Booking inquiries : :  

peter@fmly.agency

A new label for 100% original material that has emerged from the Ghetto Funk scene.

When Leon Michels name first appeared on a record, he was 16. That release was Thunder Chicken, and the group was his high school band, The Mighty Imperials. The record was essentially an homage to The Meters, at the time it was near pitch-perfect for the budding retro-soul scene. While that release was an early step for Michels, aspects of it have almost become trademarks of his work: a unique raw-yet-disciplined approach to his sound and songwriting, and a soulful genuineness that has a sense of humor one minute and a sense of solace the next.

Right from the jump his hustling work ethic was evident, always involved in a lot at once. While finishing Thunder Chicken, Michels began touring and recording with Sharon Jones and the Dap Kings—which he did for the next 7 years. During that time he was also recording songs in a makeshift home studio and preparing for what would be his first full-length record, Sounding Out The City, and the first release under the name El Michels Affair. In 2004, when Sounding Out The City was recorded, Michels’ obsession with Euro Library, American soul, and early rocksteady crept its way into the songwriting and recording aesthetic, the outcome was something Michels appropriately dubbed “Cinematic Soul.” The album was to be the first release on Truth & Soul Records, a new label Michels co founded.

The lo-fi warm recording aesthetic and bottom heavy production alongside the immediate success of EMA’s debut release lead to playing a show with Raekwon of Wu-Tang fame. That show went over so well it lead to a tour with El Michels backing multiple members of the Wu-Tang Clan. It was these shows that ended up laying the groundwork for the release of El Michels Affair’s second full-length, Enter the 37th Chamber, which eventually introduced them to a worldwide audience. While the band’s fanbase went through the roof, the industry also quickly recognized that EMA was a force to be reckoned with. Almost in a domino effect, a huge range of hip-hop artists sampled Michels’ songs, from Ghostface Killah, Just Blaze, and Jay-Z to J Dilla, J.Cole, and Travis Scott.

While simultaneously running a label, playing / touring, and co-producing other artist’s music Michels helped found The Menahan Street Band, co-produced Aloe Blacc’s sophomore smash LP, Good Things, and received a writer credit on Adele’s Grammy-nominated album, 19. Shortly there after Michels found himself on tour with The Black Keys after being cold-called by Auerbach and asked to join them on the road. It turned out that Auerbach was a big fan of the sound and approach of the Lee Fields record “My World”, which Michels produced. When Auerbach was tapped to make Dr. John’s critically acclaimed album , “Locked Down” and Lana Del Rey’s LP, “Ultraviolence”, Michels was brought along to play and add his signature sound. That led to being included in and touring for Auerbach’s psych-rock project, The Arcs, which features Michels as a musician and co-producer. 

in 2016, Michels co-founded Big Crown Records with Danny Akalapse, the second record label Michels has helped build from the ground. Since then, he has produced a majority of the albums from the labels roster including Lee Fields, Lady Wray, Brainstory, Paul & The Tall Trees, Liam Bailey, and Thee Lakesiders.  Michels has also produced records for Beyonce & Jay-Z’s side project, The Carters, Hanni El Khatib, Chicano Batman, Marco Benevento, and Don Toliver.

In 2020, Michels will release the second album of original material under the El Michels Affair moniker.  The Album, entitled Adult Themes, which Michels calls “the soundtrack to an imaginary movie,” creates a lush, evocative, complex and eclectic collection of tunes that will keep your ears on edge as you nod your head.

Hailing from the Arctic Circle, Finnish DJ and producer duo Rollomatik captivates the crowd by their unique musical masterclass with funk-fuelled party music.

Spotify JAMS: http://smarturl.it/tfh-spotifyjams

THE FUNK HUNTERS
@WestwoodRecordings | Canada

BOOKINGS:
USA: mary.allen@unitedtalent.com
CAN: grant@midnightagency.com

MANAGEMENT:
mgmt@thefunkhunters.com

Tour Dates: https://smarturl.it/tfh-shows
Spotify JAMS: http://smarturl.it/tfh-spotifyjams

La Funky French League est un crew de DJ/producteur/musiciens intergénérationel
composé entre autre de Young Pulse (Gamm rds) , Dabeull (roche musique), 
, Arthur Chaps, Woody Braun (malka family), Mr Willy (générations fm & FG), DJ Asko (nova & generations fm/ hypnotic dj) et Uncle T ( Groove Deluxe), issus de divers horizons ( du hip hop a la musique électronique ) mais uni par l'amour du groove et du funk leur  but est de promouvoir le funk et ses dérivés par le biais de soirées, de mixes, de remix/edits, emission radio etc etc. Mais bien plus qu'un style musical ils défendent surtout un état d’esprit, "la fête", le bon goût et le mélange des gens et des genres

The New Mastersounds are an astonishingly persistent funk/soul-jazz quartet who were founded in Leeds, UK in 1999 by guitarist/producer Eddie Roberts and drummer Simon Allen. They recruited Pete Shand on bass and Bob Birch on organ & piano. Bob left the band in 2007 and was replaced by Joe Tatton.  By the close of 2013 (the time of writing) their discography boasted more than twenty 7" 45rpm singles, 8 studio albums, 2 live albums, 1 remix album and several compilation albums, with one more studio album and another live album already recorded and pegged for release in 2014. The band has toured all over the USA (having visited 38 of the 50 states at last count), Japan, and to a lesser extent in UK & Europe.  Influences include James Brown, Grant Green, Booker T, Lou Donaldson and The Meters, as well as the (mainly) UK-based DJs who exposed the four musicians to the sounds of lesser known funk acts at the vinyl-only club nights of the mid-90's.

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