Excellent sound design and production, lots of attention to detail. Big thumbs up!

All that stereo imaging -- very engaging.

The low drone bass is really effective in this --I'm really enjoying the piece!

This is a great track! Congrats on the win!

Grossartig wie viel Bewegung hier mal wieder ist. Ziemlich starker Hardstyle, gefällt! Für mich ein Fav + Grüsse aus dem Nordraum:)

@opalsbalboa: Cool, thanks a lot, OPALS! Thanks for taking the time to listen, though it's not your favourite genre!

ok i know its a little cranked i forgot to add a couple clippers

EX!STENT!AL - phoenix fj

BPM - 162
KEY - B MINOR I THINK
IF YOU WOULD LIKE TO BUY THIS BEAT DM ME ON INSTAGRAM: https://www.instagram.com/holonoise/



BREAKING BRICKS

The basic tracks for some of these songs were scattered through other music I had recorded over the last ten years.  Quarantine has given me the time to hear some of this music with fresh ears. In most instances dozens of instrument tracks were stripped away to find some forgotten core that made me nod or smile.  Then I started again.  All new recording has been done since the start of lock down and tries to put a sound on the subtle dislocation of a global disaster that is mostly (for me) expressed in my daily life as an absence, a taking away rather than a presence; a distantly felt thing.  

All tracks recorded and mixed at Shadowbear Studio.  Mastering at Black Knoll Studio.  Photo taken by Csilla Varadi.

The Exile's Kingdom

Original composition by https://soundcloud.com/marcolucchi
soundcloud.com/marcolucchi/zaubergesang
https://marcolucchi.bandcamp.com

Marco Lucchi : analog synth, found sounds, tape and treatments
Remixed by Liquid House at Hadean Studio (June 2020)

Carl Oscar Borg - On the Rim, Grand Canyon, Arizona

Headphones recommended !

Zaubergesang (Remix)

Buy at Bandcamp

Look at the Other End

A little bounce on the dance floor banger! 

It's my Track for the One Synth Challenge on kvraudio.com featuring Hy-Poly as Synth. I have used the free version of Hy-Poly which restricts features a little  but is still immensely capable.

HY - A - GRESSIVE

HY - A - Gressive

I created loops of sections of the tracks that made me tingly. I then tuned and adjusted the frequency. Using a looper I took 16 bars of 2 selections and then reversed it. Chopped up the loop and compressed it. Then adding a motion to the sounds using different shaped wav forms. 
More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0450-texture-analysis/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Alexandrite Lava Disquiet0450

Marco Lucchi : piano
Mean Flow : keyboards

a rework by Mean Flow of a track by Marco Lucchi

settember 2020

for "piano patterns", a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns

Marco Lucchi & Mean Flow - Upside Down (piano patterns no 4)

According to art historian Lawrence Alloway, Agnes Martin was one of the principal pioneers of the “Hard-Edge” 1950's painting movement. “Even where forms are not purely represented,” he wrote, “[Hard-Edge] abstract artists have tended toward a compilation of separable elements, treated as discrete entities. Forms are few and the surface immaculate … the whole picture becomes the unit. The result of this sparseness is that the spatial effect of figures on a field is avoided.”

Martin’s work evokes not only austere minimalism but also a cerebral airiness, perhaps gained from when Martin lived in New Mexico while attending university. Her work appears to vibrate off the canvas, the rigor of her craft subtly transformed into a sort of trembly dissonance. Even a simple line appears to breathe; a series of seemingly identical shapes reveal hidden nuances on close inspection.

For this piece written for fake violins, Suss Müsik interpreted Martin’s lovely 1961 work entitled Words (ink and graphic on paper, mounted on canvas) as a graphical score. The parallel lines are represented by sustained, repetitious phrases playing a single note. The triangles are conveyed through a simple 3-note counterpoint performed in consecutive sets of four, four, six, six, six, six, four and four. 

The piece is titled Words and was recorded live with one overdub for piano embellishment.

More on this 456th weekly Disquiet Junto project, Line Up (The Assignment: Interpret a painting by Agnes Martin as if it were a graphic score), at:

https://disquiet.com/0456/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0456-line-up/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Words [Disquiet0456]

Dreaming Music
Guy-Frank Pellerin: tenor saxophone
Recording: 27/10/2020

Dreaming Music / Guy-Frank Pellerin

Made for Naviar Records' 361st Haiku Challenge. Details and other inspirations at https://www.naviarrecords.com/2020/12/02/naviarhaiku361-abandoned-farmhouse/

Ghosts of ice and snow [naviarhaiku361]

] Peter:H [ is sound and music. the fabric is curiosity, challenges and love for exploration.
] Peter:H [ combines colorful frequencies, fragrant textures and tasteful rhythms always seeking for new sonic experience.
] Peter:H [ is on a journey and want's to invite the listener to join for a little while to travel together.

HY - A - Gressive

] Peter H [

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Hexspa

] Peter H [

Kraftraum

Kraftraum

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