The first single from Ike Zwanikken's 'Greed Gave Me A Lily', out October 25th on Theory Therapy Recordings. 

https://theorytherapy.bandcamp.com/album/greed-gave-me-a-lily

Cover art by Brooklyn Mellar
@ikezwanikken

Ike Zwanikken - Cain

These are excerpts from the soundtrack. For the full 43 minute, immersive experience with sound, printed photography and guidance, head over to https://timebasededitions.com/

Music and sound: LOG (Ulla & Perila)
Photography: Sara Rossi

- a series of books
binding print to time,
merging sound with paper.

ADE DEA: a cover version

LOG – ADE DEA

The second single from Ike Zwanikken's forthcoming release, out this Friday on Theory Therapy Recordings.

https://theorytherapy.bandcamp.com/album/greed-gave-me-a-lily

Cover art by Brooklyn Mellar
@ikezwanikken

Ike Zwanikken - Greed Gave Me A Lily, Peace Gave Me No Chance

What happens when dubby drum & bass meets Dischord’s post-punk colossus Black Eyes? “Break” is the new EP from NY’s Relaxer, the long running alias of Daniel Martin-McCormick (Black Eyes, Ital and co-founder of Dripping), and it signals a decisive shift in his music. 

Prompted by friends to write a drum & bass live set just as Black Eyes was reuniting, the results didn’t quite fit the d&b genre. But it felt right. Quick, nimble, with room for the ferocity of his favorite post punk and some of the spaciousness of dub. Evergreen vibes, really, but seen from a fresh perspective.
 
Honed over a period of two years, the five tracks on “Break” fuse Relaxer’s careening, technoid sounds with free jazz-tinted drum programming, snarling sound design and spacious echo trails. It’s a perfect fit for 29 Speedway’s future-facing, exploratory anti-genre approach to electronics. The tape features two remixes by the singular DJ Marcelle and mastering by Dubplates & Mastering. Daniel tells his side of the story below:

“Two years ago my friends who run the drum ‘n’ bass party Headznite asked me to write a live set for a Ukraine fundraiser they were putting on. Right at the same time, my punk band Black Eyes was having our first practices in 20 years, which meant I was re-training my body to scream at top volume and high registers and to lay into my guitar at full force. In those same months, Dripping was forming and ideas were flying for crazy, boundary-pushing lineups. I had just finished writing the meditative composition suite “In Softening Air” and was feeling the call; it was time to let it rip. 

Everything poured into that live set for Headznite, and a new style was born. Relaxer had begun as a decisively techno project, but pushing the BPMs and working in drum breaks tweaked the formula enough to cut any lingering ties with that ethos. 

Over the next two years I kept on it, writing more, recording, pushing the technique and exploring the sound. “Break” is the first time any of this work has been made public. Sometimes a  detour can hack your brain. My first dance 12” as Ital was supposed to be a one-off side project to my punk band and it ended up taking over my life. Now punk music is calling asking for the debt to be repaid. Fuck it.”


Burning Spear

40o6

https://melkeane.bandcamp.com/album/airs

Written & composed by Mel Keane.
Mastered by The Bastard.

Artwork by Mel Keane.

Published by wherethetimegoes. Catalog No. WTTG013.

Mel Keane - Psygod (Airs LP preview)

'Пізнання льодовикового рельєфу' is the first artefact of our duet, the cornerstone of the ongoing asynchronous work with Comechelet (@comechelet). The debut 10-composition LP is set to be released in December 2024 — bear with us. 
____________________________________

About VA : COLLAGE
If it appeared right before you, just for a second, would you either walk this fleeting path or let it vanish in a blink, hidden forever beyond the fine lining of your eyelid? Taking the road to nowhere can be tempting, just as the urge to leave everything behind. Paradoxically, embracing the void feels so fulfilling - but isn’t acceptance part of the grief? We’re all searching for our own secret place, where inner peace could finally grow from its embryonic stasis.

Much like that uncertain trail, the present 'Collage' compilation charts a course through the soft, dreamy side of contemporary electronic music. Designed either for the club or a living room, this ethereal patchwork of 14 tracks is woven from silk-like sound design. ambient techno, experimental, IDM, atmospheric dub sonic - each genre highlights in turns ultra-stretched audio spectrums, smooth instrumental lines, introspective reverberations or digital breaks.

After Jonnnah’s ‘The Next Kingdom’ - debut LP published earlier this year, this second release embodies the label’s musical ethos once again: cold yet heartwarming textures, celestial synths and volatile rhythms.

Credits:
A.D : Jonnnah (@jonnnah / @second-end-rec)
Graphic design : Tiphaine Voix, Lucas Dupuy
Mastering : kick21
Words : Loïs Markarian


ᵖʳᵉᵐⁱᵉʳᵉ ϙue x Comechelet — Пізнання льодовикового рельєфу [Second End Records]

Match Fixer - Take 3 (SER002)

Genus Aix - Chrome Flower

Continuing my exploration of electronic music with an Ambient twist, I present to you a Rondo.  Based on the Western Classical song form, this is somewhat Neo-Classical but done with synths.  It reminds me of 70s Jean-Michel Jarre.

Hope you all enjoy.  Cheers.

JWM - Rondo

pensieve // 2024

Instagram: @interquas
mail: interquas@hotmail.com

pensieve

'TIME' is out ~ x @Comechelet · Dec 1 via @recorere

#russiaisaterroriststate

«hazy melodies in a stupendous cold intimacy» — Victor Louis of Etang Brulant 
«maestro of massive minimalism» — Anthony Junkoid 

ᵖʳᵒʲᵉᶜᵗˢ
OO0oϙ0O0O00O w./ @oo_aa
co-curator @ickpakyiv
hibernated plant @biorhythmradio 

ᵐᵃⁿᵒᵉᵘᵛʳⁱⁿᵍ
#post-drone    (◡  ︵  ◡)	
#post-ambient 	(˶‾᷄ ⁻̫ ‾᷅˵)

ᵃᵖᵖᵉᵃʳᵃⁿᶜᵉˢ ⁽ⁿᵒ ᵖᵃʳᵗⁱᶜᵘˡᵃʳ ᵒʳᵈᵉʳ⁾
@systemma1 @triplexlarge @living_roooom @standard-deviation @vowel_rec @mizuha-cc @ejekt-data @jungle-gym-records @mystictrax  @kulturazvuku @vaagner

OO0oϙ0O0O00O's visual identity by @asiootus

ᵖʳᵉᵐⁱᵉʳᵉ ϙue x Comechelet — Пізнання льодовикового рельєфу [Second End Records]

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