interesting like it dont know what to call it but its good vibe

lovely vocals. great clean guitar. love the emotional tone. very unique and crisp recording

wonderful song full of nuance and interesting lyrics

This album calls out that which is meant to destroy us. Ourselves. Our species thinks of itself as the master of creation. Invincible. Inevitable. We couldn't be further from the truth. Eventually, we all lose sight of reality and fade as shades haunting the past and echoing our mournful songs into the future to ignorant unhearing ears. This is the Fourth and Final Horseman. The Horseman of Death.

The Moonlight Sessions

X-Gorgeous Hell

May do a stripped or acoustic version later.

Glow

Ashes

13.42 (1.42 PM )

1983 Timothy B. Schmit(Eagles,the USA)
Actress   Sayuri Yoshinaga

So Much In Love (cover / Timothy B. Schmit)

The Crocodile

Seth and Mike improvising under the Big Sky -

Flowers Need Water

11 - 5 - 2023

The Fool's Parade

I Wanna Live Forever

01 - En plats på solen

Walkabout
Walkabout is a rite of passage in Australian Aboriginal society, during which males undergo a journey during adolescence, typically ages 10 to 16, and live in the wilderness for a period as long as six months to make the spiritual and traditional transition into manhood.

Walkabout

Etzronia

Music - https://soundcloud.com/sonic_kitchen/pimp-hand-free-beatopen-collab
Artist - https://soundcloud.com/sonic_kitchen
vox - https://youtu.be/9-csY039Z64
MOSNAR DET - Remixing, Drum & Bass Programming
Special Thanks to Sonic Kitchen for offering up the great open collab! check out their profile!

Sonic Kitchen - Pimp Hand (Open Collab)

The Game. mixtape version.
::
Sitting there
Letting those eyes soak
watching you so slow
And feeling the day

Remembering summer slow
Taking it solo
Was never the same

Letting those eyes close
Feeling those arms close
Just watching the game

Honey, there's something missing here
Baby, we're one step closer, yeah

What about, what about us
Singing what about, what about us

The Game

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy

Ashes

Prophet of End Times

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