New Year's Eve

Meta Metta

Jam in the Van - King Buffalo

Silverfish (Live Session, Los Angeles, CA, 2021)

Ego Tripping at the Gates Of Hell

Ego Tripping at the Gates Of Hell (Live on XFM 11/11/03)

Dreamtone Reflections is a journey inward and outward at once — born from the shimmering resonance of Tibetan singing bowls, woven with electric guitar, bass, drums, and organ. The tones open a path like stepping stones across water, leading into dreamscapes where sound becomes light, and light becomes reflection. This piece is both meditation and motion: a groove-driven passage into transcendence, carried on waves of harmony and rhythm. Main guitar part played on the Fender Stratocaster. E-bow parts played on the Gibson Les Paul.

Credits:
•	Tibetan singing bowls, electric guitar, bass, drums, keyboards, E-bow: Dan Hancock
•	Recorded, mixed, and produced by Dan Hancock
•	Artwork: Dan Hancock and Midjourney AI

Dreamtone Reflections

A song from our debut album ANIMA! out JAN 12th, 2016,

Sidewalk walkers
Empty vessels
Task completers 
Fundamental
They’re all looking down

Can’t take the time to enjoy all the space and the sound
Or the look in another’s eyes

No one’s listening, no one’s thinking
No one holds their heart up high
Go through the motions, keep repeating
The words but we do not know why


Satisfaction
Just add water
Clock is ticking
Cant wait longer
I need it right now

The people all need to feel pleasure or they will shut down
If they don’t have something to hold

No one’s listening, no one’s thinking
No one holds their heart up high
Go through the motions, keep repeating
The words but we do not know why

You’re alive
We’re alive
Don’t you know?


You're Alive

Lost At Sea

Signify (Remaster)

"Light Mass Prayers"

Available worldwide, April 21, 2017. 
Pre-order & stream: http://smarturl.it/outrunthesunlight

Outrun the Sunlight is Austin Peters, Cody McCarty, Connor Grant, and Pedro Villegas.
Drums recorded by Rick Fritz at Audiotree Studios.
Bass and guitars recorded by Kevin Frytz at Populous Chicago.
Mixed by Auré Pereira at Flatcurve Studios in Metz, France.
Mastered by Rick Fritz at Audiotree Studios.
Original watercolors by Stephen Sloan, photographed by Kirsten Miccoli. 

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This album is best listened to in a quiet space on your best set of headphones.

From soaring guitar lines, complex rhythms and ambient soundscapes, “Red Bird,” demonstrates the vastness of metal music, taking influence from Caspian, Cloudkicker, The Contortionist and more. Traditionally grouped into progressive metal and djent, the quartet has made a conscious effort to transcend all conventions and constraints that factor into production, songwriting and image of those genres. Leaving behind direct-in guitar recording, programmed drums and in-house mixing/mastering, all four members performed and critiqued the album, creating the most organic and truest form of the band yet. “Red Bird” evokes cathartic feelings of love, growth and uncertainty, and being that it’s instrumental, it encourages the listener to create their own narratives in the music.

No part of this album was re-sampled or re-amped in any way.

https://outrunthesunlight.com
https://fltcrv.com
https://audiotree.tv
https://populouschicago.com

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Red Bird

Hamish's newest release was premiered on Relix - where they shared the following:  
"a pounding rocker that recalls Tom Petty & The Heartbreakers at their most defiant and boasts some lightning-strike guitar work from Anderson”  

Check it out: https://ffm.to/nogood

No Good

Older Terrors

Sylvan

Watch & Stream: Terrapin (Live) — https://lnk.to/terrapin-live

Red Bird

Outrun the Sunlight

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Nathaniel Mitchell

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