A Song about having High Hopes for Life's Journeys !

In Scenes to Follow

Black posies
round the fringes
of a memory untapped.

The same piano
that shadow now
a vampire bat.

A phantom dance
through cemetery smoke
in boots of kerosene
and glass.

Stop-sign under idle moon.
Riding to survive
beneath the dome light.
One to scar and it stayed
while the rest left.

Tar traces.
The pavement fissures.
Thin coat rise to neons.
The afterglow a mystery.

A round, a stage
an empty rink.
A drama of the ashes.
Air embedded with sweat
and leaking sinks
and snakes.

Underground unbound.
Unbolting each lock to soul.
Silent and slow 
but wrong it goes
until the fractured
break to fall

to the cellar
where all the lost ones let
the poets of the moon
ink the wall tattoos
for which to paint
their future
or their doom.

Words by Riley Robinson

Extinct Ignition

And it's true m'lads, I'd be livin' there still,
If my Great Granda' had only signed his will!

In The Halls Of My Ancestors

Words and music written by Bartley Charles Mastin
Performance by Bartley Charles Mastin
Copyright 2025 All Rights Reserved

Lyrics:
It's just a dream
Don't worry about a thing
Don't worry about a thing
It's just a dream

They're turning green
The leaves are turning green
And it will soon be spring
Don't worry about a thing

Round and round we go

Stay a while 
Let me see you smile
Let me see you smile
Stay a while

Round and round we go
Round and round we go
Round and round we go

Stay A While

Written by---Pete
Pete--Vocals,Keyboards, Guitar
Paul---Drums,Percussion

Another World

Fasten your seat belts and head into space with this guitar driven track. Another collaboration between Graham J Williams and Heliopolis 5.
Words & Music: Graham Williams   -   Produced by Graham Williams & Heliopolis 5
Lead & Backing vocals: Graham Williams
Lead Guitars & Rhythm Guitars: Graham Williams
Brass, Bass, Drums & Keyboards: Heliopolis 5

Check out more of Heliopolis 5's excellent work by visiting his page: @user-555484870.

Sooner  or  later,  sooner  or  later,
Let the engines glow,  3  2  1  let's  go
Sooner  or  later,  we'll  head  for  the  stars,
We've  been  to  the  Moon,  got  a  date  set  for  Mars,
Space  exploration,  to  places  afar,
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Space  exploration,  creates  fascination
Planets  beyond  our  Sun,  we  can't  be the only one
Out  there  beyond  the  stars  we  can  see,
Light  years  away,  lots  more  galaxies,
Head  for  the  future,  for  our  destiny,
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Alien  creatures,  might  even  reach  us,
From  planets  beyond  our  Sun,  we  can't  be  the  only  one
The  stars  that  we  see  are  just  suns  in  the  skies,
On  some  distant  planets  not  seen  by  our  eyes,
We've  got  to go  out  there,  to  enlighten  our  lives
Sooner  or  later  we'll  go,  no doubt  about  it  I   know
Sooner  or  later,  sooner  or  later,      
The  journey  has  just  begun,
Travelling  beyond  our  Sun,      
The  journey  has  just  begun,            
Sooner  or  later, sooner  or  later, we'll  go

Sooner or Later

J-Baiji

Conga and Bass brothers

Please support this track if you like it :) 

Credit: prod. Peril

Summer Girl

This is a fun little experimental jam that I got started and then looped in STONERJAZZ @user-911083679. It had been a little while since I collaborated with him-- it's always a blast and stretches my creativity in new directions!

Bassfingers

Ryan Webster's second full length album "Stranger" is a follow up to "The Point of Pointlessness." Stranger is a diverse musical exploration that covers topics of modern social and economic constructs to love and spiritual awakening.

Travelers

I set the words to chords on piano. Kind of singing along. I recorded the Casio electric piano, then my sawed-body Austin bass guitar, both plugged in directly. Bass played with a pick. (a square corner of my old driver's license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. One vocal is only on the left, and the other is only on the right. 

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Microphone used: Shure SM57.

Words: Riley Robinson
Music: Ryan Bulliner

All songs recorded in my room on an Hp laptop, through a Focusrite interface. On Audacity. One piece at a time. 

No A.I. 
No auto-tune. 
No metronome. 
No samples.

- Osatethe

Shout out to Ali Sky, Aziza Eskender, Sofia Marietta. Their YouTube channels inspired me a lot at the time. 

SC shouts:
MNOTR
!mmortal Creatures
Laura Hell

