The Starkind Entity

Body Talk

A two piece band that favours experiment, being inspired by the energy of the moment and good sounds over rigid formula...we enjoy
 what we do and to be able to play music is a true honour.  We aim to extend honest and positive energy through the tonal arts and never imitate. Further,   our musical ouput is not massive as we believe in quality over quantity...with full energy and belief  going into every studio track. We love the fact that so much excellent sonic work is moving through the world of soundcloud, it is very inspiring and influential.  Peace to all who engage with our sounds..we are truly thankful to you all.

Now that’s a cryptic pairing. Here’s a concept riff:

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Tsarwicc | Randleman
A haunt beyond the oval.
Where burnout echoes into silence, and roadside shrines flicker in eternal dusk.
Here, Tsarwicc reclaims the speedway’s forgotten hymns—ritualizing lost velocity, discarded helmets, and the spectral drawl of Southern legacy.
From pit crews to cryptic choirs, every track Fuel for the Stillborn, or Petty Saints. Want to go harder into that haunted motorsport Americana vibe? Or twist it toward Tsarwicc’s quieter layers: rust as resonance, oil as oracle. I’m buckled in either way. 🏁🕯️

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy

Eleanor Collides is the solo project of UK singer-songwriter Nick Ranga.  

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Named after Nick’s childhood imaginary friend, Eleanor Collides started life as a lockdown project in March of 2021 when a group of London based musicians got together to support each other in writing, recording and releasing music. Named The MusiCollective, this group has produced acts such as Pisgah, Colin Tyler, Corporate Drone and Lucoline

'People Are Taller in Real Life',  the debut album by Eleanor Collides, falls somewhere between Indie, Alternative Rock and Dream Pop. On this album Nick draws on a wide range of influences from the 90s alt-rock of Alice In Chains and Hole, British Indie bands such as Manic Street Preachers and Depeche Mode's moody synth pop

Ciao! I am a bass, double bass and guitar player but I like composing on keyboards too. 
Thank you for listening. Peace!

I make electronic music (and also Pop, Rock etc).

Musical influences;
Tangerine Dream, Ozric Tentacles, Plaid, Air, Younger Brother, Kraftwerk, Laurent Garnier, Djrum, Orbital, Grandbrothers, Banco De Gaia, Enigma, Vangelis, Pink Floyd, The Orb, Azmari, Weval, Underworld, New Order etc.