Thank you for presenting the lyrics, too.

Slash and Burn

Sample track from the debut album of West Coast-based ArchiveX. With influences ranging from Mahalia Jackson to Portishead, ArchiveX has crafted a body of work comprising 30+ tracks to be released over the coming months. Traces of hip-hop, gospel, trip-hop, ambient, alt-rock and old-school soul combine and recombine throughout the collection. It's a unique, compelling mix. The music for the track "Pilgrim of Sorrow" was written by ArchiveX, the lyrics are taken from an early traditional spiritual.

Some Ungodly Hour

Pilgrim Of Sorrow

Pilgrim of Sorrow

Pre Order:
iTunes UK: http://found.ee/01oLR
Rough Trade: http://found.ee/VClYv
Music Glue Store: http://found.ee/DVpf7
ITunes USA Album Pre Order: http://found.ee/g2Lvl

Nadine Shah Album trailer: http://found.ee/R8JCe

On Tour: http://found.ee/DdzNV
Website: http://found.ee/aW3EK
Music Glue: http://found.ee/DdzNV
Facebook: http://found.ee/dJycT
Spotify: http://found.ee/p6GmY
YouTube: http://found.ee/AB5Tb
Soundcloud: http://found.ee/OH0nE

TOUR DATES: 
Tickets: found.ee/DVpf7
Friday April 10th Brighton Haunt
Sat April 11th Gateshead Old Town Hall
Sun April 12th Travel day
Mon April 13th Glasgow King Tuts
Tues April 14th Manchester Deaf Institute (travel after the show)
Weds April 15th Day off london
Thursday April 16th london Olso 
Friday April 17th Bristol Exchange 
Saturday April 18th Birmingham Rainbow
Nadine Shah announces new Single Fool and Album Fast Food

Having earned an early reputation for that uniquely rich, soulful voice; Nadine Shah released her debut album Love Your Dum and Mad to critical acclaim in 2013. A stint on the road with Depeche Mode followed whilst opening for Bat for Lashes and playing live at Vivienne Westwood's Red Label London Fashion Week show provided notable highlights on an extensive tour. Created with trusted collaborator and producer Ben Hillier, the excellent follow-up Fast Food is out on 6 April via Apollo / R&S Records.

Born from a fervent two-month writing session, Fast Food exists on a knife-edge – every bit as dramatic as we’ve come to expect from Nadine but with a sharpened eye for all things hook laden; retaining a brooding grandeur in its musical movements. 

Building on the bruised honesty and charm of its predecessor, Fast Food rings with the confidence of an artist completing their most coherent musical chapter to date. “The last album took so long to make that by the time it came out it didn’t feel like it was a very clear representation of where I was musically, but this time it’s different,” Nadine explains. Fast Food is a more concentrated effort: it is the sound of Nadine Shah as she is now, stepping out from behind the piano and growing with immeasurable confidence.

Nadine admits that Fast Food is a reflection upon short lived, intense, complicated relationships. "I suppose it's a coming of age album of sorts lyrically. Rejecting the romanticised idea of 'perfect' love and maturing in respects to relationships and accepting partners pasts".

With love comes heartbreak: “But it isn’t begging for your sympathy, it doesn’t wallow in self-pity” adds Nadine. “It’s unapologetic and, I hope, empowering.”

Speaking of the scarcity of keys on the new album Nadine says: “I felt quite restricted just sat behind the piano all the time on stage, so touring really catered for the way this record sounds. Everything started on guitar whereas last time Ben re-wrote piano parts for the guitar.” All the more addictive for their rarity, the piano provides light relief to Nadine’s all-important, enigmatic vocals. Yearning and tender yet billowing and aggressive; they weave a tale full of anxiety, vulnerability and nightmares. 

Setting the pace with this beguiling and exhilarating listen, Fast Food cements Nadine Shah as one of the UK’s most exciting and enthralling talents. Whether it’s the brutal honesty of the love stories, the brooding, crystalline guitars or even the rich, soulful vibrancy of her voice, Fast Food is an immediate, lavish and wholly vital album for 2015. 

‘Fool’ is the album at its most bitter, but like everything Nadine touches there is a wry humour and sweetness beneath the poised menace of its guitars and spitting lyrics. “When I mention damn Nick Cave and Kerouac, I’m pointing out someone’s predictable nature, but Kerouac is my favourite author and Nick Cave is my favourite musician” she explains, tongue firmly in cheek. 

Fast Food

Fool

Lyrics & Credits:
https://www.youtube.com/watch?v=BEQPeGAMsU4

Play With Life

Rhiannon Cover

This is the only surviving track from a session recorded by the original Slack Alice at Chappell Music in 1974. Written by Keith O'Connell, who joined the band shortly after they formed in 1972.

01 The Dealer - Slack Alice

'Jason and the Argonauts' actor John Cairney gives an in-depth interview on his memories of Ray Harryhausen, and of his part in this most beloved film. 

Join us for Episode 13, where we chat with the legendary actor about what it was like to be a part of one of Ray's classic movies. John reminisces about on-set incidents, what it was like to shoot the live-action sequences for the Dynamation processes, and his thoughts on the film more than 5 decades later. As an actor, writer, painter and raconteur, John's interview makes for a fascinating listen!

Also- more new on the Ray Harryhausen poster book project, the announcement of a special video commemorating Ray's Academy Award of 1992, and up-to-date news on the Foundation's activities.

Episode 13- Jason and the Argonauts: interview with John Cairney

USELESS

lyrics & music by Planet Maja (Maja Bloom) 
www.fb.com/PlanetMaja 


What do you want me to do 
with all the love so wasted on you...? 
What do you want me to say
with all the baggage of going away? 

So i promise myself then i let myself down
no matter what I do you're always wearing a crown
So useless in my heart, make me feel even less..
So why don't you leave & take all this mess?

Ch: Over and over and over again I'm begging you, please.
Over and over and over again I'm begging you please... 

How could I ever forget when it's beyond any dream that I've let
but how could you ever deny I'm more than plenty to give it a try?

So i promise myself once again twice a beat
& no matter what you do, I'd refuse such a treat

So useless in my heart, that's all that you've been
Please do me a favour & never ever be seen...

Ch: Over and over and over again I'm begging you please
Over and over and over again I'm begging you
I'm begging you I'm begging you
I'm begging you
I'm telling you 
to leave.

Useless

All music and lyrics written by James Parkinson

James Parkinson - Vocals, Guitars, Bass, Keys, Percussion,
Ben Parkinson - Drums

Recorded and mixed by Matt Heap of Suff studios, Colne
Produced by James Parkinson and Matt Heap

Mastered by Grant Berry of Fader mastering

Recorded September/October 2020 at Suff Studios, Colne, Lancashire

Cover Painting by James Parkinson
Graphics by Jason Marshall

Everything Lyrics (c)James Parkinson 2020

Same house, same walls, a different day
The fields, the land, it’s all the same

Where you lay is a lie or is it a friend?
If I think I’m alone, I’ll know you’ll start to creep in

Forever still burning, a lifetime away
The scent of your ghost is buried deep within

It’s so simple now, nothing gets in
Breathing is easy when you keep it all in
I’ll love the day, when the day draws in
Oh promise me everything

Memory rejects the essence of sin
Same world, same hand that deals our whim

It’s so simple now, nothing gets in
Breathing is easy when you keep it all in
I’ll love the day, when the day draws in
Oh promise me everything
It’s so simple now, nothing gets in
Breathing is easy when you keep it all in
I’ll love the day, when the night begins
Oh promise me everything

Oh me promise me anything, everything

Promise me
Promise me
Promise me
Promise me

It’s so simple now, nothing gets in
Breathing is easy when you keep it all in
I’ll love the day, when the night begins
Oh promise me everything

Everything (Promise Me)

One Cure For Man is the solo project of James Parkinson. A deep thinker, with a desire to create uplifting rock music with soaring vocals, goosebump guitars and dark, thought-provoking lyrics. In Dec 2013, James self-produced his debut album - Serenade the Damned. Receiving fantastic praise and coverage for his song ‘War Of Dreams’ which became BBC presenter, Sean McGinty’s favourite song of 2014.  A 2nd album Gods and Toys was released in Oct 2015. A critical success that garnered more BBC airplay with the atmospheric ‘The Lost’ and the politically prophetic ‘Europe Is Close.' WTHB said “A very good pop-rock record that I don’t want to turn off." 2017 brought a 3rd album, Colours in the Fire. During the recording, James got to shadow legendary producer Ken Scott (Beatles, Bowie) which had a real positive effect on the sound and production. Louder Than War praised it: "Varying subject matter cleverly bound within honest indie/pop/rock that is radio friendly and always well executed and produced." 2019 saw the release of his 4th album, This Eternal Life. Featuring more classic songwriting, epic guitar solos, haunting pianos and his trademark, melancholic vocals. The result is James’ most accomplished album to date. Continuing to push himself as a songwriter and musician, James released the singles The Haunted and Humble in 2020. Music Talkers described it as “a masterpiece of emotional expression" and Humble as “Musical gold, a tender and thought-provoking tribute.”

Everything (Promise Me)

One Cure For Man

Recent comments

elljott

Related tracks