By Anton Kubikov...
Follow Me: On Youtube ☛ https://www.youtube.com/channel/UCpBtlqzQPDle5aLzLhRERdQ

Anton Kubikov - I Just Don't Know (Original Mix)

4WIZZ, DJ HORIZONTE - Z2

A Rushing Into Water

Europe is sinking into populism. The void left by politicians is slowly being filled by petty discourses promoting hatred and mistrust, encouragin people to turn upon themselves unable to find adequate responses in a globalised world.
Europe seem stuck in quicksand and every week, new statements and events drag it slowly downwards.
Dance music itself can often seem like a reflection of this rampant populism, only offering, cheap and easy throw away sensations and consumerism, recalling the « bread and games » from ancient Rome.
Personalizing this political decay within the club world, « The Populists » thrive to give clubbers back what they deserve - a place for open minded people - by bringing meaning to a music that is often devoid of it.
The club has always been a place for freedom and emancipation, for social and sensorial experimentation, and unfortunately today, it’s often a space of consumption with its formatted shapes, infinite tunnel of build-ups, drops, breakdowns and clinical productions.
￼￼Behind every « The Populists » tracks is an aspect conquering and destructive populsm. Behind each of their performance, a way to resist it.

The Populists - Manif pour tous (La Décadanse remix)

Nueva sesión para este mes de Febrero con grupos como, Liste Noir, Nouvelle Phenomene, Kubo,Malevich Line, The Present Moment, Actors...

DJ Energumeno - Cold - Dark - Minimal Wave Session VOL.3

My new super slow Mixtape... enjoy!

https://www.facebook.com/djtomatlas





DISCLAIMER : I do not own any of the music/artwork featured in this Mixtape. If your property is featured and you wish for it to be removed, please message me and I will gladly oblige. The videos are uploaded simply for entertainment/informational purposes.

Tom Atlas - Cold Wave Electronics

Ombra INTL 004

Mondowski - 'Cold Sweat' [Ombra INTL 004]

Veiled, taken from the EP Romboid Assassin on Lone Romantic

Veiled

Bandcamp: https://relishrecordings.bandcamp.com/album/relish-comp-vi-v-a
Spotify: https://open.spotify.com/album/7k8gr2TOoEImPzdUt5RSiz?si=WxstuJuXTeOUsHapIGJEsA

7. Younger than me released the highly acclaimed Warning Code EP last year. They also remixed Curses - Her Violence Beauty, so he returned the favor and remixed the title track. Curses added his touch to the Machine Psychedelia of the original. They are an italian duo out of Milano. The production is inspired by Italo Disco, Post-Disco ,
New-Wave , House and Electronic Music with the inevitable 80's twist.

Relish Comp VI

Warning Code (Curses remix)

Buy/stream

Younger Than Me - Warning Code (Curses remix)

WAVES WITHOUT END MIX cold wave post punk synth wave

Artista: @iroaka
Sello: @yurgensdenis


El duo barcelonés Iro Aka continua tensando la cuerda y sacando material  de alto octanaje con este Ep producido en 2017 que ahora ve la luz para el sello Elephant Gait.

 Después del arrollador album presentado para el sello Hivern, Carles y David continúan su danza particular, caminando entre ritmos a baja revolución, mantras esotéricos y la psicodelia que ha sentado las bases de su actual sonido. Futur cuenta con 4 originales y 2 remezclas de Tapan y Anatolian Weapons que hacen de este trabajo un esencial del año.

PREMIERE: Iro Aka - Будущее [Elephant Gait Music]

https://soundcloud.com/tamburineri
https://soundcloud.com/hiroko_bee
https://soundcloud.com/worst_rec
Buy Release: https://worst-records.bandcamp.com/album/ombre
YouTube Stream: https://youtu.be/qg01EU50Gow

Like a shadowplay for endtimes. Tamburi Neri, a duo from Milan, joins Worst Records’ strange catalogue with their debut LP. Soberly named « Ombre », it’s an organic entity filled with worry. If we discover again with pleasure their signature scarce and elegant style which drew the tension of their first releases, everything here is sewn as a delicate echo chamber. Hiroko’s voice responds to a relentless male spoken word, with invocations sometimes vaporous and sometimes lyrical. 

It’s a poetic canvas suspended over the void and balanced by hypnotic rythms on one side and synthetic avant garde minimalism on the other. This eighth pannel of Worst’s catalogue sets itself as a contemporanean piece far away from genre identifications and beautifully possessed in equal freshness and enlightening maturity.

TRACKLIST:
A1 – La porte D’incanto – 05:25
A2 – Giochi d’ombre – 05:56
B1 – Ama – 10:32
B2 – Sono Perfetto – 05:25
C1 – Il Buio – 02:58
C2 – Barritono – 06:02
D1 – This is the End – 06:25
D2 – Le Labbra – 04:15

A Tamburi Neri _ Ombre

PREMIERE: Tamburi Neri & Hiroko - Ama [Worst Records]

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Berlin & beyond 🌐 ⚑
𝑳𝒊𝒗𝒊𝒏𝒈 𝒕𝒉𝒆 𝑫𝒀𝑺𝑻𝑶𝑷𝑰𝑨𝑵 𝒅𝒓𝒆𝒂𝒎, 
𝑟𝑖𝑑𝑖𝑛𝑔 𝑡ℎ𝑒 𝔴𝔢𝔱 𝔴𝔞𝔳𝔢𓆙
Est.2016 by Curses𝒻𝑜𝓇𝑒𝓋𝑒𝓇
††††

Mondowski - 'Cold Sweat' [Ombra INTL 004]

OMBRA INTERNATIONAL

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