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One Synth Challenge #119: Waverazor 2 by Tracktion

A collection of songs created with MOK's Waverazor software synthesizer.  Its patented oscillator design utilizes a new form of synthesis to produce biting leads, glitched-out basses, cinematic pads and everything in between.  For more information, please visit the MOK website:

https://mok.com/waverazor.php

Waverazor Demo Songs

Cinematic vs Ambient

Demo for MOK's Waverazor soft-synth by Boris Wiedenfeld-Needham, aka benito|124. Based on the chord progression of the opening of Beethoven's 7th Symphony, 2nd movement.

B7 - 2 Final Mix

Made for the KVR One Synth Challenge 155:
https://sites.google.com/site/kvrosc/2022/osc-155-any-one-synth
https://www.kvraudio.com/forum/viewtopic.php?f=1&t=575714

All sounds made entirely from scratch with the Roland System-8 hardware synthesizer on the System-8 Model.
DAW: FL-Studio 20.9
Instances / Recordings: 40 Audio Tracks

DAW Plugins:
Fruity Parametric EQ2 [22], Fruity Limiter [3], Fruity Stereo Enhancer [14], Fruity Delay 2 [4], Fruity Delay 3 [4], Fruity Reeverb 2 [3], Fruity Convolver [1]

3rd Party Free:
Youlean Loudness Meter 2 [1], Melda MCompressor [2], Analog Obsession LOVEND [2], Xfer OTT [8], TAL Reverb 2 [3]

3rd Party Commercial:
Waves H-Reverb [II]

3rd Party I got it for free but it´s actually Commercial:
Izotope Ozone 8 Elements [1]

No wolves were harmed during the production of this track.
Mixed and Mastered by a Neodymium-doped yttrium orthovanadate crystal.

Impedance Music - DPSS (OSC#155 - Roland System-8)

All Sounds created with AudioNebula Aurora fm Synth for kvr's OSC155 challenge.

Prelude to Aurora - OSC 155

Made with 11 x Sinmad synth  [https://nusofting.com/plugins/sinmad-synth]

DAW: Ableton Live : Ableton FXs: Delays, Reverb, Compressor, Equalizers
+ BeatSkillz Max 1

OSC 155

Sinmad The Shamest

An unmastered, slightly-mixed, last-minute track for OSC 155.
All parts played live.

—Synth—
Behringer Model D (5 instances)

—Effects—
ReaEq
TDR Molotok
Voxengo Tempo Delay
Xfer Dimension Expander

Recorded in Reaper

You and Everything (OSC 155)

DAW: Cubase 11 Pro
19 instances of Synister
19 instances of Valhalla Supermassive
Some Cubase native AutoPan, EQ and Compression

Synister - Winter In Berlin

One Synth Challenge 156 @ KVR. Sequenced using 12x instances of Synister.

DLA (Osc156 - Synister)

The servant robots have sensed that an attack is eminent.

OSC156 Down Everybody (Synister) 22/25 88%

Monthly OSC contest track using Synister to create all sounds in Ableton Live 11. 
A melancholic track for the times.

Techquiem (OSC 156 - Synister)

My submission for the One Synth Challenge, using Synister https://the-synister.github.io/ as only sound source.

YT: https://www.youtube.com/watch?v=QJ3wYgS0TIM

DAW: Ardour 6.9 on Archlinux
38x Synister instances via yabridge/wine

Audio Effects:
-LSP Parametric Stereo EQ
-Calf Vintage Delay
-ZaMultiCompx2
-ACE Compressor
-airwindows Reverb
-TAP Tubewarmth
-Dragonfly Hall Reverb
-Wolf Shaper

MIDI effects:
-B.Schaffl
-x42 MIDI Strum

Masterbus:
-Luftikus EQ
-LSP Parametric EQ (Stereo and MidSide)
-LSP Stereo Compressor
-airwindows ToTape5
-Refine
-x42 DPL Limiter

MyLoFy - Shattered

My submission for OSC156, the One Synth Challenge for Februrary 2022.
All of the sounds were created out of the Synister synth by QUL at the University of Berlin.

This track was made with Reaper on Linux.
There are 17 instances of the Synister.

Ritual [OSC156]

My entry for KVR One Synth Challenge #166.  This month it's Wave Manuel, a quirky but very flexible synth. Really surprised at the tones that came out of it.
Recorded in Reaper with 16 instances of Wave Manuell, and some free and native FX. All sounds produced with Wave Manuel.

OSC166 - Wave Manuel

One Drop Manuel

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

One Synth Challenge 179 @ KVR. Sequenced using 35x instances of Universal Audio PolyMAX Synth.

BIZ (Osc179 - UAD PolyMAX)

One Synth Challenge 181 @ KVR. Sequenced using 30x instances of SurgeXT.

KIN (Osc181 - SurgeXT)

The track was created with only MeldaProduction MPowerSynth and mostly MeldaProduction Plugins as well, accompanied by just a few other Cubase Plugins...

The Evacuation Of The Lizzards Took Longer Than Expected

Remix of SpaceSlab Go's great Track "Enigmatic Constellation":
https://soundcloud.com/spaceslab-go/enigmatic-constellation-by-vega-system

---
▪◾⬛ This features a lot of #Meldaproduction Plug-ins, for instance the tremendoulsy capable MFrequencyDynamics. I've used it for Side-Chain controlled Dynamic Processing based on individual harmonics rather than on just a few bands. It allowed me to put the lead sound over or - let's put it this way - in front of the all dominating bed sound...
▪◾⬛ Kick is coming from #Kick2 VST Plug-in
▪◾⬛ Added a Mellotron Choir which was imported into #Parawave RAPID. Original Samples were taken from http://sonicbloom.net/de/kostenlose-sb-mellotron-samples/
---
Version V006

Enigmatic Constellation ] Peter H [ Remix for SpaceSlab Go

Part 1: Lonely Cruiser thru the void
Part 2: Something's wrong
Part 3: Ship crashes on yet unseen world
Part 4: Waking up on the emergency station
Part 5: Exploring and first sunrise on new world
Part 6: Resurrected as machine mind

Visual Art Work: Based on CC Licence picture taken from https://visualcocaine.org/photo/3470/fantasy-light-mood-sky-beautiful

Submission to kvraudio OneSynthChallenge #119: https://www.kvraudio.com/forum/viewtopic.php?f=1&t=517516

Preview: Space Cruiser On A New World

🌌 Space Cruiser On A New World 🌌 - MOK Waverazor

Black Hole Horizon (A "droning" Classical concerto in seven movements)

1) Overture  :  0'00" ..~2'05"  : [Approaching]
2) Crescendo : ~2'05" ..~3'25" : [Turbulence]
4) Scherzo   : ~3'25"..~5'30" : [Deviations]  
5) Tema      : ~5'30"..~7'25" : [Oblivion] 
6) Finale    : ~7'25"..~9'00" : [Engine] 
7) Coda      : ~9'00"..~9'25" : [Home] 

This piece was inspired by the operas of classical composers of the past century:
the avantgardists Stockhausen and Ligeti, the Minimalists, Riley, Reich, etc..
But also by the European Space Rock. There the so called "trance effect" is a consequence
of attributing major significance to small musical variations, rather than a goal in itself.
*Download it, the streaming is too low quality for these sounds*

OSC 119

Back Hole Horizion

Black Hole Horizon

OSC#119: Waverazor

Instances: 23
DAW: MULab (www.mutools.com)
FX:Mid-Side Processor, 2BandEQ, Vintage Echo2, level compressor, cross_delay, dimension expander
3rdParty: Nova-67p, Abstract Chamber, Auburn Studio Panagement(free), OTT, Limiter6

Taron - RidingToTheEdge [Waverazor]

Stokely's submission for the One Synth Challenge #119 - Waverazor

Stokely - The Waverazoring  OSC 119

Made in Reaper 5.9 with:

9x Waverazor instances
1x RoughRider2
2x Classic Compressor
1x FFT Splitter
1x OTT
5x ReaEQ
5x Voxengo OldSkoolVerb

Master:
1x Limiter6
1x ReaEQ

inspired by synth artists such as Jan Hammer, Schiller, Tangerine Dream

Phaceplant

All sounds made with the software synthesizer Wave Razor. A soundtrack to some movie never made.

Hard Won Battles (OSC 119 Wave Razor)

This is the first demo song we did for Waverazor to coincide with its debut in 2017.  It was created in Logic and uses some standard effects, but all the sound generation was done with Waverazor.

You can check out the video version on YouTube here:
https://www.youtube.com/watch?v=aqekXIBO1g8

Initialize

In 2018, Richard Devine created a signature sound bank for Waverazor.  This song is a showcase for some of the incredible presets he made for us.  It was composed by Taiho Yamada in Tracktion's Waveform and uses some standard effects, but all the sound generation was done with Waverazor.

You can check out the video version on YouTube here:
https://www.youtube.com/watch?v=NDFFU3oSgVQ

Induction

Whom the bell tolls ...
Once Upon a Time in the West ...
Finally in the caves of the Cenobites ...
Whatever your nightmare is, it is there ...

] Peter:H [ - ] 2019 [

Death and perdition will come upon you

] Peter:H [ is sound and music. the fabric is curiosity, challenges and love for exploration.
] Peter:H [ combines colorful frequencies, fragrant textures and tasteful rhythms always seeking for new sonic experience.
] Peter:H [ is on a journey and want's to invite the listener to join for a little while to travel together.