Dexter's first brush with the electronic music world was on the dancefloor as part of a breakdance crew. Back then he learnt the power of rhythm and how to move a floor, and it is something that has stayed with him through a long career producing everything from pioneering electro to deeper house and raw techno. In cahoots with Panoramabar resident Steffi he started no-nonsense label Klakson whilst releasing on Clone, Rush Hour and Ostgut Ton himself. With more than a decades experience as a live artist and DJ, there is little the man cannot do; few places he hasn't played. Dexter speaks when he has something to say. And when he does, the world listens.

Shoving the J into journalism, Hack covers current affairs, music, politics and culture with youth in mind. 

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

Damian Robert Nesta Marley, also known around the world as “Junior Gong” and more recently as “Gongzilla” was born in 1978 to parents Bob Marley and Cindy Breakspeare, Miss World 1976.  As a young adult, he developed a passion and a gift to speak for those who cannot always speak for themselves. A self-proclaimed ‘Spiritual Revolutionary’, Damian has worked assiduously to carve his own niche in music history and to add a new perspective to the Marley legacy for the 21st century. 

At the age of 13, Damian began performing in a group called “The Shepherds” which comprised of Shiah Coore (son of Third World guitarist Cat Coore) and currently a member of his band, and Yashema Beth McGreggor, daughter of reggae singers Freddie Mcgreggor and Judy Mowatt and then began touring with his brothers, Stephen, Ky-mani, Julian and Ziggy. 

By 1996, Damian had already made his stamp as a different kind of Marley when he released his first solo album “Mr. Marley”, a heavily dancehall-influenced album produced by his brother Stephen Marley.  His second album “Halfway Tree” was released in 2001 by a major record label and showcased Damian’s unique gift for blending dancehall, reggae and hip-hop styles.  This album won Damian much recognition and remained on the Billboard Top Reggae Album Charts for 158 weeks and earned him his first Grammy for Best Reggae Album in 2002. 
While honored by this recognition by the global music fraternity, Damian continued to work in the studio, laying the groundwork for the tracks that would become his highly anticipated album, “Welcome To Jamrock”. The lyrics in this album presented Marley as a true spiritual revolutionary, as he used his talent to evoke a spiritual change while trying to enforce a better way of thinking.  He is described as “rhyming with the conviction of a street preacher with the intellect of a university economist”.  

Damian’s hit single “Welcome to Jamrock” was listed as one of the Top 100 Songs of the Decade by Rolling Stone, and at the 2006 Grammy Awards, he won Best Reggae Album and Best Urban/Alternative Performance for Welcome to Jamrock. Damian is the only Jamaican reggae artist in history to win two Grammy Awards on the same night. He is also the only reggae artist to win in the Best Urban/Alternative Performance category at the Grammy Awards. The New York Times called Welcome to Jamrock the “best reggae song of the decade.” 
Welcome to Jamrock led the pathway to Damian’s critically acclaimed collaboration with Nas for 2010’s much lauded album “Distant Relatives” – a project which explored the relationships between reggae, hip-hop and Africa. The album title refers not only to the bond between the artists, but the connection to their African ancestry, which inspired the album both musically and lyrically. USA Today referred to the album as a “potent and often provocative collaboration” and by Rolling Stone as “an Afrocentric winner.” The album debuted at Number 5 on the Billboard Top 200 Album Chart and Number 1 on the R&B/Hip-Hop Albums, Rap Albums and Reggae Albums charts, with Billboard heralding the album as “a dynamic hybrid.”    

The Distant Relatives Tour kicked off in 2011 and saw Damian traveling and performing for thousands of fans all over the world, including South America, Europe, The United Kingdom, The Caribbean and North America.  

Damian continued to cross musical boundaries in 2012, as he went on to partner with Skrillex for their groundbreaking track “Make It Bun Dem”, which Rolling Stone called “a monster mash up of dubstep and dancehall” and has led to several remixes of the original version.  Damian recently released two other singles; “Set Up Shop” and  “Affairs of the Heart” which both received widespread airplay. 

Damian continues to tour with his band all over the world as a way of entertaining and healing as he continues to spread the message for those whose voices cannot be heard. He is working with his brothers Stephen and Julian under their Ghetto Youths International Label, to discover, develop and sign gifted artistes by applying their musical talent and vast experience to create new and different styles of music.  

Damian is currently in the studio working on his upcoming solo album.

Multi-instrumental - Live Dance act - Producers

Bookings: bookings@goldfishlive.com

Management: info@goldfishlive.com

Catch us on tour: http://www.goldfishlive.com

The secret is officially out. An electronic duo from the Southern-most tip of Africa have gone from one of Dance Music’s best kept secrets to an act tipped by industry tastemakers as the band to watch this year.
Their genre-defying mix of live instruments, House beats and searing live performances has seen Goldfish go from impromtu jams at a tiny beach club in Cape Town to headlining Amsterdam’s Olympic Stadium, cracking a top 10 on the US iTunes Dance chart, a residency at Pacha Ibiza with David Guetta and DJ’s like Fedde le Grand knocking at their door to do remix their tracks. It’s almost hard to believe that not very long ago they were just Dom and Dave, two music students who lived a relatively chilled life of surfing and playing music in their home town Cape Town.

All that really did change when they decided to record an album. Not having a record deal or much money, they simply locked themselves in a bedroom...with a double bass, a saxophone and a couple of synths, recording their debut Caught In The Loop on their own. A charming dance record that received massive support from the international dance music scene, desperate for something fresh and new. Pete Tong even called it his Ibiza Poolside Album of the Summer.

The two guys quickly found themselves maintaining gruelling international tour schedule that saw them play sold-out shows from Amsterdam to Miami, from the Sydney Opera House to Sao Paulo, in-between still finding time to mix the covermount CD for DJ mag international, garnering a record-breaking 8 SAMA nominations, numerous number ones radio at home, as well as performances at Glastonbury, Sensation White, Ultra Festival Miami, 46664 and Get Loaded in the Park amongst others.

They even got their hands on a residency to die for; Friday night at Ibiza super-club Pacha. Here they developed their sound further and presented it on their second album Perceptions of Pacha. As no other album, Perceptions Of Pacha captures the carefree vibe of the magical island of Ibiza, with their track Fort Knox cracking the Top 10 on the US iTunes Dance Charts. Following that up with the SAMA award-winning album Get Busy Living featuring the smash Youtube hit video We come together that garnered millions of online views for it’s hilarious and ground breaking animation work that has become a Goldfish trademark.

With props coming from everyone from Dr Dre, Sebastian Ingrosso, Pete Tong, Sander Kleinenberg, Fedde Le Grand and Faithless, watch this space. The Re-invention of the DJ has arrived.

For Press, Bookings and availability contact

bookings@goldfishlive.com
info@goldfishlive.com

DJ • Beatmaker • Podcast Producer

Here is a small range of projects and one-offs, but there is a world more over on my Bandcamp page.
Speech Development Records / Distraction Pieces Podcast / Strange Famous Records.

<a href='http://gigs.gigatools.com/u/minilogue' target='_new'>minilogue's Upcoming Gigs </a>Saturday 08 February, 2014 <a href='http://www.trouwamsterdam.nl' target='_new'>Trouw, Amsterdam, Netherlands</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Blomma

Everything comes in its own time: a wordly wisdom that Marcus Henriksson and Sebastian Mullaert aka Minilogue take for granted. Since their foundation in the year 1997 they emerged to one of the most respected and hard to pigeonhole electronic music acts world-wide. And that not only because in each of their artistic expressions you can feel their effortless passion for what they do - whether live or magnetized on a medium. Also because they do not stick to any stylistic niche to mark their territory. House, techno, ambient, trance, and lately jazz are equal parts in their creations.

The most effective bunched proof for their musical universalism was marked in 2008 with the release of their debut album „Animals““ on Cocoon. Since then a string of Ep’s on labels like Mule, Wagon Repair, Traum Schallplatten, and their own imprint Minilogue continued their story in sound in which everything is made out of the present moment. Also the jazz infused album „Bring Out The Imps“ that they recorded under the alias IMPS with two jazz musicians and a heartfelt collaboration album with the Japanese producer Kuniyuki entered their discography.

And between all their work they constantly performed their intense improvised live shows all around the globe. Privatly they formed themself a life far beyond the big city lights, out in the Swedish woods in the north of Malmö. Here they live a life where the inner gets the outer and where their way of creating is far away from Zeitgeist zones in which musical trends pass by like seasons. In the past five years they met every now and then when it felt like hooking up in the studio, jammed on their equipment without a clear goal in mind and recorded each unique moment that was guided by the experience of the single day of life that marked their souls when they came together. In past months they went through the archives of their creative comments on our time, that been born in moments where time was not on the agenda. In that time just music called the tune and as a result of this pure form of conversation between two souls their second album „Blomma“ emerged.

The title of the album isn’t just a name. The Swedish word „blomma“ represents two meanings in one: to bloom and the flower. The flower and the blooming are deeply tied to each other - as for Minilogue the process of making music and the temporary result of the process is one too, the album title matches perfectly with their aim of beeing aimless. Out of this attitude towards making music again a heterogeneous longplayer arose that does not work like a regulary formatted club music album. It comes in two parts that both have two faces within themself which are constantly shifting: dance oriented rhythm parts and airy layered ambient atmospheres – always intensely tuneful, musical, and shapely.

All eight tracks underpin the wisdom that says that in the moment of deep creativity you disappear. Because no ego can be heard and all grooves, melodies, field-recordings, samples, and chords work like a single colour of a musical painting that is full of versatile electric elements und unnatural sounds. Sounds that only evolve if those who create them are far away from knowing that they create. A state of mind that Minilogue bound on a double album that is just there to let the music speak. That is why again you can’t see their faces on the cover. Instead pictures of the nature that surrounds them in their everyday life stimulate the fancy of the listener while his ears get lost in a gentle amalgamation of rhythm and sound that conveys the impression that it just flew through the bodies of both while their extremities instantly used each instrument around – from the computer to the synth, from percussions to piano.

Nothing you can hear on the album is edited or post produced – it all sounds exactly like it was when the atoms of these two individuals danced together. The result is a record with no real beginning or end. An album that tells unconscious an epic story about the path it took to make it. With each atmospheric turn it blooms like an unreal sound fairytale which leaves much space for the listeners individual imagination. You can dance to it, you can ease, you can loose your feeling towards time and space. Whatever happens – in one moment suddenly Minilogue are very close, even if they are not present.

PRX is a leading media company, shaping the future of audio by connecting talented producers with their most engaged, supportive audiences.
PRX builds technology and creates cutting-edge content that reaches millions of listeners worldwide.

For 15 years, PRX has operated public radio’s largest distribution marketplace, offering thousands of shows including This American Life, The Moth Radio Hour and Reveal. Named one of Fast Company’s "Ten Most Innovative Companies in Media" in both 2015 and 2017, the company has pioneered new approaches to technology and talent.

In 2014, PRX launched Radiotopia, a curated network of extraordinary podcasts anchored by 99% Invisible from Roman Mars. The network has quickly grown to over 19 million downloads per month (November 2017, Podtrac).

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