part II → https://soundcloud.com/yyyvvv/super-inter-x-live-cashmere-radio-pt-ii?in=yyyvvv/sets/super-inter-x-que-live

utyugon dub

snatched sun

edits and reworks vol 2 now avail on my bandcamp benbondy.bandcamp.com/album/edits-an…-reworks-vol-2

Cheeks

etch

xtremeely hypppedd on this one

bristol’s own Fast Delivery (https://soundcloud.com/user-576563248) delivering us a mixtape outta the year 2049 with his speshhhy blend of smudged illbient and hip hop hydrauliixx

he has us locked deep in the pocket of various beyond-half-life-decayed trap and boom bap instrumentals before slipping out all beautiful-like with a simmering Richie Culver x Klein 1-2 knockout

nuclear levels of cyber

been following his various drops for a hot second now and he really has the texture nailed down

certi one to watch

we need to get a replicant mumbling rapping to this under the glittering c-beams of the tannhäuser gate

skin up some of that cybernetic shoulder-of-orion pack, those str8 glowing magnesium terps, and give sludgggee005 a spin 

zone in slide on sludge out ✌️

tracklist@
https://sludge.systems
https://sludge.systems
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https://sludge.systems
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https://sludge.systems
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https://sludge.systems
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https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems
https://sludge.systems

sludge005_Fast Delivery

Theodore Cale Schafer (@theodoreschafer) and Angelo Harmsworth (@angeloharmsworth) are old friends who met through their involvement the Santa Fe, New Mexico underground. With Schafer currently residing in New York City and Harmsworth in Berlin, the two came together for a special collaborative performance in our NYC office.

This performance can be listened to in its entirety and purchased as a digital edition at nights.ninaprotocol.com, with 100% of the proceeds going to the artist.

Nina Night - 008 - Theodore Cale Schafer & Angelo Harmsworth (Clip)

probability

Live pieces recorded with super inter during the @ickpakyiv takeover of Cashmere Radio, as part of @yyyvvv's "To Hear Is To Feel" radio program. Check out the rest of the mega-b2b2b2b2b hybrid set of the takeover featuring ingenious @andriykostyukov, @tibslc & @axtaxtaxtaxtaxtaxtaxtaxt. The link is under the recording ^ (next to More button).

And here is your daily reminder that the war in Ukraine is still going.

Full episode here

super inter x ϙue (live @ Cashmere Radio, pt. I)

https://broshudadrips.bandcamp.com/album/mitra

Mitra

Untitled

sssssccccc_44(take2)

An array of commonplace metal objects - chains, pans, a bicycle, a chair - recorded by Ross Alexander at home in Berlin during the pandemic comprise the source material of 11 𝑮𝒂𝒕𝒆𝒔. Functioning as a temporal and mnemonic exploration into the nature and conception of “home”, the album evokes Alexander’s earliest memories and broader hauntological perspectives of post-industrial England:

“Growing up in South Yorkshire in the 1980s and 90s was an existence haunted with the ghosts of a heavy manufacturing industry which once thrived in the region. On both a visceral and sensorial level it might be considered equally as impossible to escape the nostalgic stories of mines and steelworks as it was to escape the smell of molten metal in the air drifting from the Don Valley.”

The improvised metallic scrapes, bangs, and bowings recorded by Alexander were further abstracted in live performances using granular sampling techniques, creating a new and extrinsic world to which subconscious thoughts can flee, sonically and contextually. The results are both dreamy and unpredictable, fusing the immediacy of acoustic percussion with the billowing resonances imbued by granular synthesis.

“On tracing back through distant memories of my formative years for sound-objects which represented to me the essential idea of ‘being from’ as opposed to ‘being a visitor’ I related to a pervasive association with the sounds of metal and metallic objects, mostly in respect to how certain structural properties relate to haptic and resonant nature and the manifestation of those properties as sonic results. I feel this is the result of growing up in a place where heavy industry, or at least the remnant of which, was central to society, community and everyday life.”

---

Ross Alexander is an artist, producer and curator based in Berlin working in the context of expansive trans-disciplinary practice and non-individualist ideals. His broad ranging body of work as an artist has encompassed music, performance, sound art, visual arts, installation, radio art, digital media, augmented reality, intervention, social practice and education. Ross has presented and performed at such institutions as ICA London, Transmediale Festival, Nyege Nyege Festival, Documenta Kassel and Martin-Gropius Bau Berlin.

As a curator and organizer his experimental and diverse practice has seen him work with Transmediale festival, Maerzmusik, Glastonbury Festival, Cashmere Radio, Nyege Nyege Festival Uganda and extensively with his own Salon Oblique production collective.

rossalexanderpayne.com
instagram.com/o0rossalexander0o
rossalexanderworks.bandcamp.com
mixcloud.com/rossalexandermix

11 Gates

Ross Alexander - Piece 2 (ENMD-04)

#russiaisaterroriststate

«hazy melodies in a stupendous cold intimacy» — Victor Louis of Etang Brulant 
«maestro of massive minimalism» — Anthony Junkoid 

ᵖʳᵒʲᵉᶜᵗˢ
OO0oϙ0O0O00O w./ @oo_aa
co-curator @ickpakyiv
hibernated plant @biorhythmradio 

ᵐᵃⁿᵒᵉᵘᵛʳⁱⁿᵍ
#post-drone    (◡  ︵  ◡)	
#post-ambient 	(˶‾᷄ ⁻̫ ‾᷅˵)

ᵃᵖᵖᵉᵃʳᵃⁿᶜᵉˢ ⁽ⁿᵒ ᵖᵃʳᵗⁱᶜᵘˡᵃʳ ᵒʳᵈᵉʳ⁾
@systemma1 @triplexlarge @living_roooom @standard-deviation @vowel_rec @mizuha-cc @ejekt-data @jungle-gym-records @mystictrax  @kulturazvuku @vaagner

super inter x ϙue (live @ Cashmere Radio, pt. I)

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