OSC 137: HY-Poly free

KVR OSC Personal Top Three

One Synth Challenge 156 @ KVR. Sequenced using 12x instances of Synister.

DLA (Osc156 - Synister)

My entry for KVR One Synth Challenge #166.  This month it's Wave Manuel, a quirky but very flexible synth. Really surprised at the tones that came out of it.
Recorded in Reaper with 16 instances of Wave Manuell, and some free and native FX. All sounds produced with Wave Manuel.

OSC166 - Wave Manuel

One Drop Manuel

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

One Synth Challenge 179 @ KVR. Sequenced using 35x instances of Universal Audio PolyMAX Synth.

BIZ (Osc179 - UAD PolyMAX)

One Synth Challenge 181 @ KVR. Sequenced using 30x instances of SurgeXT.

KIN (Osc181 - SurgeXT)

Carpetbaggers Carpetbagging \

149.182

osc 137                                                     ghost dancers taking the
                                                                                                    lozenge 

                                                                                                                 (bachmed)

A Well-Timed Exhale

"Earth noise runs beneath a cave of clouds"

Listen quietly, possibly at night.

Produced in Albeton Live 9 using
12 x "HY-POLY Free" synth and Live FXs : Reverb, Delay, EQ, Limiter.
Freeware MAX-1 by BeatSkillz

OSC 137

Night Clounds

Night Clouds

Quick track made with HY-Poly,
now edited and changed to complience with OneSynthChallange rules

Reaper DAW
9 instances of HY-Poly
2 ReaComp
2 ReaVerberate
Smartelectronix Ambience 
TDR VOS SlickEQ
VOS DesitymkIII
VOS Ferric TDS

Revision

D34dmeat - Blankets

Track made for the 137th iteration of KVR's One Synth Challenge (OSC 137) in July 2020. The only synthesizer used for this song was HY-Poly free by HY-Plugins (https://hy-plugins.com/product/hy-poly/). There are 11 instances of the synthesizer in the track. (Same as the last one... Guess 11 is my limit!). I opted to avoid effects plugins again to ensure complete focus on what the (free) synth is capable of.

I had some trouble getting the drum sounds right, particularly the kick, but they will have to do!

Renewed Hope

OSC#137 - HY-POLY(free)

instances: 18
DAW: MuLab (www.mutools.com)
FX: level-compressor, cross_delay, Mid-Side Processor, 2-Band EQ, PingPongBeat, Vintage Echo 1, Vintage Echo 2, simple_echo, tight room.
3rdParty: DragonFlyRoomReverb, OTT, LoudMax64

Taron - Hypordia [HY-POLY]

A little bounce on the dance floor banger! 

It's my Track for the One Synth Challenge on kvraudio.com featuring Hy-Poly as Synth. I have used the free version of Hy-Poly which restricts features a little  but is still immensely capable.

HY - A - GRESSIVE

HY - A - Gressive

] Peter:H [ is sound and music. the fabric is curiosity, challenges and love for exploration.
] Peter:H [ combines colorful frequencies, fragrant textures and tasteful rhythms always seeking for new sonic experience.
] Peter:H [ is on a journey and want's to invite the listener to join for a little while to travel together.

HY - A - Gressive

] Peter H [