sOmemOre

Don't Let Me Take That Too...

How you say...ahead of its Time?

TOP TRACKS OF THE MONTH - November 2016

Pronounced "Gwi-cha"...

My tunes

7 Piece special version of the title track from the album "Transformed" composed by our wonderful Áine Mc Geeney. 
Guest appearances from:
 Kevin Jones on Bass Guitar 
Kieran Leonard on Drums. 
Watch the lads in action here:
 http://www.youtube.com/watch?v=SR5HiWPlsPg


Transformed 7 Piece Remix

Wolfgang Press - Mama Told Me Not To Come (Go Back)

Bleep: http://smarturl.it/latenight-bleep
iTunes: http://smarturl.it/latenight-itunes

Late Night Endless is the first album by Sherwood & Pinch and the culmination of two years in the studio developing, re-dubbing and deconstructing tracks. It finds the highest common factor between the two's techniques, making it impossible to see where one musical personality ends and the other starts. It touches on the urban swing of UK garage on ‘Music Killer (Dub)' and 'Gimme Some More (Tight Like That)', on interstellar nineties ambient dub on 'Wild Birds Sing', on the mystical minimalism of Pinch's first releases on 'Africa 138'. Utilising Sherwood’s deep-fathomed sound bank, Late Night Endless also incorporates elements of his previous productions, including vocals by Daddy Freddy, Congo Natty, Lee ‘Scratch’  Perry, Prince Far I and Andy Fairley.
 
Adrian Sherwood built up a vast catalogue of music through the 1980s as producer to the sprawling dub-industrial-electro collective that was On-U Sound, which emerged from a fertile post-punk scene that was embracing Jamaican rhythms.  In his capacity as a DJ and live sound engineer/dub controller, he connected with the likes of The Clash, The Slits, Public Image Limited and The Pop Group. He also remixed, produced and collaborated with Primal Scream, Nine Inch Nails, Ministry, Depeche Mode, The Fall, Blur, Air, Peaking Lights, Django Django and Machinedrum.
 
Pinch has became revered as a dubstep stalwart, founding the respected label Tectonic in 2007. He’s one of the earliest dubstep producers to expand outwards into techno and other sounds to keep his work and his Tectonic label fresh as dubstep itself went mainstream. One of Pinch's most well-known tracks is "Qawwali" (Planet Mu), which references the devotional singing of the same name and features samples of Nusrat Fateh Ali Khan. One of the first producers in the dubstep scene to release a fully realised album in Underwater Dancehall, he also made connections with an older tradition of heavy bass music by releasing an album by dub legend Scientist on Tectonic. More recently, he collaborated with man of the moment Mumdance (recently signed to XL) to deliver a b2b mix full of dubplates and unheard material.

It was inevitable that, as Rob's career kept its steady build, that the two's paths would cross – but actually Rob gave the hand of fate a nudge by booking Adrian to play at a Tectonic takeover at Fabric in London. Adrian recalls “I remember thinking quite clearly how impressed I was with him. I thought as he invited me here, I should invite him down to my studio...”
 
Two limited edition 12” EPs – Bring Me Weed and Music Killer – followed, but it was being asked to deliver a live show for Sónar Tokyo in April 2013 that really put a rocket under the project. “We decided to have a whole studio on stage” says Adrian, “so that the mix truly is delivered live in a totally unique way that can never quite be done the same again”. The result was triumphant, with even master of noise abuse Alec Empire [Atari Teenage Riot] watching agog from the side of the stage and broadcasting to the world what a revelation it had been.

01.  Shadowrun
02.  Music Killer Dub
03.  Gimme Some More (Tight Like That)
04.  Bucketman
05.  Wild Birds
06.  Stand Strong
07.  Precinct of Sound
08.  Different Eyes
09.  Africa 138
10.  Run Them Away

Sherwood & Pinch - Africa 138

Second song released from Irreal - out 1.19.15

Halcyon Days

TEETH OF THE SEA
HIGHLY DEADLY BLACK TARANTULA

In the last decade, the iconoclastic four-pronged force of Teeth Of The Sea has traversed from its origins in North London pub gigs and basement rehearsal rooms to far-flung locales that its members could scarcely have considered possible when they first began. Yet this band has never lost sight of its original vision - to reconcile a fearless experimental drive with a primal lust for noise. To exist outside of all or any compromise. Yet never to lose sight of the crucial irreverence of their inception. Their fourth album ‘Highly Deadly Black Tarantula’, in all its malevolent glory, may well be the apex of their mission thus far. 

Following in the wake of the release of their mind-melting third album ‘MASTER’’. 2014 was a bizarre and thrilling year for Teeth Of The Sea, taking them to unexpected territory both physical and metaphysical - a re-imagining of the modern-day midnight movie A Field In England saw performances at both Cork Film Festival and Hackney Picture House, and was released on Rocket Recordings on a limited run for Record Store Day. A new audio-visual piece The Last Man was performed at both Cineglobe Festival in Cern, home of the Large Hadron Particle Collider, and at Transilvania International Film Festival in Cluj-Napoca. What’s more, the band travelled to America for the first time to perform in Austin, Texas for SXSW and to Portugal for Milhoes De Festa, as well as finishing the year off with a comprehensive demolition job of Liverpool Psych Fest.

However, as 2015 dawned, the band set about reinventing themselves once again - both returning from the ornate and expansive sounds of ‘MASTER’ to their gnarled roots and pushing firmly forward in search of adventure anew.  What resulted was ‘Highly Deadly Black Tarantula’, their most focused and aggressive album yet. Machine-driven yet melodically abundant, the widescreen industrial expanses of this album combine the influence of long-time band favourites like Aphex Twin, Angelo Badalamenti and Throbbing Gristle with new inspiration that spans from Chicago footwork to black metal. 

What’s more, it’s a collection as rich in scope as it is powerful in intent. Whilst the pummelling and incisive ‘Animal Manservant’ and the kinetic dancefloor attack of ‘Field Punishment’ maintain an audial assault both concise and corrosive, the monomaniacal ‘Have You Ever Held A Bird Of Prey’  represents a fearless plunge into the experimental deep end. Elsewhere, the bleak cinematic drama of ‘All My Venom’ strikes like hammer to anvil, and ‘Love Theme For 1984’  may be the most richly emotive work the band have yet created. 

This is no less than a vital reinvention, abusing technology and warping convention to arrive at a monochrome psychedelia as stylish as it is savage. Yet even whilst ushering in delight and deliverance for both fans of this band and the uninitiated, ‘HIghly Deadly Black Tarantula’- a fearsomely coherent assault of post-everything dementia - sounds like no-one but Teeth Of The Sea.


Teeth of the Sea - Animal Manservant

Another Science Fiction Dancehall Classic! Originally released in 1984, this is one of the most envelope-pushing records on the On-U Sound label: a rhythmic collision of noise, dub and electronics. Adrian Sherwood pushed the possibilities of the studio to the limit, capturing dystopian mid-80s cold war menace with layers of spatially-disorientating percussion, alien keyboard sounds and teeth-rattling distortion. Features vocal contributions from Shara Nelson (Massive Attack) and Annie Anxiety (Crass Records).

Re-cut at dubplates & mastering in Berlin for maximum bass pressure. Includes a fold-out poster insert, and download card for full album plus a previously unreleased extended mix of “Ace Of Wands”, their contribution to the classic first volume of the longrunning Pay It All Back series.
Pre-order link: http://bit.ly/1hWUoEm


The Missing Brazilians - Ace Of Wands (unreleased extended mix)

Ahead of the release of the SCIENCE FICTION DANCEHALL CLASSICS compilation on 2 October, On-U Sound is proud to drop this ultra-limited 1-sided 12", with the On-U logo laser-etched onto the b-side, featuring edits of the demo recordings Adrian Sherwood produced for the classic "Akabu Theme", heard in finished form on the iconic PAY IT ALL BACK VOL 1 collection in 1984. As edited for maximum impact by DJ and audio-visual artist Trevor Jackson, these tracks are a startling discovery, and connect the dots between what On-U Sound was doing in the early-80s, and the modern day output of labels such as L.I.E.S, The Trilogy Tapes and Future Times.

Available 18th Sep

Akabu Edits - Raw Dub + Bonus Beats (short preview)

Teeth of the Sea - Responder

Get the 'Telluric' album: http://smarturl.it/telluric.itunes

Follow Matt Corby -
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Youtube Music: https://music.youtube.com/channel/UCR2iuWSzShNMhtoRWaMFQdw

#SCFIRST #Soul #Alternative #AltIndie #Indie #R&B #RNB

Sooth Lady Wine

Taken from The Soft Moon "Deeper Remixed Vol. 2" 12-inch 
Released on February 19th 2016. Order here: http://bit.ly/1Ry7s2e

A1 Black (Trentemoller Remix)
A2 Deeper (Fango Remix)
B1 Wrong (Dave Clarke Remix)
B2 Feel (Ninos du Brasil Remix)

The Soft Moon // Feel (Ninos Du Brasil Remix)

Order from RVNG: http://smarturl.it/zelalem-rvng
Order from Bandcamp: http://smarturl.it/zelalem-bcamp

From the Zelalem EP.

℗ and © 2016 RVNG Intl. / www.igetrvng.com

Zelalem

Purchase

Mikael Seifu - How To Save A Life (Vector Of Eternity)

PROJET DISPONIBLE GRATUITEMENT 
http://www.sphere-primaire.com/album/sans-gravite

Minéral

Knife Edge

Follow Da Real Storm!

https://soundcloud.com/da-real-storm

Live For Your Love _ Da Real Storm meets Dub Terminator ( Dub & Bass Mix )

Cassidy

Please share and give it a like. 

Album released 30th of April.



Banjoman Button

A metal dance deconstruction of a Prince classic, recorded in 1987.

Adrian’s mid-80s productions with the Tackhead axis were some of the most innovative of the period in their sheer sonic extremity - creating huge walls of sound with skull-crushing beats, a Dadaist collage of vocal samples, and instruments pushed way into the red. Distortion became another colour in his sonic palette, just as echo, reverb and parametric EQ had been to his dub productions. These records caught the ears of musicians from the emerging second wave industrial scene - an international affair taking inspiration from earlier groups like Throbbing Gristle and Cabaret Voltaire but applying it to tracks intended for a dancefloor or rock club. The hybrid would be dubbed ‘electronic body music’, and Sherwood very much had a hand in shaping the sound, being invited to work with the likes of Einstürzende Neubauten, Ministry, KMFDM, Nitzer Ebb and Nine Inch Nails.

Pankow were from Florence, Italy and Adrian made their acquaintance after producing fellow hometown act Rinf (also featured on this comp). Pankow's early synth and drum machine excursions such as “Das Vodkalied” have become a seminal touchstone for modern techno producers such as Helena Hauff in recent years, with their heavier late-80s productions with Adrian Sherwood being championed as metal dance classics by On-U compiler Trevor Jackson. They also ended up having their records released in the states by Wax Trax!, and worked on two albums with Adrian, Freiheit Für Die Sklaven(Freedom For The Slaves) and Gisela. This irreverent deconstruction of a Prince song is a highlight of their time working together and appeared in extended form on the humorously titled EP, Pankow Play The Hits Of The Nineties.

More: www.smarturl.it/satcvol2


Pankow - Girls & Boys

Check out the video footage of the Wiki servers! soundtrack ' The Illness' by Dub Terminator.

YouTube: https://www.youtube.com/watch?v=_gi129oEk0M

This is Wikipedia. These servers give Wikipedia to the world. Nearly half a billion people use them every single month. Every kilowatt, hard drive and cable comes from your donation. Wikipedia is funded entirely by donations. Think about that for a second. That means these computers serve the common interest. Wikipedia circulates millions of pages of knowledge that anyone can add to in almost any language and it's all open-source. Wikipedia is free to read, to share, and to remix. After all, what else should we do with this awesome equipment? This is Wikipedia.

The Illness ( used by wikimedia!! )

A newly composed song by singer song writer Finbar Magee from the newest Goitse album "Inspired by Chance". 
www.goitse.ie 

The Hills Of Sweet Lislea

Delighted to release this new SUPER CÉILÍ remix of 'Banjoman Button' - a track from the new Goitse album, 'Inspired By Chance'. Some extra thump has been added to an already spectacular track.
Download the track here:
https://www.cdbaby.com/cd/superceilivsgoitse
Coming soon to iTunes and other digital channels.
See www.superceili.com and www.goitse.ie for more.

SUPER CÉILÍ / GOITSE (REMIX)

An unreleased gem from the On-U archives that features on the forthcoming 'Sherwood At The Controls Volume 2: 1985 - 1990' compilation.

Brought together through the efforts of BBC Radio DJ Steve 'On The Wire' Barker, the sessions that birthed this track saw Adrian work with one of his heroes and big influences for the first time. Working alongside Style Scott and Dub Syndicate, they cooked up a fresh batch of rhythms for the Upsetter to voice, resulting in the critically acclaimed Time Boom X De Devil Dead LP which came out on On-U Sound in 1987. This alternate mix of the track "Music & Science Lovers" is heard here for the first time.

More about the compilation here: www.smarturl.it/satcvol2

Lee 'Scratch' Perry - Music & Science Madness

Livin' @Lavish

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one thing

Free Download

stefan - One Thing

Well well well ! I have been out for a few month due to a bad broken wrist, but I am good now and glad to give away this new rework of an all time funk classic ! 
"Brick House" was originally released in 1977 on the Commodores self-titled album.
This version is fully DJ friendly, re-mastered, new drums added, and a special new break in the middle.

Enjoy, play & share, it's summer time and I am back with a lot of new stuff to share...

Cheers / Pulse


Get Track

Commodores - Brick House (Young Pulse Rework)

As featured on Sherwood At The Controls Vol 2: 1985 - 1990, a slice of future funk laid down by Doug Wimbish, Skip McDonald and Keith LeBlanc (aka The Sugarhill Gang) in collaboration with UK dub producer Adrian Sherwood. Exclusive edit by On-U archivist and DJ Patrick Dokter.

Order Sherwood At The Controls Vol 2: http://amzn.to/28MJS3p

Tackhead - Mind At The End Of The Tether (SATC 2 Edit)

Taken from the forthcoming album 'Cashmere', out October 14th.
Buy LP | CD | DL here: www.swetshopboys.com
Buy limited edition pink cassette tape here: www.smarturl.it/cashmere-tape

Produced by @redinho
@greedheadmusic
@rizmc

Cashmere

Swet Shop Boys - T5

HOLY SMOKE is Jeremiah Jae & zeroh

"Black Myth" was Produced by Kutmah

The self-titled nine-song album [HNR63] is released on 09.13.16

HOLY SMOKE

Black Myth

HOLY SMOKE "Black Myth" (Produced by Kutmah)

Shake Off is taken from Wildhart´s debut album Shine that will be released 11th of November. Shake Off is released on all digital platforms the 14th of October. 

Wildhart Facebook: 
https://www.facebook.com/wildhartmusic/

Their album Shine can now be orderd on Vinyl or CD from:
https://gaphals.bandcamp.com/

Spotify: http://spoti.fi/2do2Ha1
Deezer: http://bit.ly/2dOKN3R
TIDAL: http://bit.ly/2dBkpd8
iTunes: http://apple.co/2dWV8fC

'Shine'

Shake Off

OUT NOW! Vinyl available here: https://richardsen.bandcamp.com/

Unknown Album (15/10/2016 11:28:24)

John Grant - Disappointing (Richard Sen remix) OUT NOW!

Spotify: http://spoti.fi/2eO1cpw
iTunes: http://hyperurl.co/DWFUU
Apple Music: http://hyperurl.co/DWFUUAM

FUU (feat. Fever Dream)

'Only Heaven ' EP Out Now -
AHOT / Stream / Download: https://coldcut.lnk.to/ohSo

Taken from ‘Only Heaven’ EP released 25th November 2016 on Ahead Of Our Time.

Follow Coldcut -
Facebook: http://found.ee/coldcut-fb
Twitter: http://found.ee/coldcut-tw
Soundcloud: http://found.ee/coldcut-sc
Spotify: http://found.ee/coldcut-sp

Only Heaven

Coldcut - 'Donald’s Wig feat. Roses Gabor'

Live in session on NPR's 'Tiny desk concert'.

King Creosote & Jon Hopkins - Bubble ('Tiny desk concert' session)

A love song composed by our friend Finbar Magee. Featuring guest vocals from David Curley. 

My Belfast Love

Joao J - King Creosote and Jon Hopkins -  First Watch [ Elemental Flip ]

www.johngrantmusic.com

'Pale Green Ghosts' is available on Partisan Records May 14, 2013.

iTunes:  http://bit.ly/XvdT5Y
Amazon: http://amzn.to/XnW5yR

Tackhead - Mind At The End Of The Tether (SATC 2 Edit)

On-U Sound Records