Bookings (WW): sari@neptunemusic.net
Bookings (NA/SA): natalie@auroratalent.agency
Promos: promos@mira-official.de

Upcoming Gigs: http://mira-official-tourdates.de/

Mira is that rare kind of DJ whose music can immediately transport you into her world - a midnight circus in Berlin, where time loses all definition and anything becomes possible. 

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. 

In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. 

It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. 

The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of  then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club.

In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound.

Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. 

Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

Giammarco Orsini, born in Italy and now based in Berlin, subtly evolved into one of the most respected DJs and producers. Inspired by a blend of House, Techno, Electro, and Progressive elements, Giammarco moves through various musical styles and moods, creating sets where transitions are felt rather than just heard.

Driven by a deep-rooted passion for digging and exploration, Giammarco’s selections span decades and genres alike. Always carrying a record bag full of elegant groovers, he left an indelible mark on dancefloors worldwide, including at venues like Panorama Bar and fabric. For Giammarco, connection is the essence of deejaying – connection between records, connection between people.

The same curiosity and drive that fills Giammarco’s crates inspire the distinctive sound of his productions. His recent discography is punctuated by noteworthy releases on esteemed labels including Cragie Knowes, Mood Waves and Shonky’s Stoned Pilot. Further collaborating with like-minded artists, Giammarco co-founded DMA, a vibrant musical duo and record label known for its dynamic live performances and innovative productions.

One of the most charming DJs in the business. A musical ambassador and a veteran of acid house, a champion of techno, a dance music pioneer, label owner, King of Ibiza – you name it, Carl's been there and done it, never losing sight of his passions – playing music, breaking tunes.

Need Love + Vibration = Music to stay Alive.

Label showcase inquiries: gregoire@houseum.fr

Our shops: 
- https://houseum-store.com
- https://houseumrecords.bandcamp.com

Our website: https://houseum.fr

For any contact, Premiere or host on the channel: houseum.yt@gmail.com

The label does not accept demo.

Bookings/Mgmt Worldwide:
Agustín Lopez
agustin.lopez@industriaworks.com

NA
Devin Landau
dlandau@tbaagency.com

México
Lalo Rojas
lalo@caballeros.tv

Europe / UK
nevan@klsbookings.com

Released on Labels like: 124 Records (UK), Made Fresh Daily (UK), Luv Dancin (ESP), Underground Source Records (Tunesia), Major League House (FRA), Rooftop Rec (AUT), Two House Rec. (DEN) and many more.

21.02. PRATERSAUNA (VIE)
27.02. GRELLE FORELLE (VIE)
13.03. GRELLE FORELLE (VIE)
28.03. SASS Music Club (VIE)

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Booking: temporary via https://www.facebook.com/fabian.leebel

Love my mixes and listen regularly? Drop me a donation to help cover costs! http://paypal.me/beccadakini

International DJ Dakini is globally renowned for her refined ear and impeccable taste. An underground festival culture pioneer, she has been a pivotal part of global electronic music festival culture around the world since 2000. She is an Australian woman with First Nations & Anglo-Celtic ancestry - a Dj, Environmentalist, Activist and Facilitator who weaves her passion for the environment, human rights & social justice issues into her musical expression. 

With a global following & fan base, Dakini specializes in a diversity of music genres, and is a skilled facilitator of intentional dance-floor journeys that transform. She has lived mostly between the West Coast of USA, Bali and Australia - and has played on most continents in her multi-decade dj career. She has been known to move dance floors at leading Ecstatic Dance events, clubs, gatherings and festivals such as: Lightning In A Bottle, Burning Man, Envision Festival, Shambhala, Rainbow Serpent Festival & many more. 

This connoisseur of cutting-edge electronic music is known worldwide for her bass, chill & ecstatic dance mixes on Soundcloud that have gone viral online - as well as her prolific touring. 

Currently Dakini is dedicated to facilitating diverse and deep ecstatic and intentional dance journeys at local community events, workshops, healing retreats, and at boutique festivals in Australia, Bali, NZ, Hawaii, West Coast USA and beyond. She has now facilitated ecstatic dance events in hundreds of locations around the world, and continues to weave medicinal dance floor journeys that inspire and transform. 

Check her out at: 

www.soundcloud.com/dj_dakini
www.facebook.com/djdakini

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Orel Hak is following