Architextures @OpenLabRadio

„i like to return to the classics“  [121 bpm]

jazzperience mix++

the jazzperience

www.openlab.fm | 106.4FM in Ibiza & Formentera
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https://soundcloud.com/francescamackay is back with a new episode of Architexturas inspired by Colour Field painting and the works of Sam Gilliam and Helen Frankenthaler. Expect music by Suso Saiz , Toshifumi Hinata, Suzanne Kraft , Kruder and Dorfmeister, Greg Foat & more!

Colour field is characterised primarily by large fields of flat, solid colour spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favour of an overall consistency of form and process. In colour field painting "colour is freed from objective context and becomes the subject in itself."

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Architextures 015: Colour Field - Francesca

1 Becoming Almost Weightless - Albert Karsberg
2 Unnamed And Uninvited - Soela
3 Souvenirs From Imaginary Cities II - Mantris
4 From Carnival to Quarantine - Colours of Now, Paul Behnam, Joao Comazzie, Sach Hladiy
5 That World - Tim Hecker
6 Territory of subtle entries - Kara-Lis Coverdale and LXV
7 Imago - Oneohtrix Point Never
8 Letting Go While Holding On - Nine Inch Nails
9 Her Feedback - Daniela Huerta
10 Bola 6.2 - Alex Under
11 Ishiura (Abridged) - Toshi Tsuchitori
12 32a_reflected - Autechre
13 Ability To Be Anywhere At Will - Albert Karsberg
14 World - Visible Cloaks
15 Supremacy Over Nature - Albert Karsberg
16 Glass Chattering - Yoshio Ojima
17 Parausted - Sublee
18 Subfall (to)
19 Her First Rain - Jon Hassell
20 Nothing’s Special - Oneohtrix Point Never

RADIO.D59B / THE AUTONOMIC PILOT #2 w/ Kenneth Scott

www.openlab.fm | 106.4FM in Ibiza & Formentera
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https://soundcloud.com/sadeedomusic is back with a brand new show of Open Sesame, the best way to start your week.

"Have you heard the Uzbekistani version of La Isla Bonita? Neither have I. Ok I made that one up, but I've definitely become a fan of similar, quirky worldish versions of popular songs over the years. Some have beautiful, complicated instrumentation, and take on a whole new life and meaning. Others are simple, fun, dance floor bombshells that make you laugh. Some are inbetween! I've got a mixture of both on this month's show, along with the usual dose of island vibes, and sunny sounds from around the world to get your week started right". - Sadeedo


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Open Sesame 018 - Sadeedo

www.openlab.fm | 106.4FM in Ibiza & Formentera

Another chilled and soulful selection from Charles Webster, featuring Gregory Issacs, Deux Filles, John Carrol Kirby, The Congos, Big Youth, Eric Hilton, Ephat Mujuru, Anushka Chkheidze, Chico Hamilton, Golden Bug among many others!

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Appetite For Selection 073 - Charles Webster

Third Son eases us into the day with an hour of slow ambience and synthesis in this month's Oscillate Mildly. In the second hour, Kincaid joins him in the guest mix for some more experimental sounds.

Oscillate Mildly w/ Third Son & Kincaid - September 2021

Based long-term in Utrecht, he’s best known in the Dutch scene for his DJ residencies at the late, much-loved club Trouw, and for his label Something Happening Somewhere (SoHaSo), which he started in 2013.

https://soundcloud.com/nunodossantos

Phonons Podcast 082 Nuno Dos Santos

www.openlab.fm | 106.4FM in Ibiza & Formentera
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https://openlab.fm/news/achitextures-021-sound-art-francesca

https://soundcloud.com/francescamackay returns to OpenLab with a new episode of Architextures, this time focusing on Sound art, the hybrid art form that bridges visual art and experimental music, using sound as both its medium and as its subject:
The art of noise. Sound as an invisible sculpture. A two-hour journey into art’s sonic cosmos.

Sound art is a hybrid art form that bridges visual art and experimental music, using sound as both its medium and as its subject. It defines a broad range of projects dedicated to the emphasis, exploration, and experimentation of auditory perception. Sound art overlaps with experimental music or noise but tends to place greater focus on conceptual exploration of the complex relationships between the sound, listener and space. The way music and sound art are experienced is also different. While a musical piece should be experienced in its entirety, sound art is usually experienced in a venue where the artist has no control over how much time a listener spends with a piece.
Conceptual artist John Cage’s notorious piece 4’33” contributed greatly to the separation of musical composition and sound art while Max Neuhaus, another pioneer in the field of contemporary art and music, is credited with being the first to use sound as a medium for site-specific installations. Some artists explore sound in its pure state, simultaneously bridging and muddling barriers between sound, noise, and music in the contemporary or historical sense. Others, such as Samson Young, investigate the political and cultural implications of human interaction with the aural.

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Achitextures 021: Sound Art - Francesca

www.openlab.fm | 106.4FM in Ibiza & Formentera
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https://openlab.fm/news/architextures-022-africobra-francesca

https://soundcloud.com/francescamackay is back with Architextures, this month bringing you 2 hours of music inspired by AfriCOBRA, and the AACM (Association for the Advancement of Creative Musicians), a still-flourishing organisation of primarily African American Chicago musicians whose interdisciplinary explorations expanded the boundaries of jazz.

AfriCOBRA was a Chicago-based group of black artists whose shared aim was to develop their own aesthetic in the visual arts to empower black communities. Rather than bringing about change through political revolt, these artists used the black identity, its style, attitude and worldview to foster solidarity and self-confidence throughout the African diaspora.

This month's show includes music from AACM members Wadada Leo Smith, Muhal Richard Adams and Tomeka Reid and Jeff Parker, and is inspired by the intertwined legacy, style and ethos of the sounds and visual art of both collectives.

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Architextures 022: AfriCobra - Francesca

www.openlab.fm | 106.4FM in Ibiza & Formentera

Like every Sunday, Charles Webster will be soundtracking your evening with another 2 hours of quality music, this week featuring tracks by Biosphere, Francis Harris, David Cordero, Lucy Gooch, Sam Gendel & many more! 

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Appetite For Selection 098 - Charles Webster

www.openlab.fm | 106.4FM in Ibiza & Formentera
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https://openlab.fm/news/architextures-023-pop-art-francesca

https://soundcloud.com/francescamackay is back on OpenLab this  with a new episode of Architextures, this time with a 2 hour journey exploring the influence of Pop Art in music ⚡️

Art pop emerged alongside Pop art and was influenced by the movement's integration of high and low culture, exploring ideas such as pop's status as commercial art, notions of artifice and the self, and questions of historical authenticity. Musicians and bands like Iggy Pop, The Velvet Underground and Roxy Music echoed Pop Art's emphasis on simplicity, pioneering a modernist avant-garde approach to art-rock and pop that ignored the conventional hierarchies of artistic representation and explored the relationship between creativity and commercialism; simultaneously celebrating and critiquing popular and mass culture. This month’s mix explores the influence of Pop art on music.

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Architextures 023: Pop Art - Francesca

www.openlab.fm | 106.4FM in Ibiza & Formentera
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https://openlab.fm/news/architextures-024-tropicalia-francesca

Tune in for this month's episode of https://soundcloud.com/francescamackay 's Architextures radio show, this time focused on one of the most significant cultural movements in Brazil: Tropicália ⚡️
The term Tropicália was first coined by artist Hélio Oiticica, for an artwork of the same name, which he exhibited at MAM Rio in 1967. The piece demonstrated Oiticica’s desire to give contemporary art a specifically Brazilian character to subvert the “purity” of European modernism. Some trace Tropicália back to 1928, and Oswald de Andrade's Anthropophagic Manifesto. Andrade’s main argument was that Brazil’s history of “cannibalising” (or absorbing and creating something new) from other cultures was its greatest strength.
The ideas presented in this essay helped to inspire a wider cultural and political shift in Brazil. A year later, in 1968, the Tropicália movement was epitomised by the album Tropicália ou Panis et Circencis by musicians Caetano Veloso, Gilberto Gil, Maria Bethânia, Gal Costa, Os Mutantes, Tom Zé, Nara Leão, Torquato Neto, and Rogério Duprat. The album came to be considered the defining sound of the Tropicália movement. The artists involved created a new exotic version of pop, being as influenced by psychedelia as it was by samba, bossa nova and more traditional South American genres. Tropicália created musical and cultural anarchy, a revolution in Brazilian sound.

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Architextures 024: Tropicália - Francesca

www.openlab.fm | 106.4FM in Ibiza & Formentera
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https://openlab.fm/news/architextures-025-young-british-artists-francesca

https://soundcloud.com/francescamackay returns to the airwaves with a new episode of Architextures, 2 hours of music inspired by the YBAs.

The YBAs, or Young British Artists, were a group of innovative artists who began exhibiting at the end of the 1980s and rose to international prominence in the 1990s. They represented a new and exciting phase in British art and were considered innovative, entrepreneurial, provocative and irreverent. They appeared during a period of political and economic upheaval, when Britain was perceived as lacking a truly vibrant postmodern art culture comparable to the Pictures Generation in New York and the Neue Wildern in Berlin. Postmodernism’s characteristic traits: appropriation, rejection of fine art materials, preoccupation with spectacle, and the rejection of distinctions between high and low culture, ran through the heart of much of the YBAs' work. Leading artists of the group include Damien Hirst, whose installation The Physical Impossibility of Death in the Mind of Someone Living consists of a dead shark preserved in formaldehyde in a vitrine, and Tracey Emin; My Bed is comprised of her own dishevelled double bed surrounded by detritus. The shock value, use of non-art material and processes of such works, and the group’s ‘can do’ entrepreneurial attitude and wild ‘art-world slumming’ lifestyles documented in the UK tabloids placed the YBAs at the epicentre of intense debate within the art establishment, media and public spheres and fuelled their subsequent global notoriety and massive commercial success.
This month’s mix is a BritArt Britpop synergy soundtrack for the late 80s and early 90s...from Warehouse to Glasto to the Royal Academy of Art and back again...

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Architextures 025: Young British Artists - Francesca

Improvisation - 1 (new vers.)

Kings & Wilds - A Few Words

Bally Jagpal - Aaja Sohneya - with a little dnb mix - should I make a extended version..

Bally Jagpal - Aaja Sohneya - Jagga - Chill and Bass Remix

Tomorrow’s world...today. 
Playing forward thinking music via www.openlab.fm and 106.4 FM in Ibiza and Formentera.

London based DJ and Producer
@thepleasureclub @OpenLabRadio

Architextures 015: Colour Field - Francesca

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