Mind Over Matter

https://youtube.com/channel/UC0n3OTmmQkk2fxF1vvL7fBQ

https://t.me/rtofficial1

http://soundcloud.com/RT.artist7892613/rez

https://youtube.com/@Rezatayebloo?si=7jfnvw9lBE6vMMNe

~Everything~vibrates~
🤘My Followers Are Fucks ! Tnks for the compliments in private🔥 Love You❤️
𝙉𝙤𝙣𝙚 𝙤𝙛 𝙢𝙮 𝙢𝙪𝙨𝙞𝙘 𝙞𝙨 𝙬𝙝𝙖𝙩 𝙞𝙩 𝙖𝙥𝙥𝙚𝙖𝙧𝙨 𝙩𝙤 𝙗𝙚, 𝙩𝙝𝙚𝙮 𝙖𝙡𝙡 𝙝𝙖𝙫𝙚 𝙝𝙞𝙨𝙩𝙤𝙧𝙮, 𝙥𝙚𝙧𝙘𝙚𝙥𝙩𝙞𝙗𝙡𝙚 𝙖𝙣𝙙 𝙨𝙪𝙗𝙡𝙞𝙢𝙞𝙣𝙖𝙡 𝙩𝙚𝙖𝙘𝙝𝙞𝙣𝙜𝙨. 
𝙄𝙛 𝙮𝙤𝙪 𝙡𝙤𝙤𝙠 𝙘𝙡𝙤𝙨𝙚𝙡𝙮, 𝙤𝙣𝙡𝙮 𝙞𝙣 𝙨𝙤𝙢𝙚 𝙨𝙤𝙣𝙜𝙨 𝙄 𝙡𝙚𝙖𝙫𝙚 𝙖𝙣 𝙚𝙭𝙥𝙡𝙖𝙣𝙖𝙩𝙤𝙧𝙮 𝙢𝙪𝙨𝙞𝙘𝙖𝙡 𝙣𝙤𝙩𝙚.
𝙄 𝙬𝙤𝙪𝙡𝙙 𝙢𝙚𝙣𝙩𝙞𝙤𝙣 𝙟𝙪𝙨𝙩 𝟯, 𝙩𝙝𝙚 𝙤𝙩𝙝𝙚𝙧 𝙨𝙤𝙣𝙜𝙨 𝙄 𝙡𝙚𝙖𝙫𝙚 𝙛𝙤𝙧 𝙢𝙮 𝙖𝙪𝙙𝙞𝙚𝙣𝙘𝙚 𝙩𝙤 𝙞𝙣𝙩𝙚𝙧𝙥𝙧𝙚𝙩 𝙖𝙣𝙙 𝙩𝙧𝙮 𝙩𝙤 𝙪𝙣𝙙𝙚𝙧𝙨𝙩𝙖𝙣𝙙 𝙩𝙝𝙚 𝙢𝙚𝙨𝙨𝙖𝙜𝙚:

⭐𝙁𝘼𝙑𝙊𝙍𝙄𝙏𝙀 𝘽𝙄𝙏𝘾𝙃🍓: 𝙄𝙩 𝙩𝙚𝙖𝙘𝙝𝙚𝙨 𝙮𝙤𝙪 𝙩𝙝𝙖𝙩 𝙝𝙖𝙫𝙞𝙣𝙜 𝙖 𝙛𝙖𝙫𝙤𝙧𝙞𝙩𝙚 𝙗𝙞𝙩𝙘𝙝 𝙢𝙖𝙠𝙚𝙨 𝙮𝙤𝙪 𝙝𝙤𝙨𝙩𝙖𝙜𝙚 𝙩𝙤 𝙢𝙤𝙣𝙚𝙮 𝙖𝙣𝙙 𝙣𝙚𝙚𝙙𝙮. 𝙏𝙝𝙚 𝙨𝙤𝙣𝙜 𝙞𝙨 𝙖𝙗𝙤𝙪𝙩 𝙖 𝙢𝙖𝙣 𝙬𝙝𝙤 𝙛𝙚𝙚𝙡𝙨 𝙖𝙗𝙖𝙣𝙙𝙤𝙣𝙚𝙙 𝙚𝙫𝙚𝙧𝙮 𝙩𝙞𝙢𝙚 𝙖 𝙬𝙝𝙤𝙧𝙚 𝙡𝙚𝙖𝙫𝙚𝙨 𝙝𝙞𝙢.

🔮𝙎𝙝𝙚 𝙈𝙖𝙠𝙚 𝙎𝙥𝙚𝙡𝙡: 𝙀𝙣𝙘𝙝𝙖𝙣𝙩𝙚𝙙 𝙢𝙞𝙣𝙙𝙨 𝙚𝙣𝙙 𝙪𝙥 𝙜𝙤𝙞𝙣𝙜 𝙘𝙧𝙖𝙯𝙮 𝙞𝙣 𝙡𝙤𝙫𝙚 𝙛𝙤𝙧 𝙣𝙤𝙩 𝙝𝙖𝙫𝙞𝙣𝙜 𝙩𝙝𝙚𝙞𝙧 𝙄𝘿'𝙨 𝙙𝙚𝙨𝙞𝙧𝙚 𝙛𝙪𝙡𝙛𝙞𝙡𝙡𝙚𝙙

❤️𝘾𝙊𝙈𝙀 𝘽𝘼𝘾𝙆 - 𝙛𝙚𝙖𝙩. 𝙇𝙄𝙇 𝙂𝙊𝙏𝙃: 𝙏𝙝𝙚 𝙨𝙚𝙥𝙖𝙧𝙖𝙩𝙞𝙤𝙣 𝙤𝙛 𝙩𝙬𝙤 𝙥𝙚𝙤𝙥𝙡𝙚 𝙬𝙝𝙤 𝙡𝙤𝙫𝙚 𝙚𝙖𝙘𝙝 𝙤𝙩𝙝𝙚𝙧 𝙘𝙖𝙣 𝙗𝙚 𝙥𝙖𝙞𝙣𝙛𝙪𝙡 𝙛𝙤𝙧 𝙖 𝙡𝙞𝙛𝙚𝙩𝙞𝙢𝙚.

𝙄 𝙛𝙚𝙡𝙩 𝙩𝙝𝙚 𝙣𝙚𝙚𝙙 𝙩𝙤 𝙡𝙚𝙖𝙫𝙚 𝙩𝙝𝙞𝙨 𝙚𝙭𝙥𝙡𝙖𝙣𝙖𝙩𝙞𝙤𝙣 𝙤𝙛 𝙢𝙮𝙨𝙚𝙡𝙛 𝙖𝙨 𝙖𝙣 𝙖𝙧𝙩𝙞𝙨𝙩 𝙞𝙣 𝙢𝙞𝙣𝙚, 𝙗𝙚𝙘𝙖𝙪𝙨𝙚 𝙄 𝙧𝙚𝙖𝙡𝙞𝙯𝙚𝙙 𝙩𝙝𝙖𝙩 𝙨𝙤𝙢𝙚 𝙙𝙞𝙙 𝙣𝙤𝙩 𝙜𝙚𝙩 𝙩𝙝𝙚 𝙢𝙚𝙨𝙨𝙖𝙜𝙚𝙨.
𝙏𝙝𝙖𝙣𝙠𝙨 𝙛𝙤𝙧 𝙧𝙚𝙖𝙙𝙞𝙣𝙜 :)

𝙈𝙮 𝙣𝙖𝙢𝙚 𝙞𝙨 𝙏𝙝𝙖𝙡𝙚𝙨, 𝙄'𝙢:
💻 Software programmer
🎶Musical artist in his spare time :)

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

➣  Welcome 
.,.,.,,.,,.,,,.,,,.,,,.,,,.,,,.,,.,,.,.,


https://soundcloud.com/fraxtality
https://fraxtal.bandcamp.com
https://www.youtube.com/@FraXtality
https://www.facebook.com/FraXtality/
https://www.mixcloud.com/LiamKear/

No decks still


Out of nowhere!
Unto /ʌnˈtʃɑrt̮əd
And into somewhere...
Please get comfortable
We be traversing now
Among uncharted seas,
Unto-The-Shoreline's-Of-Life-Itself


Everything mysterious
every mystery
Magically brought us back to the invisible we 
in every moment, don't you know it? 
within the internal monologue 

Reactions causing change 
and right now
it's so strange
we play songs
as we play games
left here
I'm right here
With Unlimited doors 
leading us to unlimited rooms

------------------------------------------------
 ▪️Techno ▪️Minimal ▪️Trance ▪️Electro ▪️Ambient 
 ▪️Syncopation ▪️Dubstep ▪️Psy ▪️Bass ▪️Reggae 
▪️DnB ▪️Magic ▪️Wonder 
------------------------------------------------
How is your son god? ..
so he says, well, within the sun
above and upon us,
Raining, demonstrating 
the suns communicating 

one unity
are we fully?
 
Glistering 
So listen, to the listening

stars communicate,
designing and daring 
for the sake of caring
without a care 
and so we are staring. 



 )▪️(  Music enthusiast.

...buffering...
VOID 😎

follow along with the build up. don't be shy to share your opinion.

Loves X-Perimental Jazz, Soul, Guitar
Indigenous, Rock & Blues, Classical, 
Worldmusic ,Peace ✌️

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy

Eleanor Collides is the solo project of UK singer-songwriter Nick Ranga.  

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Named after Nick’s childhood imaginary friend, Eleanor Collides started life as a lockdown project in March of 2021 when a group of London based musicians got together to support each other in writing, recording and releasing music. Named The MusiCollective, this group has produced acts such as Pisgah, Colin Tyler, Corporate Drone and Lucoline

'People Are Taller in Real Life',  the debut album by Eleanor Collides, falls somewhere between Indie, Alternative Rock and Dream Pop. On this album Nick draws on a wide range of influences from the 90s alt-rock of Alice In Chains and Hole, British Indie bands such as Manic Street Preachers and Depeche Mode's moody synth pop