муз

Çerkesce (Adığabze)

Adyg

хэсхыгъэ орэдхэр

Shich'apshn

World Weird

шыкIэпшынo КIыкI Аслъанбэч

Psasha Qafe

АДЫГАБЗЭ - Çerkesçe (ADIGABZE)

тIокIищрэ ирэ - altmış sekiz

ины ыкIи цIыкIу - büyük ve küçük

Пылыр ины - Fil büyük

Цыгъор цIыкIу - Fare küçük

шIункI ыкIи нэфы (нэфын) - karanlık ve aydınlık

Чэщыр шIункI - Gece karanlık

Мафэр нэфын - Gün aydınlık

жъы ыкIи кIэ - yaşlı ve genç

Титатэ жъы дэд - Dedemiz çok yaşlı

Илъэс 70-рэкIэ узэкIэIэбэжьмэ, ар джыри ныбжьыкIагъ - O (kendisi) 70 yıl önce henüz gençti

дахэ ыкIи Iае - güzel ve çirkin

ХьампIырашъор дахэ - Kelebek güzel

Бэджыр Iае - Örümcek çirkin

пщэр ыкIи од - şişman ve zayıf

Бзылъфыгъэу килограмишъэ къэзыщэчрэр пщэр - 100 kiloluk bir kadın şişmandır

Хъулъфыгъэу килограмм шъэныкъо къэзыщэчрэр од - 50 kiloluk bir adam zayıftır

лъапIэ ыкIи пыут - pahalı ve ucuz

Машинэр лъапIэ - Araba pahalı

Гъэзетыр пыут - Gazete ucuz

Alinti: http://www.goethe-verlag.com/book2/TR/TRAD/TRAD070.HTM

АДЫГАБЗЭ - Çerkesçe (ADIGABZE)

best_of_tleperus

adiğe radyousuyla dayımın yaptığı çerkezce röportaj

Rufail dayımın röportajı

This is a track from the first album, "Ancient Sufi Invocations and Forgotten Songs from Aleppo" in the Sacred Voices of Syria series out April 19, 2014 on Lost Origin Sound Series & Electric Cowbell Records. "Ancient Sufi Invocations and Forgotten Songs from Aleppo" was recorded by Jason Hamacher in Aleppo, one of the world’s oldest cities, in October of 2010.  The recording took place at night in the courtyard of a 500 year-old house. The songs are haunting, delicate and beautiful. After the recording, Hamacher asked what the songs meant and was told. “This is how we fight terrorism!”  Any questions please email info@lostorigins.com

Lost Origin Sound Series - Nawa - Fasel Al Sawi & Fasel Kesmet Al Sawi, Ancestral Dhikr from Aleppo

H'aupe Cebrail Jinduw Yi Hıbar (Жьындум и хъыбар)

Discrepant proudly presents the Vinyl edition of Lebanese trio Malayeen. Malayeen is the project of Lebanese musicians Raed Yassin (Keyboards, Turntables & Electronics), Charbel Haber (Electric Guitar & Electronics) and Khaled Yassine (Darbouka, Percussion). 

Born from Yassin and Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, Malayeen disassembles and re-configures the work and style of the iconic guitarist innovative take on Arabic music.

More info and order: http://www.discrepant.net/products/536497-malayeen-st

Malayeen -(LP excerpts)

OUT NOW!

Order CD/LP: http://tiny.cc/3lsqhx
Order digital: http://tiny.cc/ymsqhx

"It’s the voice that floors you; a powerful, agile alto which dances around the modes with virtuosic invention and soars on the long notes ... Tzenni fizzes with heady electrified tinidit (lute) and urgent grooves from a rhythm section steeped in rock, funk and reggae ... Psychedelic roots music for the 21st century, Tzenni deserves to make Seymali a global star." ★★★★★
- The List (UK)

"Her style is distinct throughout, mixing as it does a scratchy, paranoid style of guitar with lazy but effective rhythms and Noura’s powerful evocative voice ... The style here is what draws you in and the scatty, freaked-out instrumentation soon becomes hypnotic."
- fRoots (UK)


Noura Mint Seymali comes from a long line of visionary musicians. Seymali Ould Ahmed Vall, her father, was a scholar-artist instrumental in opening Mauritanian music to the world; devising the first system for Moorish melodic notation, adapting music for the national anthem, and composing works popularized by his wife (Noura’s step-mother), the great Dimi Mint Abba. From her precocious beginnings as a teenaged backing vocalist with Dimi Mint Abba, Noura Mint Seymali now drives the legacy forward, re-calibrating Moorish music for our contemporary moment. Her band’s arrangements, rigor, and experimental spirit may be understood as a continuation of the tradition of Seymali, Dimi, her grandmother Mounina, and countless others.

Together with her husband, heroic guitarist Jeiche Ould Chighaly, who brings the force of yet another powerful branch of Moorish musical lineage, the band on this recording was conceived as a distillation of essential elements, the “azawan” and the backbeat. The ardine & tidinit (or guitar) together are the “azawan,” the leading ensemble of Moorish traditional music, while bass & drums, played here by Ousmane Touré and Matthew Tinari, fortify it with genre transcendent funk and a basic pop urgency. Tzenni re-visits several classics of the Moorish repertoire, but does so within a novel formation, conversant in the pop idiom, and with Noura Mint Seymali’s personal history interwoven throughout. The practice of aligning music to a given socio-historical and personal moment is an essential charge of the iggawen, or griot, and, we believe, of artists everywhere.

As we seek to convey another turn in the Mauritanian musical dialectic, Tzenni is ultimately an album about shape shifting, faith, and stability found through instability. It’s about taking the positive with the negative in a world that can only ever keep turning at break neck speed. We invite you to spin with us, to dance with us, through the music on this recording!

--Matthew Tinari: producer/drummer for Noura Mint Seymali

Noura Mint Seymali - Hebebeb (Zrag)

Мурадина Кафа

Нэгэрэкъо Къэзбэч - Саусырыкъу (demo)

КIыкI Аслъанбэч  - Айдамыркъан и орэд

Askerbi Unaroko - Khagaudzh's Zafaq (demo)

Тимур Лосан - Мэздэгу къэфэжь

We decided to make something special again and, as a result, prepared our first mixtape. 
‘The lights of outskirts’ is a set of archive recordings that we like as much as our main releases. However, those recordings are somewhat different from what we usually release. 

The mixtape includes unreleased and raw recordings from the Ored Recordings Archive: some excerpts of interviews and occasional conversations, music improvisation of our contemporaries, the ethnographic recordings of the past century. Generally speaking, the mixtape is an attempt to provide a retrospective view on the work of former storytellers as well as young contemporary folk singers. We tried to make not just a playlist but the fabric that reflects our view on ethno;  in other words, our philosophy with which we approach the craft of field recording.

Considering the fact that the first release contains only our own native Circassian and Abkhaz music, one can assume that the mixtape has turned out to be something very personal.


Ored Recordings - The lights of outskirts (mix for NTS Radio/ Death Is Not The End Show)

Махмуд Шагудж - Шапсыгъэ ЗэфакӀу

Шыкlэпшынэ

Ubykh Tleperush

Улитка - |увыжь Анзор

Къафэжъ

This track is from the album Ilahe Pşine & Thaguaş Pşıne and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/hatkohalildzibekadir

Pşınawo Sefer'im Yi Şeşen

Awtle Behiye'm Yi Şeşen

Mişer Çığım Kezğefexığe Zefakoçıh

Tleperush – (Yalova-Soğucak)

Çerkes Müzik Ƹ̵̡Ӝ̵̨̄Ʒ Abxazian Qafe

Kashirghe Mixamet - K'ashirghashxue

удж хъураи (Hakulash 2)

Apsuwaxem Ya wuic

Псэйтыку джэгуакIохэр - орэдыбэ къаIох

Къэныкъо Зарин - КхъыIэ, мы дунейм теухуауэ жыIэ

Ored Recordings - is the free net-label focused on field recordings of folk and experimental music. Also you can find some broadcasts from Kabardino-Balkarian State Radio.Label is based in Circassia/Russian Federation