Modal Argon8, Waldorf Streichfett, Sequential Circuits Pro-One, DSI MoPho, Ensoniq ESQ-M, Korg Volca FM

Dust of the Universe: An Ambient Drama in Four Acts - Act Three

"Music is one language that transcends all cultures. Good music is undeniable."

Roland TR-8, Akai S1000, Korg Electribe ESX-1, MFB 501, MFB Synth Lite II, Sequential Circuits Pro-One, DSI MoPho, Ensoniq ESQ-M, Korg Volca FM, Korg Volca Kick, Korg Volca Sample 2, Waldorf Streichfett, Modal Argon8, Commodore C64 (SID 6581) + MSSIAH, Roland SP-404 MKII, Roland SP-404SX

Dresden based producer most of the time 
performing and composing live with 
analogue synthesizers creating sounds from 
scratch and exploring music with no boundaries

🎹🎛🎚🪛 🎵❤️

Credits:

photography by VR

sound design, composition, recording, field recording, mixing and mastering by HCH

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.
© All rights reserved. No promoters—I handle all my own production.

Edoardo Gastaldi, born in 1998, is an award-nominated film-music composer based in Venice, Italy. 
His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope.
After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021, Edoardo started publishing his compositions and productions.
The influence of 17th-19th century pianists and the fascination for experimental edges make his music an ever-evolving equilibrium among Modern Classical, Ambient, and Post-Rock subgenres.

Gastaldi's philosophical approach is inspired by the sounds of foundational artists including Johan Söderqvist, Hammock, Tony Anderson, Leonard Petersen, Atli Örvarsson, Stephen Porter, Ronit Kirchman, Sigur Rós, John Cage and Nils Frahm.

Edoardo’s work deeply reflects his desire to explore human fragility, paradoxes, and the complexities of existence. Over time, his soundtracks were described as capable of delving into the big consequences and underlying roots we can’t avoid.

In 2024 Gastaldi scored the soundtrack for the multi-award-winning short film “Etilismo”, a story that delves into the sensitive issue of chronic alcoholism in youth.

Contact: edoardogastaldimusic@gmail.com

On my way down the endless rabbit hole into sonic wonderland...

Je me nomme Mathieu Torres et je suis par ailleurs guitariste et compositeur dans différents projets artistiques
(La théorie des cordes / M'Z / Matziz / Zhorhann/ The Diogenes  ...)

Ici l'objectif est d'arpenter des terrains plus cosys, calmes et poétiques, jonglant entre old school et modernité, porté par un son de guitare rond, vivant, chaud, organique...

Soundtracks for the imaginary movies of my life. They're not necessarily meant to be beautiful, they're meant to tell a story, like an encrypted message, but better. Your likes and comments make me happy! sleepynoonradio@gmail.com

Dust of the Universe: An Ambient Drama in Four Acts - Act Three

Atik Yomin