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www.TheEchoSociety.com is a Los Angeles based collective of like-minded composers, musicians and artists who gather together to share new sonic and visual art locally. Brendan Angelides (aka Eskmo) is one of the people involved. 

This track, composed by Angelides, is from the first Echo Society installment entitled "Winter" which was performed live to a sold out theater in LA on 12/12/13. It featured a 10 piece chamber ensemble with electronics while he performed on the side, looping the crunching of plastic water bottles, shakers and the percussive hits from water jugs and metal bins.

Installment 2 in the works. more info soon.

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Brendan Angelides [Eskmo] - Polar Bear and Blackbirds

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
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ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

Word

Produced, Recorded/Engineered, and Lyrics by Tommy Paxton-Beesley
Instrumental written by Tommy Paxton-Beesley & David Lewis

David Lewis - Synth, Cello
John Mavrogiannis - Bass
Tommy Paxton-Beesley - Vocals, Drums, Synth, Guitar, Bass

Mixed by Matty Tavares, Mark Murray, and Tommy Paxton-Beesley
Mastered by Noah Mintz

When The Time Is Right 

No Talk

Pre-order the new album 'It Is What It Is', released 3 April on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Ninjashop: http://found.ee/giantsroam
iTunes: http://found.ee/giantsroam-it

'Them Changes'
Written and Produced by S. Bruner / S. Ellison
Bass, Vocal - S. Bruner
Keyboards, Programming - S. Ellison
Saxophone - Kamasi Washington
Piano - Dennis Hamm

Virtuoso bassist and singer-songwriter Stephen Bruner aka Thundercat returns to the Brainfeeder fold with his first solo material in two years, having already made outstanding contributions to not one, but two, of the greatest albums of 2015 - To Pimp a Butterfly and The Epic - by fellow Los Angelians Kendrick Lamar and Kamasi Washington. 

Mini-album 'The Beyond / Where the Giants Roam' will be released digitally on Monday 22nd June via Brainfeeder.

http://brainfeeder.net/thundercat

iTunes

Thundercat - 'Them Changes'

ORPHANED DEEJAY SELEK (2006-2008) E.P

Serge Fenix Rendered 2 - AFX

For more information and tracklist head here: http://www.factmag.com/2015/07/20/fact-mix-505-alessandro-cortini/

Few producers can handle a synthesizer quite as masterfully as Alessandro Cortini.

The Italian musician has been building up a reputation for a few years now, under a plethora of different monikers, pushing his electronic instruments to near-breaking point. Cortini mastered the towering Buchla modular system, securing him a well-deserved spot on keys for Trent Reznor’s Nine Inch Nails. This, however, is only the tip of the iceberg.

Last year Cortini dropped the excellent Sonno LP on Dominick Fernow’s Hospital imprint, and the Buchla was nowhere to be seen. Instead of showing his chops on an instrument that most musicians couldn’t dream of using, Cortini instead confined himself to the humble Roland MC-202. The 202 doesn’t have the reputation of some of its starrier Roland family, mainly because it’s notoriously difficult to use, but it’s basically a portable, keyboard-less SH-101 with a sequencer that requires an advanced intellect to take advantage of. The portable nature of the instrument allowed Cortini to pen tunes while on tour with Nine Inch Nails, and his follow-up LP, Risveglio, continues where Sonno left off.

This time around he’s added some other portable Roland instruments – the legendary silver pair, the TR-606 and the TB-303. The message and basic sound, however, remains intact. There’s no squiggly acid here; rather, Cortini finds a way to tailor the familiar instruments to his own very specific sound, and emerges with something haunting and personal.

That’s exactly the kind of thought behind this dense FACT mix – sure there are cuts from Plastikman, Aphex Twin and William Basinski, but these are drowned in abstract electronics and muted noise from Shifted, Powell and Peder Mannerfelt.

Alessandro Cortini’s Risveglio will be released on Hospital Productions on July 27.

FACT Mix 505 - Alessandro Cortini (July '15)

Taken from 'Silicon Tare' EP by Com Truise, out April 1, 2016.

Pre-order at The Ghostly Store: www.theghostlystore.com/products/silicon-tare-ep
Or at the retailer of your choice: Ghostly.lnk.to/comtruise

Silicon Tare

Com Truise - Silicon Tare

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc or any other good record store worldwide

"A soothing piece of delirious sound" – Clash
"Strangely upbeat nocturnes" – The Wire
"It's just incredible" – Mary Anne Hobbs, BBC 6 Music

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen

Spells

Buy LP/CD/DL

Ben Lukas Boysen – Nocturne 4

We recently chatted with Composer Sascha Dikiciyan also known as Sonic Mayhem about his incredible career in video game music composition for such titles as Quake II, TRON: Evolution, Borderlands, Mass Effect 3 and Deus Ex: Mankind Divided.

Sascha also recently released an original album titled, Doomsday featuring songs such as “Genesis”, “Futureland” (which features Power Glove), “Bleed Forever” (featuring Malukah), and more. There’s also an appearance by electronic rock artist Blue Stahli on the album.

Sascha's work came to prominence when he sent a copy of his first CD "Methods of Destruction", an alternate Quake soundtrack, to id Software in 1996. As a result, they asked him personally to score the soundtrack for Quake II.

This podcast is sponsored by THX, a globally renowned brand focused on delivering premium entertainment experiences and is passionate about telling the stories of the creators behind great productions. THX certifies the world’s best consumer electronics to provide users with the assurance of superior quality. Find out more at thx.com

SoundWorks Collection

Composer Sascha Dikiciyan / Sonic Mayhem and the music of Deus Ex: Mankind Divided

Omega Code's AEON is out now! Get it on http://omegacode.net

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