peter pearson

Sophia AYA’s trio of distinct Neo-Classical tracks are like a sonic diving bell that unhesitatingly takes us deep into ourselves. Sophia guides us down to the level of whatever it is that we likely need to hear, face, or release, wether it is comfortable for us or not.
This singular listening experience is presented across three tracks:
“The Sea Of Almost’ : The complete main composition, featuring Kat Kikta’s evocative vocals.  
“The Sea Of Almost (Instrumental Resonance)”: A deeper more expansive ambient version, stripping away the central vocals to allow the listener to sink into the composition’s instrumental core. 
“The Sea Of Almost (Vocal Deepener)”: A sparse meditative track highlighting the layered  vocal harmonies and atmospheric elements, transforming the voice into a sacred, etherial instrument of sound healing. 
In the depths of “The Sea Of Almost” are giant and gentle sea monsters waiting for us to pass by on our way to feel the unfelt things that remain even deeper below, perhaps in the sea of our conscious or subconscious mind.

The Sea Of Almost (Vocal Deepener)

interior castles

before he learned to talk and hurt

Cala Sidoti beach on the island of Ustica, recorded from three different perspectives (Olympus LS-P4 and FEL Clippy microphones).

Cala Sidoti

Sweet Celandine

Sky Trip

I See You In My Dreams

Sweet Light

Relaxed Summer Chill - Ibiza Hotel Chillout del Mar, Easy Listening Sunset Afterhours

Sensual Girl

Top FM - PowerIntro - Sam Smith - I Feel Love

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

I See You In My Dreams

P Pearson

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