Some of my Soundcloud Favourites #12

SoundCloud Finds

ANOTHER PLAYLIST MIXXX  XOXOXO!!

AND ANOTHER PLAYLIST - MUCH LOVE - FROM KENNA-RAE

Quarkstrangenesscharm has yet again used his unique and wonderful talents on my words. I am grateful for that and hope you will be too.

Please take the time to enjoy his other signature works. https://soundcloud.com/quarkstrangesscharm

Fruitless Love music by Quarkstrangenesscharm

Moth

A collaboration a long time in waiting. My friend embedded my words deep within his rich reality long, long ago. Now it has made it here.

With the utmost appreciation for taking my words to the music you enveloped them in, I thank you my dear friend.

Find him here and you are sure to stay a while.
https://soundcloud.com/quarkstrangesscharm

Inescapable Mind with music by Quarkstrangenesscharm

GO! Tiger いくつかの 5

This song is Produced, Mixed and Mastered by @danbligity

The Lyrics and Vocals are made by me @user-527102854

Betrayed - Prod.D.Bligity.32Bit.HD2

A Holiday Somewhere Else (reprise)

This song was written in 2014 and recorded in 2018 by Jesus Estrada in his unique, idiosyncratic production style. A song about lost love, and the hope that somewhere, there is someone who is the right one. The track features a short piano solo from Jesus, and a little whistling from myself at the end.
 
“Ever has it been that love knows not its own depth until the hour of separation.”
― Kahlil Gibran

“When you loved someone and had to let them go, there will always be that small part of yourself that whispers, "What was it that you wanted and why didn't you fight for it?”
― Shannon L. Alder

Lyrics
I beg for forgiveness
She turns her back
I guess it’s all over
Love’s slipped through the cracks

Chorus: Please tell me there’s someone in the future for me … ah ahh 

Some sing the blues to bring comfort
Others pray to the lord
Many look to the bottle
While a few just fall on a sword

Chorus: So tell me there’s someone marked out for my company … ah ahh

A room’s no place for the loveless
But nor is a cold, lonely street
Where the wind howls through your memories
Bringing rain, maybe snow, even sleet

Chorus: Please tell me there’s some love in my proximity … ah ahh
Please tell me there’s some love in my proximity … ah ahh

She pleads for redemption
But he’s out through the door
We can see it’s all over
As love crashes to the floor

Chorus: Please say that there’s someone in the future for us all … ah ahh

A Long Time Coming

Someone

Closing In

LAND OF SHINAR

The narrow path (available on Bandcamp)

Waterfall

Asylum

What Dreams May Come

Brian Butts - Guitar, Drums, Bass, Keyboard, Master Mix
Jose Flores (LARA Z) - Vocals, Lyrics https://soundcloud.com/jose-flores-83323203?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Fluxional

Bandcamp

Transvection (feat. LARA Z)

RedPepper

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy