Intense sound! And when it comes to the broken generation, I guess this is the harsh reality...

Ladat’s Support Feb’25 vol.1

Deviation

There Is Nothing

BROKEN GENERATION
Music by Overdrive, Stop Sleeping & Chris Schlue
Mastering by Chris Schlue

Check out the IG promo video:
https://www.instagram.com/p/DF_cUIDsPnW/


STOP SLEEPING

Punk flunky, indie drop out, marginally mathy, spacewards or maybe just some 80s fan, Stop Sleeping isn't just a synth and guitar wizard, but also an extremely versatile american singer who can emulate different vocal styles with impressive ease. BROKEN GENERATION's driving force is the Johnny Rotten-style vocals of Stop Sleeping and I believe this is the first of many collabs in the near future. Check out his great songs available on his Soundcloud page:

https://soundcloud.com/stop-sleeping

CHRIS SCHLUE

Chris is an incredibly talented German guitarist and composer, and as if that weren't enough, he's a walking encyclopedia on all things mixing and mastering. Believe me, his ears are absolutely insane for detail and Chris is responsible for the exquisite technical quality of BROKEN GENERATION's mastering. Our next collabs are already in the works, but in the meantime, check out his great individual and band tracks on Soundcloud:

https://soundcloud.com/chris-schlue

Broken Generation

Lovesong légère subventionnée par Monsieur Meubles...
Love ballad subsidised by a famous French furniture shop...: I wish I were a chair...

Here I try a translation in english for those who want to know what this is about...
#lyrics

I wish I were a chair
To hold you in my arms
You’d be sitting at ease
At meal times
At tea time I would be
right in the living room
the perfect option
For your conversation

If we fancy a nap
we’ll change continents
Switch from Louis XVI
To a swinging hammock 
I will take you all in
On the braided fabric
I will gently rock you 
From your head to your toes

When bedtime comes
My velvet backrest
Would make you want
To talk about love
Your gaze resting
On my satin arms,
what a Privilege, intrewined
Until the morning comes


But you should beware
If you move too much
If you get restless
seeking for something new
maybe something better
Here is my hypothesis
You might one day fall down
Fall down from this chair

Small couch or Méridienne 
Or charming sofa
No matter the divan
As long as bliss is here
Both of us lying down
Under the soft duvet
Slowly falling asleep
Breathing in the thrill

Je voudrais être une chaise

Pour affronter le morne mois de novembre, nous vous proposons une chanson légère et sautillante qui parlera à votre âme d'enfant!
To face the gloomy month of November, we offer you a light and lively song that will speak to your inner child!
(PS In France , fairground carousels offer children the chance to grab a pompom. Whoever catches it wins a free ride!)

MICKEY 'S TAIL
In the cinema of childhood
one can get bored hard
But sometimes, a lucky moment—
A day at the fairground.
Raising and lowering the plane,
With an easy lever,
The precious rag in our hands,
And our eyes light up.

All our victories are trivial,
But what joy in that sensation,
taking oneself for the hero,
feeling like Santos-Dumont.
I grabbed the Mickey’s tail,
This time , I did it,
Snagged the Grail, the prize,
No more spinning in circles.

At the age of love’s parades,
Turning and dancing in discos,
All the dancers spinning round,
Looking to make a conquest.
beating around the bush
Awkward and clumsy,
when smiles finally meet,
 The ship can sail.

All our stories are temporary,
But what joy in that sensation,
feeling handsome in the mirror,
feeling like Alain Delon.
I grabbed the Mickey’s tail,
This time , I did it,
Snagged the Grail, the prize,
No more spinning in circles.

Life, it’s a true lottery,
The wheel turns and leaves us dizzy
Losers or superheroes,
We swing from laughter to tears.
But when I’m with you,
I’m five years old, I feel that joy
Of a child who’s struck it rich,
Who’s just grabbed the moon 

All our memories are illusions,
But what joy in that sensation,
Skipping alone down the sidewalks,
Feeling like Patrick Dupont.
I grabbed the Mickey’s tail,
This time , I did it,
Snagged the Grail, the prize,
No more spinning in circles.

Passages

La queue du Mickey (translated)

Exploring the darker side of romantic love in the modern era. Influences include early British Metal and early American Gothic music. At times harmonically dischordant with a moody and haunting vibe

The One To Call (Live Version) - John Goldrust

Tema compuesto por el grupo La Séptima Farola como tema central de la serie independiente Producto Local.
Introduciéndose en las calles de la margen izquierda de Bilbao sus bandas de delincuentes comunes en la décadas de los 80/90, donde las drogas, prostitución y delincuencia estaba en su momento mas alto a causa de la crisis y la reconversión industrial del momento.

Viejas Glorias

Viejas Glorias De La Séptima Farola

The Story

Im actually pretty stupid haha, and hopelessly romantic. I fall for too many people and thats a downfall cuz I get hurt. tbh I should stick to my own, then id be safer! but, unfortunately Im too silly for that x3... dslffweojfiweo 

anyways new music soon prolly, gonna see how this performs cuz sc loves guitar tracks from me for the algorithm for some reason lol

letter to the valentine that wont hear this song or my heart prod perry pressey n kerel

Empty rooms make louder sounds
than bombs ever could.
My bed's still warm but I'm not there
haven't been for good.

Phones light up with "how are you?"
Each pixel burns through.
I've got responses stockpiled high:
None of them are true.

I'll be fine, like static air
when radio waves die.
I'll be fine, like vacant eyes
in a porcelain lie.
I'll be fine, supposedly,
Like flowers pressed in formaldehyde.

Coffee's cold before it burns,
Time splits at the seams.
The mirror shows a person there
Who's nobody it seems.

Every "just reach out" feels like
Hands through heavy glass.
I'm here, I'm gone, I never was—
All three statements pass.

I'll be fine, like dead sea salt
That forgot to float.
I'll be fine, like autumn leaves
That never wrote their note.
I'll be fine, theoretically,
Like stars that burned out centuries ago.

There's an art to absence
That nobody taught.
I've mastered disappearing
While staying in one spot.
My lungs remember breathing
But forgot to tell my chest
Now even nothing's something
I fail to possess.

I'll be fine, like church bells in
An abandoned town.
I'll be fine, like paper boats
That learned how to drown.
I'll be fine, apparently,
Like prayers in empty sound.

They say the void stares back but mine
Just keeps looking through.
I've got a PhD in Hollow,
And the walls do too.
My pulse keeps perfect rhythm with
The silence in between.
I'm here, I promise, just like all
The things you've never seen.

I'll Be Fine

Guitar and Bass by Robert Grigg
Drums by Yamaha Keyboard

Swank

Translation above
Texte et chant : Jean-Paul Gaido-Daniel
Musique : Myckaël Marcovic
Illustration : Annie Madec

Spotify : https://open.spotify.com/intl-fr/album/02PDO44GYjPQo0V8dFOeKk?si=j_qSmI1AROKGo4xk9aMtlQ

La poésie se boit

D’un Nice révolu
Au monde tropical
D’une escale en bateau
Près d’une radio libre
Revenue d’un bouquin
Immaculée contraception
En passant par les tarés
Qui nous parlent tant

De leur dernier voyage
Pour nous jeter enfin
Leurs pseudo métaphores
En criant des sornettes
Du haut des goélettes

Et faut pas les croire, Monsieur,
Que demain, à midi
S’il reste une heure à vivre
Je me battrai pour l’homme
Jusqu’au bout de mes forces.
S’il reste une heure à vivre
Je me battrai pour l’homme
Jusqu’au bout de mes forces.

Mais ma voix s’est coincée
Dans un nuage bleu
Sur mon pays, ma terre,
Pas très loin de la baie
Qui m’arrache à la nuit.

Quand tu dors mon ami,
Prends le temps de rêver
Pour quand tu seras vieux,
Et mesure ta mesure
Sans trop crier, l’ami, (bis)
Sans trop crier…

Post-mortem, pour moi,
La mort est à Venise
Dans mes bras tu verras
La poésie se voie
La poésie se noie
La poésie se boit

Jean-Paul Gaido-Daniel, 2025
Musique de Myckaël Marcovic, 4 mars 2025

Poetry can be drunk

From a bygone Nice
To the tropical world
From a stopover on a boat
Near a free radio station
Back from a book
Immaculate contraception
By way of the crazies
Who talk to us so much

About their last voyage
To finally throw us
Their pseudo-metaphors
Shouting nonsense
From the top of the schooners

And don't believe them, Sir,
That tomorrow, at noon
If there's an hour left to live
I'll fight for man
To the end of my strength.
If there's an hour to live
I'll fight for the man
To the end of my strength.

But my voice is stuck
In a blue cloud
Over my country, my land,
Not far from the bay
That snatches me from the night.

When you sleep my friend,
Take the time to dream
For when you are old,
And measure your measure
Without shouting too much, my friend, (bis)
Without shouting too much...

Post-mortem, for me,
Death is in Venice
In my arms you will see
Poetry can be seen
Poetry can be drunk
Poetry is drowning

Lyrics by Jean-Paul Gaido-Daniel 
 Music by Myckaël Marcovic, 4 March 2025

La poésie se boit (Jean-Paul Gaido-Daniel / Myckaël Marcovic)

Hey guys,
after a while, I am back with a cover of one of my favorite - and one of the most underrated - John Denver tracks: "Catch Another Butterfly". It deals with the passing of childhood and remembers the beauty of it. Truly a masterpiece.
I hope you enjoy my version! If so, please leave a like, repost, follow to never miss another post, or a constructive comment.
Enjoy your day!

Catch Another Butterfly - John Denver (Acoustic Guitar-Cover)

This song is a tribute to my favorite anime. 
👹DEMON SLAYER 👹
Lose yourself amongst some ambient vocals in the dark as you fight the Twelve Kizuki using breakdowns & double bass pedals. Ultimately losing at least a part of your reality as they drag you down into the abyss of despair.

Twelve Kizuki (Metalcore)

A relentless heavy metal war march forged in fire, chains, and thunder. Across ten tracks, O.B.A.65 channels the spirit of classic 80s metal — galloping riffs, twin-guitar harmonies, pounding drums, and soaring anthems — while summoning a dark fantasy world where armies clash, crowns shatter, and monsters rise.

EARTHFIRE COVENANT (1)

Step into the SoundCloud dimension with the latest JGscienceGaming session! 🎸✨ This raw capture from 09.05.25 blends space-radio vibes, science energy, and pure gaming intensity. Every riff, every note, every surge is part of the continuum. 🚀

Much love to the community for fueling the journey—this one’s for you. 💜⚡

Til the last Reeper Falls - (JGplays Mass Effect)

There was a time when boldness was the main characteristic of youth. Young people wanted to be different, and one of the most prominent ways to be different in my day was to listen to different styles of music. It was very striking among Generation Xers, even those who belonged to more radical urban tribes. I remember well, for example, the late Jeff Hanneman, the brilliant guitarist from Slayer, saying in an interview that he loved classical music. This kind of boldness is deeply rooted in most of the guys who lived through that era. And it's a very noticeable characteristic in most artists who came from those years. The late David Bowie, for instance, embraced electronic rhythms like jungle and drum ‘n’ bass on his incredible album Earthling. Iggy Pop said in a video that he loved the then-new branch of electronic music, a genre called industrial. And the world-famous cellist Yo-Yo Ma played a version of Metallica's “Nothing Else Matters”. The examples are numerous.

Unfortunately, I have witnessed the death of this kind of boldness in the younger generations. Young people enslave themselves to a few musical styles and refuse to listen to the universe of music that exists out there.

Overdrive is a musical project that seeks to explore different musical genres — rap, classical music, techno, punk, death metal, rock ‘n’ roll, new wave, new age, a cappella, you name it. The idea is to introduce new generations to the concepts of musical freedom, musical anarchy, musical curiosity, and bold listening (to new and old styles).

It's a one-man project with the help of countless talented collaborators. So don't be surprised to see tracks of completely different styles with equally diverse collaborators — people like a brilliant English glam singer in shiny pants singing about punks on a post-punk song; or a skilled German guitarist who plays rock riffs on a drum'n bass background; a Russian female singer with an incredibly powerful voice singing a 70s rock song; a young British rapper genius who loves electro; a Danish female singer and harpist who enjoys singing pop music on a Bach background; a French reggae singer who sings disco brilliantly; and many others.

Musical eclecticism is an expression of freedom. I love Sepultura and I love Frank Sinatra. And there isn't a single day that goes by when I don't listen to music by J. S. Bach and the German thrash metal band Destruction. I truly believe that different styles talk to each other when I make music and would love to pass on some of that thinking to my fellow young musicians.

LATEST INSTAGRAM PROMO VIDEOS
JOYBOT
https://www.instagram.com/p/DI6YrdNtML3/
https://www.instagram.com/p/DI6YEvEgwav/
https://www.instagram.com/p/DI6Xg71R4lX/
https://www.instagram.com/p/DI6W_ewNPje/
I WANNA FEEL BRAND NEW
https://www.instagram.com/p/DGpTqlWtuPr/
ROBOT DREAMS
https://www.instagram.com/p/DGOn3-IMzzl/
BROKEN GENERATION
https://www.instagram.com/p/DF_cUIDsPnW/
MOTORPSYCHO
https://www.instagram.com/p/DFj1tULRjjI/
WIDE AWAKE
https://www.instagram.com/p/DFRMsQqMK50/
BOTOX BABIES
www.instagram.com/p/DFHN_rItT0a/
ROCK'N ROLL STAR (2nd)
https://www.instagram.com/p/DFDGvGENUie/
SHINING
https://www.instagram.com/p/DFDGFuwxuB9/
FAST LIFE
https://www.instagram.com/p/DEnHX7RsKgy/
QUEST FOR PEACE
https://www.instagram.com/p/DDyEPGTsqT-/
TURN AROUND
https://www.instagram.com/p/DCFNWa7t1Ve/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/DA9ES3ZtTWT/
LOVE'S THE LAW
https://www.instagram.com/p/DAhE0DLOMq-/
SKINNY JEANS
https://www.instagram.com/p/DAeOLnIu6bx/
WAR DOG
https://www.instagram.com/p/DAc2xbFMJ8_/
https://www.instagram.com/p/C_80BNQs7wh/
https://www.instagram.com/p/C_4NfF0Rdwh/
I AM A PUNK
https://www.instagram.com/p/C_mTDqvNwTF/
GLOAMING
https://www.instagram.com/p/C_l8esMsElC/
I DON'T KNOW AND I DON'T GIVE A DAMN
https://www.instagram.com/p/C-EjErMuerv/
CYBERNETIC LAMA
https://www.instagram.com/p/C9-5-2dO85a/
CRASH'N BURN
www.instagram.com/p/C9-43u3NvVT/

CONTACT
e-mail: muzik.overdrive[at]gmail[dot]com 
Or DM in Soundcloud/Instagram

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Broken Generation

Overdrive

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