The Moonlight Sessions

The Crocodile

"You don't sound like anyone else," said Danny Thompson - renowned bass player for Nick Drake and Joe Strummer - about English musician Conil.

The GRAMMY-winning engineer for Tom Waits and Elvis Costello, Tchad Blake said: "Strange Part of the Country is an awesome album! I still listen to it."

Fleetwood Mac legend Peter Green liked Conil's music so much he stopped by Conil’s house to record with him. They recorded a version of Conil's homage to the jazz greats "Round Midnight". 

Strange Part of the Country never conformed to any current trends and has remained timeless. Now, people are discovering this album and it is becoming an all-time favourite. 

When the album was released in the UK, it received some amazing press. Britain's biggest selling music monthly Q magazine gave it: "Four stars - Q Recommends". Blues Matters magazine wrote: "One of the most original artists out there". In the next issue, Blues Matters put him on the front cover.

Conil left London after Strange Part of the Country was released and has spent the last ten years living in the United States and Europe - including New Orleans, New York City, and Berlin.

Bigfoot is a friend of mine. We like to make music and share it with our friends. See our YouTube channel and A Journal of Nonsense for more fun.

I wish I could follow everyone back...

Thanks for the listens, likes, and follows. It's much appreciated!

Uncommissioned music for obscure movies.

#electronic #experimental #synthpunk #darkwave #synthwave #digitalcumbia #soundtrack #postrock

dm on IG if thy wan' collab'
also manager/mentor would be stellar

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy

"Brighton bleeds" & "The Forest within" (OUT NOW) Blessings to the soundcloud faithful Creating, Exploring, Experimenting, and Sharing. I'm a spoken word artist, writing about struggles and successes, and all my mind has to offer......

all lyrics and music written by myself.

(except for "IF") music composed by
'Alex Hay'

(and A 2:55 appointment with death) music made by my father Ron neesam.

💜💜 2 purple hearts in memory of my dear mother June neesam and dear father Ron neesam. I bless you both.



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