Collaboration with https://soundcloud.com/pressureworks5

Words: Manca Klun
Music: Alessandro De Oliveira Bastos.
Music & Sound Manipulation: PressureWorks.

Leaving (collaboration with PressureWorks)

Down on Fiddlers Green

Down On Fiddlers Green

"Build Me Up Buttercup" is a song written by Mike d'Abo and Tony Macaulay, and released by The Foundations in 1968 with Colin Young singing lead vocals. Young had replaced Clem Curtis during 1968 and this was the first Foundations hit on which he sang. This is a cover by Robert Brogan. Check out https://robertbroganmusic.com for more information about this artist! Thanks for listening!

Buttercup

Build me up Buttercup (The Foundations ) Cover

Alhulumuqahron

2022
Elias Thorngren/M00zic   -  Guitar
https://soundcloud.com/nick-nine-967204059/tracks
Eric Liljenzin  -  Piano
https://soundcloud.com/eric-liljenzin

Elias Thorngren   -  Where is Leo ?

Based on some real experiences and some exaggerated ones, Mr. Ilby is a song about a child who has an imaginary friend that helps them deal with trauma.

Asylum

Mr. Ilby

What Dreams May Come

About 18 (edited: sorry, only 8!) 😄 different instances of Korg Polysix, MS-20 and the legendary M1. Peppered with delicious instruments from the Nexus 4. I hope you enjoy getting this retro feel?!
I had a great desire to add more elements, but simple is good too...? 😁

😍✨👍🏻

Laserdance says hello :)

Evolution One

Composed, arranged, performed, and produced by
Carlos Vivanco

Northern Lights

Reflections

Lonely Stone, Lawrence Farr, and Gene Jumper, Collab. ( Original).

Lonely Stone, Lawrence Farr And Gene Jumper Collab. ( Original }

ONE (Nightcore)

NO ESCAPE (Nightcore)

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy